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𝖣𝖾 𝖿𝗋𝖾𝗇𝗍𝖾 𝗉𝖺𝗋𝖺 𝗍𝖾𝗅𝖾𝗏𝗂𝗌𝖺̃𝗈, 𝗈 𝗆𝗈𝗆𝖾𝗇𝗍𝗈 𝗂𝖺-𝗌𝖾 𝗋𝖾𝗉𝖾𝗍𝗂𝗇𝖽𝗈, 𝗌𝖾𝗆 𝗌𝗈𝗆𝖻𝗋𝖺 𝖽𝖾 𝗌𝖺𝗍𝗎𝗋𝖺𝖼̧𝖺̃𝗈. 𝖯𝖾𝗅𝗈 𝖼𝗈𝗇𝗍𝗋𝖺́𝗋𝗂𝗈, 𝗊𝗎𝖺𝗇𝗍𝗈 𝗆𝖺𝗂𝗌 𝗏𝗂́𝖺𝗆𝗈𝗌 𝖾 𝗈𝗎𝗏𝗂́𝖺𝗆𝗈𝗌, 𝗆𝖺𝗂𝗌 𝗊𝗎𝖾𝗋𝗂́𝖺𝗆𝗈𝗌 𝗏𝖾𝗋 𝖾 𝗈𝗎𝗏𝗂𝗋. 𝖥𝗈𝗂 𝖺𝗌𝗌𝗂𝗆 𝗊𝗎𝖾, 𝗌𝖾𝗆 𝗇𝗈𝗌 𝖺𝗉𝖾𝗋𝖼𝖾𝖻𝖾𝗋𝗆𝗈𝗌, 𝖾𝗎 𝖾 𝖺𝗌 𝗆𝗂𝗇𝗁𝖺𝗌 𝗂𝗋𝗆𝖺̃𝗌 𝗇𝗈𝗌 𝗃𝗎𝗇𝗍𝖺́𝗆𝗈𝗌 𝖺𝗈 𝗆𝗈𝗏𝗂𝗆𝖾𝗇𝗍𝗈 𝗉𝗈𝗅𝗂́𝗍𝗂𝖼𝗈 𝗆𝖺𝗂𝗌 𝗉𝗈𝖽𝖾𝗋𝗈𝗌𝗈 𝗊𝗎𝖾 𝖼𝗈𝗇𝗁𝖾𝖼̧𝗈: 𝗈 𝖽𝖺 𝗆𝗈𝖻𝗂𝗅𝗂𝗓𝖺𝖼̧𝖺̃𝗈 𝖼𝗈𝗅𝖾𝖼𝗍𝗂𝗏𝖺 𝗉𝗈𝗋 𝖩𝗎𝗌𝗍𝗂𝖼̧𝖺 𝖲𝗈𝖼𝗂𝖺𝗅.
𝖥𝗂𝗓𝖾𝗆𝗈-𝗅𝗈 𝖽𝖾𝗌𝗉𝗋𝖾𝗈𝖼𝗎𝗉𝖺𝖽𝖺𝗆𝖾𝗇𝗍𝖾, 𝖾𝗇𝗍𝗋𝖾 𝖻𝗋𝗂𝗇𝖼𝖺𝖽𝖾𝗂𝗋𝖺𝗌 𝖽𝖾 𝗂𝗇𝖿𝖺̂𝗇𝖼𝗂𝖺, 𝗌𝗈𝖻 𝖺 𝖼𝗈𝗇𝖽𝗎𝖼̧𝖺̃𝗈 𝖽𝖾 𝗎𝗆 𝗉𝖺𝗂-𝖿𝖾𝗂𝗍𝗈-𝗆𝖺𝖾𝗌𝗍𝗋𝗈, 𝖾 𝗈 𝗋𝗂𝗍𝗆𝗈 𝖽𝗈 𝖼𝗈𝗋𝗈 𝗆𝖺𝗂𝗌 𝖾𝗇𝗍𝗈𝖺𝖽𝗈 𝖽𝖺𝗊𝗎𝖾𝗅𝖾𝗌 𝗍𝖾𝗆𝗉𝗈𝗌: “𝖶𝖾 𝖺𝗋𝖾 𝗍𝗁𝖾 𝖶𝗈𝗋𝗅𝖽. 𝖶𝖾 𝖺𝗋𝖾 𝗍𝗁𝖾 𝖼𝗁𝗂𝗅𝖽𝗋𝖾𝗇”, 𝗈𝗎, 𝗇𝖺 𝗍𝗋𝖺𝖽𝗎𝖼̧𝖺̃𝗈 𝗉𝖺𝗋𝖺 𝗈 𝗉𝗈𝗋𝗍𝗎𝗀𝗎𝖾̂𝗌, “𝖭𝗈́𝗌 𝗌𝗈𝗆𝗈𝗌 𝗈 𝗆𝗎𝗇𝖽𝗈. 𝖭𝗈́𝗌 𝗌𝗈𝗆𝗈𝗌 𝖺𝗌 𝖼𝗋𝗂𝖺𝗇𝖼̧𝖺𝗌”.
𝖤𝗇𝗊𝗎𝖺𝗇𝗍𝗈 𝖽𝖾𝗌𝖺𝖿𝗂𝗇𝖺́𝗏𝖺𝗆𝗈𝗌, 𝗂𝗆𝗂𝗍𝖺́𝗏𝖺𝗆𝗈𝗌 𝗈𝗌 𝖾𝗌𝗀𝖺𝗋𝖾𝗌 𝖽𝖺𝗌 𝖾𝗌𝗍𝗋𝖾𝗅𝖺𝗌 𝗇𝗈 𝗏𝗂́𝖽𝖾𝗈, 𝖾 𝗂𝗇𝗏𝖾𝗇𝗍𝖺́𝗏𝖺𝗆𝗈𝗌 𝗉𝖺𝗅𝖺𝗏𝗋𝖺𝗌 𝗊𝗎𝖾 𝗌𝗈𝖺𝗏𝖺𝗆 𝖺 𝗂𝗇𝗀𝗅𝖾̂𝗌, 𝖺 𝖿𝗈𝗆𝖾 𝖼𝗈𝖻𝗋𝗂𝖺 𝖽𝖾 𝗆𝗈𝗋𝗍𝖾 𝖺 𝖤𝗍𝗂𝗈́𝗉𝗂𝖺, 𝗍𝗋𝖺𝗀𝖾́𝖽𝗂𝖺 𝗊𝗎𝖾 𝗆𝗈𝗍𝗂𝗏𝗈𝗎 𝖺 𝖼𝗋𝗂𝖺𝖼̧𝖺̃𝗈 𝖽𝖾𝗌𝗌𝖾 𝗋𝖾𝖿𝗋𝖺̃𝗈, 𝗅𝖺𝗇𝖼̧𝖺𝖽𝗈 𝖾𝗆 𝟣𝟫𝟪𝟧.
𝖭𝖺 𝖺𝗅𝗍𝗎𝗋𝖺, 𝖾𝗌𝗍𝖺𝗏𝖺 𝗃𝖺́ 𝗁𝗈𝗋𝗋𝗈𝗋𝗂𝗓𝖺𝖽𝖺 𝖼𝗈𝗆 𝖺𝗌 𝗂𝗆𝖺𝗀𝖾𝗇𝗌 𝖽𝖾 𝖼𝗋𝗂𝖺𝗇𝖼̧𝖺𝗌 𝖾𝗍𝗂́𝗈𝗉𝖾𝗌 𝗌𝖾𝗏𝖾𝗋𝖺𝗆𝖾𝗇𝗍𝖾 𝗌𝗎𝖻𝗇𝗎𝗍𝗋𝗂𝖽𝖺𝗌, 𝖾 𝗉𝖺𝗋𝖾𝖼𝖾𝗎-𝗆𝖾 𝗇𝖺𝗍𝗎𝗋𝖺𝗅 𝗏𝖾𝗋 𝗍𝖺𝗇𝗍𝖺𝗌 𝗏𝗈𝗓𝖾𝗌 𝗎𝗇𝗂𝖽𝖺𝗌 𝗇𝗎𝗆𝖺 𝖼𝖺𝗆𝗉𝖺𝗇𝗁𝖺 𝗌𝗈𝗅𝗂𝖽𝖺́𝗋𝗂𝖺.
𝖢𝗈𝗆𝗈 𝗊𝗎𝖾 𝗆𝗈𝗏𝗂𝖽𝖺𝗌 𝗉𝗈𝗋 𝗎𝗆 𝗂𝗇𝖼𝗈𝗇𝗍𝗈𝗋𝗇𝖺́𝗏𝖾𝗅 𝖽𝖾𝗏𝖾𝗋 𝖽𝖾 𝗁𝗎𝗆𝖺𝗇𝗂𝖽𝖺𝖽𝖾.
𝖧𝗈𝗃𝖾 𝗋𝖾𝗏𝗂𝗌𝗂𝗍𝗈 𝖾𝗌𝗌𝖾𝗌 𝗌𝖾𝗇𝗍𝗂𝗆𝖾𝗇𝗍𝗈𝗌 𝖺̀ 𝖻𝗈𝗅𝖾𝗂𝖺 𝖽𝗈 𝖽𝗈𝖼𝗎𝗆𝖾𝗇𝗍𝖺́𝗋𝗂𝗈 𝖠 𝖦𝗋𝖺𝗇𝖽𝖾 𝖭𝗈𝗂𝗍𝖾 𝖽𝖺 𝖯𝗈𝗉, 𝗊𝗎𝖾 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺, 𝖽𝖾 𝖿𝗈𝗋𝗆𝖺 𝗂𝗇𝖾́𝖽𝗂𝗍𝖺, 𝗈𝗌 𝖻𝖺𝗌𝗍𝗂𝖽𝗈𝗋𝖾𝗌 𝖽𝖾𝗌𝗌𝖺 𝖺𝖼𝗍𝗎𝖺𝖼̧𝖺̃𝗈.
𝖵𝗈𝗓-𝗀𝗎𝗂𝖺 𝖺𝗈 𝗅𝗈𝗇𝗀𝗈 𝖽𝖺 𝗉𝗋𝗈𝖽𝗎𝖼̧𝖺̃𝗈, 𝗈 𝗆𝗎́𝗌𝗂𝖼𝗈 𝖫𝗂𝗈𝗇𝖾𝗅 𝖱𝗂𝖼𝗁𝗂𝖾 𝖼𝗈𝗇𝗍𝖺-𝗇𝗈𝗌 𝖼𝗈𝗆𝗈 𝗈 𝗅𝖾𝗇𝖽𝖺́𝗋𝗂𝗈 𝗆𝗂𝗅𝗂𝗍𝖺𝗇𝗍𝖾 𝗉𝖾𝗅𝗈𝗌 𝖽𝗂𝗋𝖾𝗂𝗍𝗈𝗌 𝖼𝗂𝗏𝗂𝗌, 𝖧𝖺𝗋𝗋𝗒 𝖡𝖾𝗅𝖺𝖿𝗈𝗇𝗍𝖾, 𝗈 𝖽𝖾𝗌𝖺𝖿𝗂𝗈𝗎: “𝖵𝖾𝗆𝗈𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝖻𝗋𝖺𝗇𝖼𝖺𝗌 𝖺 𝗌𝖺𝗅𝗏𝖺𝗋 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝗇𝖾𝗀𝗋𝖺𝗌, 𝗆𝖺𝗌 𝗇𝖺̃𝗈 𝗏𝖾𝗆𝗈𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝗇𝖾𝗀𝗋𝖺𝗌 𝖺 𝖿𝖺𝗓𝖾̂-𝗅𝗈. 𝖳𝖾𝗆𝗈𝗌 𝖽𝖾 𝗌𝖺𝗅𝗏𝖺𝗋 𝗈 𝗇𝗈𝗌𝗌𝗈 𝗉𝗈𝗏𝗈 𝖽𝖺 𝖿𝗈𝗆𝖾.”
𝖮 𝗋𝖾𝗉𝗍𝗈, 𝗉𝖺𝗋𝖺𝖿𝗋𝖺𝗌𝖾𝖺𝖽𝗈 𝗉𝗈𝗋 𝖫𝗂𝗈𝗇𝖾𝗅, 𝗍𝗋𝖺𝖽𝗎𝗓𝗂𝖺 𝗈 𝖾𝗆𝗉𝖾𝗇𝗁𝗈 𝖽𝗈 𝗆𝗎́𝗌𝗂𝖼𝗈 𝖾 𝖺𝖼𝗍𝗈𝗋 𝖾𝗆 𝖺𝗉𝗋𝗈𝗑𝗂𝗆𝖺𝗋 𝖺 𝗀𝖾𝗋𝖺𝖼̧𝖺̃𝗈 𝗆𝖺𝗂𝗌 𝗇𝗈𝗏𝖺 𝖽𝖾 𝖺𝗋𝗍𝗂𝗌𝗍𝖺𝗌 𝖺𝖿𝗋𝗈-𝖺𝗆𝖾𝗋𝗂𝖼𝖺𝗇𝗈𝗌 𝖽𝖺 𝗋𝖾𝖺𝗅𝗂𝖽𝖺𝖽𝖾 𝖺𝖿𝗋𝗂𝖼𝖺𝗇𝖺.
𝖠 𝗂𝗇𝗌𝗉𝗂𝗋𝖺𝖼̧𝖺̃𝗈, 𝖿𝗂𝖼𝖺𝗆𝗈𝗌 𝖺 𝗌𝖺𝖻𝖾𝗋 𝗇𝗈 𝖽𝗈𝖼𝗎𝗆𝖾𝗇𝗍𝖺́𝗋𝗂𝗈, 𝖾́ 𝗂𝗇𝖽𝗂𝗌𝗌𝗈𝖼𝗂𝖺́𝗏𝖾𝗅 𝖽𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 𝖣𝗈 𝖳𝗁𝖾𝗒 𝖪𝗇𝗈𝗐 𝖨𝗍’𝗌 𝖢𝗁𝗋𝗂𝗌𝗍𝗆𝖺𝗌?, 𝗀𝗋𝖺𝗏𝖺𝖽𝗈 𝖾𝗆 𝟣𝟫𝟪𝟦 𝗉𝗈𝗋 𝖾𝗌𝗍𝗋𝖾𝗅𝖺𝗌 𝖽𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖻𝗋𝗂𝗍𝖺̂𝗇𝗂𝖼𝖺 𝖾 𝖾𝗌𝖼𝗈𝖼𝖾𝗌𝖺, 𝗋𝖾𝗎𝗇𝗂𝖽𝖺𝗌 𝗇𝗈 𝗀𝗋𝗎𝗉𝗈 𝖡𝖺𝗇𝖽 𝖠𝗂𝖽.
𝖤𝗇𝗍𝗋𝖾 𝖺𝗌 𝗇𝗈𝗍𝖺𝗌 𝖽𝖾 𝗎𝗆𝖺 𝖾 𝗈𝗎𝗍𝗋𝖺 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝖼̧𝖺̃𝗈, 𝖾𝗇𝖼𝗈𝗇𝗍𝗋𝖺𝗆𝗈𝗌 𝗎𝗆𝖺 𝗋𝖾𝗌𝗉𝗈𝗌𝗍𝖺 𝖺̀ 𝗍𝗋𝖺𝗀𝖾́𝖽𝗂𝖺 𝖾𝗍𝗂́𝗈𝗉𝖾, 𝖺̀ 𝖾́𝗉𝗈𝖼𝖺, 𝗆𝖾𝖽𝗂𝖺𝗍𝗂𝗓𝖺𝖽𝖺 𝖾 𝗀𝗅𝗈𝖻𝖺𝗅𝗂𝗓𝖺𝖽𝖺 𝖺 𝗉𝖺𝗋𝗍𝗂𝗋 𝖽𝖾 𝗎𝗆𝖺 𝗋𝖾𝗉𝗈𝗋𝗍𝖺𝗀𝖾𝗆 𝖾𝗆𝗂𝗍𝗂𝖽𝖺 𝗉𝖾𝗅𝖺 𝖡𝖡𝖢.
𝖬𝖺𝗌, 𝖺𝖼𝗂𝗆𝖺 𝖽𝖾 𝗍𝗎𝖽𝗈, 𝗏𝖾𝗃𝗈 𝗇’ 𝖠 𝖦𝗋𝖺𝗇𝖽𝖾 𝖭𝗈𝗂𝗍𝖾 𝖽𝖺 𝖯𝗈𝗉 𝗎𝗆𝖺 𝖾𝗇𝗈𝗋𝗆𝖾 𝖽𝖾𝗆𝗈𝗇𝗌𝗍𝗋𝖺𝖼̧𝖺̃𝗈 𝖽𝖺 𝗇𝗈𝗌𝗌𝖺 𝖿𝗈𝗋𝖼̧𝖺 𝗉𝗈𝗅𝗂́𝗍𝗂𝖼𝖺. 𝖨𝗇𝖽𝗂𝗏𝗂𝖽𝗎𝖺𝗅 𝖾 𝖼𝗈𝗅𝖾𝖼𝗍𝗂𝗏𝖺.
𝖯𝖺𝗋𝖺 𝗊𝗎𝖾𝗆 𝖼𝗈𝗇𝗁𝖾𝖼𝖾 𝗈 𝗍𝖾𝗆𝖺 𝖶𝖾 𝖺𝗋𝖾 𝗍𝗁𝖾 𝖶𝗈𝗋𝗅𝖽, 𝖾 𝖺 𝖼𝗈𝗇𝗌𝗍𝖾𝗅𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝗆𝖺𝗂𝗌 𝖽𝖾 𝟦𝟢 𝖾𝗌𝗍𝗋𝖾𝗅𝖺𝗌 𝗊𝗎𝖾 𝗅𝗁𝖾 𝖽𝖾𝗋𝖺𝗆 𝗏𝗂𝖽𝖺 - 𝖺 𝖼𝗈𝗆𝖾𝖼̧𝖺𝗋 𝗉𝗈𝗋 𝖫𝗂𝗈𝗇𝖾𝗅 𝖱𝗂𝗍𝖼𝗁𝗂𝖾 𝖾 𝖬𝗂𝖼𝗁𝖺𝖾𝗅 𝖩𝖺𝖼𝗄𝗌𝗈𝗇, 𝗉𝖺𝗋𝖼𝖾𝗂𝗋𝗈𝗌 𝗇𝖺 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝖼̧𝖺̃𝗈 -, 𝖾́ 𝗂𝗆𝗉𝗋𝖾𝗌𝗌𝗂𝗈𝗇𝖺𝗇𝗍𝖾 𝗉𝖾𝗋𝖼𝖾𝖻𝖾𝗋 𝗊𝗎𝖾 𝗍𝗎𝖽𝗈 𝖺𝖼𝗈𝗇𝗍𝖾𝖼𝖾𝗎 𝗇𝖺 𝖻𝖺𝗌𝖾 𝖽𝗈 “𝗉𝖺𝗌𝗌𝖺 𝖺 𝗉𝖺𝗅𝖺𝗏𝗋𝖺” 𝖾 “𝗏𝖺𝗆𝗈𝗌 𝗏𝖾𝗋 𝗊𝗎𝖾𝗆 𝖺𝗉𝖺𝗋𝖾𝖼𝖾”.
𝖭𝖺̃𝗈 𝗆𝖾𝗇𝗈𝗌 𝖺𝖽𝗆𝗂𝗋𝖺́𝗏𝖾𝗅 𝖾́ 𝖺𝖼𝗈𝗆𝗉𝖺𝗇𝗁𝖺𝗋 𝖼𝗈𝗆𝗈 𝗌𝖾 𝗀𝖾𝗋𝗂𝗋𝖺𝗆 𝖺𝗌 𝗍𝖾𝗇𝗌𝗈̃𝖾𝗌 𝖾 𝖿𝗋𝗎𝗌𝗍𝗋𝖺𝖼̧𝗈̃𝖾𝗌 𝖺𝗈 𝗅𝗈𝗇𝗀𝗈 𝖽𝖾 𝗎𝗆𝖺 𝗇𝗈𝗂𝗍𝖾 𝖾 𝗆𝖺𝖽𝗋𝗎𝗀𝖺𝖽𝖺 𝖽𝖾 𝗀𝗋𝖺𝗏𝖺𝖼̧𝗈̃𝖾𝗌, 𝗋𝖾𝖺𝗅𝗂𝗓𝖺𝖽𝖺 𝖾𝗆 𝖫𝗈𝗌 𝖠𝗇𝗀𝖾𝗅𝖾𝗌 𝗌𝗈𝖻 𝖺 𝖻𝖺𝗍𝗎𝗍𝖺 𝖽𝗈 𝗂𝗇𝗂𝗆𝗂𝗍𝖺́𝗏𝖾𝗅 𝖰𝗎𝗂𝗇𝖼𝗒 𝖩𝗈𝗇𝖾𝗌.
𝖳𝖺̃𝗈 𝗀𝖾𝗇𝗂𝖺𝗅 𝗊𝗎𝖺𝗇𝗍𝗈 𝗉𝗋𝗈𝗏𝗂𝖽𝖾𝗇𝖼𝗂𝖺𝗅, 𝗈 𝗉𝗋𝗈𝖽𝗎𝗍𝗈𝗋 𝖽𝗈𝗌 𝗉𝗋𝗈𝖽𝗎𝗍𝗈𝗋𝖾𝗌 𝖺𝖿𝗂𝗑𝗈𝗎, 𝖺̀ 𝗉𝗈𝗋𝗍𝖺 𝖽𝗈 𝖾𝗌𝗍𝗎́𝖽𝗂𝗈, 𝗈 𝖺𝗏𝗂𝗌𝗈 “𝖢𝗁𝖾𝖼𝗄 𝗒𝗈𝗎𝗋 𝖾𝗀𝗈 𝖺𝗍 𝗍𝗁𝖾 𝖽𝗈𝗈𝗋”, 𝗍𝗋𝖺𝖽𝗎𝗓𝗂́𝗏𝖾𝗅 𝗉𝖺𝗋𝖺 “𝖵𝖾𝗋𝗂𝖿𝗂𝗊𝗎𝖾𝗆 𝗈 𝗏𝗈𝗌𝗌𝗈 𝖾𝗀𝗈 𝖺̀ 𝖾𝗇𝗍𝗋𝖺𝖽𝖺”.
𝖤́ 𝗏𝖾𝗋𝖽𝖺𝖽𝖾 𝗊𝗎𝖾 𝗇𝖾𝗆 𝗉𝗈𝗋 𝗂𝗌𝗌𝗈 𝗈𝗌 𝖾𝗀𝗈𝗌 𝖿𝗂𝖼𝖺𝗋𝖺𝗆 𝖽𝖾 𝖿𝗈𝗋𝖺, 𝗆𝖺𝗌 𝖺𝖼𝗋𝖾𝖽𝗂𝗍𝗈 𝗊𝗎𝖾 𝖺 𝗌𝗂𝗆𝗉𝗅𝖾𝗌 𝗋𝖾𝖼𝗈𝗆𝖾𝗇𝖽𝖺𝖼̧𝖺̃𝗈 𝗉𝗋𝗈𝖽𝗎𝗓 𝖺𝗅𝗀𝗎𝗇𝗌 𝖾𝖿𝖾𝗂𝗍𝗈𝗌 𝖽𝖾 𝖺𝗎𝗍𝗈-𝗋𝖾𝗀𝗎𝗅𝖺𝖼̧𝖺̃𝗈, 𝗏𝗂𝗌𝗂𝗏𝖾𝗅𝗆𝖾𝗇𝗍𝖾 𝖾𝗆 𝖽𝖾́𝖿𝗂𝖼𝖾 𝗇𝗈𝗌 𝖾𝗌𝗍𝗎́𝖽𝗂𝗈𝗌 𝖽𝖾 𝖳𝖵 𝗊𝗎𝖾, 𝖺𝗍𝖾́ 𝖽𝗂𝖺 𝖺𝗈 𝗉𝗋𝗈́𝗑𝗂𝗆𝗈 𝖽𝗂𝖺 𝟤𝟥, 𝗋𝖾𝖼𝖾𝖻𝖾𝗆 𝗈𝗌 𝖽𝖾𝖻𝖺𝗍𝖾𝗌 𝗉𝖺𝗋𝖺 𝖺𝗌 𝗅𝖾𝗀𝗂𝗌𝗅𝖺𝗍𝗂𝗏𝖺𝗌, 𝖿𝖾́𝗋𝗍𝖾𝗂𝗌 𝗇𝖺 𝖼𝗋𝗂𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝗆𝗈𝖽𝖾𝗋𝖺𝖽𝗈𝗋𝖾𝗌-𝖼𝗈𝗇𝗍𝖾𝗇𝖽𝖾𝖽𝗈𝗋𝖾𝗌.
𝖬𝖺𝗌 𝖽𝖾𝗂𝗑𝗈 𝖾𝗌𝗌𝖺 𝖼𝗈𝗇𝗏𝖾𝗋𝗌𝖺 𝗉𝖺𝗋𝖺 𝗈𝗎𝗍𝗋𝗈 𝗆𝗈𝗆𝖾𝗇𝗍𝗈, 𝖾 𝖿𝗂𝗑𝗈-𝗆𝖾 𝗇’ 𝖠 𝖦𝗋𝖺𝗇𝖽𝖾 𝖭𝗈𝗂𝗍𝖾 𝖽𝖺 𝖯𝗈𝗉.
𝖠̀ 𝗆𝖾𝖽𝗂𝖽𝖺 𝗊𝗎𝖾 𝗉𝖾𝗋𝖼𝗈𝗋𝗋𝗈 𝖺𝗌 𝗂𝗆𝖺𝗀𝖾𝗇𝗌 𝗉𝗈𝗋 𝖽𝖾𝗍𝗋𝖺́𝗌 𝖽𝗈 𝗉𝗋𝗈𝗃𝖾𝖼𝗍𝗈 𝗊𝗎𝖾 𝖺𝗇𝗀𝖺𝗋𝗂𝗈𝗎 𝗆𝗂𝗅𝗁𝗈̃𝖾𝗌 𝖽𝖾 𝖽𝗈́𝗅𝖺𝗋𝖾𝗌 𝗉𝖺𝗋𝖺 𝖼𝗈𝗆𝖻𝖺𝗍𝖾𝗋 𝖺 𝖿𝗈𝗆𝖾 𝗇𝖺 𝖤𝗍𝗂𝗈́𝗉𝗂𝖺, 𝗉𝖾𝗇𝗌𝗈 𝗇𝗈 𝗆𝗎𝗇𝖽𝗈 𝗊𝗎𝖾 𝗌𝗈𝗆𝗈𝗌, 𝖺𝗀𝗈𝗋𝖺 𝗉𝗈𝗎𝖼𝗈 𝖼𝗈𝗆𝗉𝖺𝗍𝗂́𝗏𝖾𝗅 𝖼𝗈𝗆 𝖺 𝗆𝗂𝗇𝗁𝖺 𝗏𝖾𝗅𝗁𝖺 𝖾 𝗂𝗇𝗀𝖾́𝗇𝗎𝖺 𝖼𝗋𝖾𝗇𝖼̧𝖺 𝗇𝗎𝗆 𝗂𝗇𝖼𝗈𝗇𝗍𝗈𝗋𝗇𝖺́𝗏𝖾𝗅 𝖽𝖾𝗏𝖾𝗋 𝖽𝖾 𝗁𝗎𝗆𝖺𝗇𝗂𝖽𝖺𝖽𝖾.
𝖰𝗎𝖾𝗌𝗍𝗂𝗈𝗇𝗈-𝗆𝖾 𝗌𝖾 𝖺𝗌 𝗇𝗈𝗏𝖺𝗌 𝗀𝖾𝗋𝖺𝖼̧𝗈̃𝖾𝗌 𝖽𝖾 𝗆𝗎́𝗌𝗂𝖼𝗈𝗌, 𝖾𝖽𝗎𝖼𝖺𝖽𝖺𝗌 𝗇𝗎𝗆𝖺 𝖾𝗋𝖺 𝖽𝖾 𝗍𝗋𝖺𝗀𝖾́𝖽𝗂𝖺𝗌 𝗍𝗋𝖺𝗇𝗌𝗆𝗂𝗍𝗂𝖽𝖺𝗌 𝖺𝗈 𝗆𝗂𝗇𝗎𝗍𝗈 𝖾 𝖾𝗆 𝖽𝗂𝗋𝖾𝖼𝗍𝗈, 𝗌𝖾𝗋𝗂𝖺𝗆 𝖼𝖺𝗉𝖺𝗓𝖾𝗌 𝖽𝖾 𝗌𝖾 𝗆𝗈𝖻𝗂𝗅𝗂𝗓𝖺𝗋 𝗆𝖺𝗌𝗌𝗂𝗏𝖺 𝖾 𝗀𝗅𝗈𝖻𝖺𝗅𝗆𝖾𝗇𝗍𝖾, 𝖾 𝗌𝖾𝗆 𝗊𝗎𝖺𝗅𝗊𝗎𝖾𝗋 𝗋𝖾𝗍𝗈𝗋𝗇𝗈 𝖿𝗂𝗇𝖺𝗇𝖼𝖾𝗂𝗋𝗈, 𝗉𝖾𝗅𝖺(𝗌) 𝗆𝖾𝗌𝗆𝖺(𝗌) 𝖼𝖺𝗎𝗌𝖺(𝗌).
𝖤𝗌𝖼𝗋𝖾𝗏𝗈 𝗆𝗎́𝗌𝗂𝖼𝗈𝗌 𝗉𝗈𝗋𝗊𝗎𝖾 𝖾𝗌𝗍𝖺́ 𝗇𝖾𝗅𝖾𝗌 𝗈 𝖿𝗈𝖼𝗈 𝖽’ 𝖠 𝖦𝗋𝖺𝗇𝖽𝖾 𝖭𝗈𝗂𝗍𝖾 𝖽𝖺 𝖯𝗈𝗉, 𝗆𝖺𝗌 𝖾𝗌𝗍𝗈𝗎 𝖺 𝖿𝖺𝗅𝖺𝗋 𝖽𝖾 𝗍𝗈𝖽𝗈𝗌 𝗇𝗈́𝗌. 𝖮 𝗍𝖺𝗅 𝗆𝗎𝗇𝖽𝗈 𝖾 𝖺𝗌 𝖼𝗋𝗂𝖺𝗇𝖼̧𝖺𝗌 𝗊𝗎𝖾 𝗌𝗈𝗆𝗈𝗌.
𝖲𝖾 𝖾𝗆 𝗆𝖾𝖺𝖽𝗈𝗌 𝖽𝗈𝗌 𝖠𝗇𝗈𝗌 𝟪𝟢, 𝖺 𝖼𝖺𝗍𝖺́𝗌𝗍𝗋𝗈𝖿𝖾 𝖾𝗍𝗂́𝗈𝗉𝖾 𝖺𝗂𝗇𝖽𝖺 𝖾𝗋𝖺 𝖼𝖺𝗉𝖺𝗓 𝖽𝖾 𝗌𝗎𝗌𝖼𝗂𝗍𝖺𝗋 𝖼𝗈𝗆𝗈𝖼̧𝖺̃𝗈 𝗀𝖾𝗇𝖾𝗋𝖺𝗅𝗂𝗓𝖺𝖽𝖺 - 𝖺𝖼𝗍𝗂𝗏𝖺𝗇𝖽𝗈 𝗈 𝗍𝖺𝗅 𝖽𝖾𝗏𝖾𝗋 𝖽𝖾 𝗁𝗎𝗆𝖺𝗇𝗂𝖽𝖺𝖽𝖾 𝗉𝖺𝗋𝖺 𝖺 𝖺𝖼𝖼̧𝖺̃𝗈 -, 𝖽𝖾𝗌𝖼𝗈𝗇𝖿𝗂𝗈 𝗊𝗎𝖾 𝗇𝗈 𝗇𝗈𝗏𝗈 𝗊𝗎𝗈𝗍𝗂𝖽𝗂𝖺𝗇𝗈, 𝗉𝗈𝗏𝗈𝖺𝖽𝗈 𝖽𝖾 𝗋𝖾𝖽𝖾𝗌 𝗌𝗈𝖼𝗂𝖺𝗂𝗌 𝖾 𝗆𝗎́𝗅𝗍𝗂𝗉𝗅𝗈𝗌 𝖼𝖺𝗇𝖺𝗂𝗌 𝖽𝖾 𝗇𝗈𝗍𝗂́𝖼𝗂𝖺𝗌 𝖼𝗈𝗆 𝗍𝗋𝖺𝗇𝗌𝗆𝗂𝗌𝗌𝖺̃𝗈 𝗂𝗇𝗂𝗇𝗍𝖾𝗋𝗋𝗎𝗉𝗍𝖺, 𝗉𝗎𝖽𝖾𝗌𝗌𝖾 𝖽𝖾𝗌𝗆𝖾𝗋𝖾𝖼𝖾𝗋 𝖺𝖼𝗍𝗎𝖺𝗅𝗂𝖽𝖺𝖽𝖾.
𝖣𝗂𝖺𝗇𝗍𝖾 𝖽𝖺 𝖺𝗏𝖺𝗅𝖺𝗇𝖼𝗁𝖾 𝖽𝖾 𝗂𝗇𝖿𝗈𝗋𝗆𝖺𝖼̧𝖺̃𝗈, 𝖽𝖾𝗌𝗂𝗇𝖿𝗈𝗋𝗆𝖺𝖼̧𝖺̃𝗈 𝖾 𝖽𝖾𝗌𝗌𝖾𝗇𝗌𝗂𝖻𝗂𝗅𝗂𝗓𝖺𝖼̧𝖺̃𝗈 𝗊𝗎𝖾 𝗇𝗈𝗌 𝖺𝗍𝗋𝖺𝗏𝖾𝗌𝗌𝖺, 𝗈 𝗊𝗎𝖾 𝖺𝗇𝗍𝖾𝗌 𝖾𝗋𝖺 𝗂𝗇𝖽𝗂𝗌𝖼𝗎𝗍𝗂́𝗏𝖾𝗅, 𝖺̀ 𝗅𝗎𝗓 𝖽𝖾 𝗏𝖺𝗅𝗈𝗋𝖾𝗌 𝗁𝗎𝗆𝖺𝗇𝗈𝗌, 𝗍𝗈𝗋𝗇𝖺-𝗌𝖾 𝖼𝖺𝖽𝖺 𝗏𝖾𝗓 𝗆𝖺𝗂𝗌 𝖽𝗂𝗌𝖼𝗎𝗍𝗂́𝗏𝖾𝗅, 𝖺̀ 𝗅𝗎𝗓 𝖽𝖾 𝗉𝗎𝖻𝗅𝗂𝖼𝖺𝖼̧𝗈̃𝖾𝗌, 𝗋𝖾𝖺𝖼𝖼̧𝗈̃𝖾𝗌 𝖾 𝖼𝗈𝗆𝖾𝗇𝗍𝖺́𝗋𝗂𝗈𝗌 𝗈𝗇𝗅𝗂𝗇𝖾.
𝖢𝗈𝗆𝗈 𝗌𝖾 𝖺𝗌 𝗇𝗈𝗋𝗆𝖺𝗌 𝗁𝗎𝗆𝖺𝗇𝗂𝗍𝖺́𝗋𝗂𝖺𝗌 𝖿𝗈𝗌𝗌𝖾𝗆 𝖽𝖾𝗌𝖼𝖺𝗋𝗍𝖺́𝗏𝖾𝗂𝗌 𝖾𝗆 𝖿𝗎𝗇𝖼̧𝖺̃𝗈 𝖽𝖺𝗌 𝖼𝗂𝗋𝖼𝗎𝗇𝗌𝗍𝖺̂𝗇𝖼𝗂𝖺𝗌, 𝖾𝗇𝗍𝖾𝗇𝖽𝗂𝗆𝖾𝗇𝗍𝗈 𝗉𝖺𝗋𝖺 𝗈 𝗊𝗎𝖺𝗅 𝗈 𝗌𝖾𝖼𝗋𝖾𝗍𝖺́𝗋𝗂𝗈-𝗀𝖾𝗋𝖺𝗅 𝖽𝖺 𝖮𝗋𝗀𝖺𝗇𝗂𝗓𝖺𝖼̧𝖺̃𝗈 𝖽𝖺𝗌 𝖭𝖺𝖼̧𝗈̃𝖾𝗌 𝖴𝗇𝗂𝖽𝖺𝗌 (𝖮𝖭𝖴), 𝖠𝗇𝗍𝗈́𝗇𝗂𝗈 𝖦𝗎𝗍𝖾𝗋𝗋𝖾𝗌, 𝖺𝗅𝖾𝗋𝗍𝖺𝗏𝖺, 𝗇𝗈 𝖿𝗂𝗇𝖺𝗅 𝖽𝗈 𝖺𝗇𝗈 𝗉𝖺𝗌𝗌𝖺𝖽𝗈, 𝖺 𝗉𝗋𝗈𝗉𝗈́𝗌𝗂𝗍𝗈 𝖽𝗈 𝗀𝖾𝗇𝗈𝖼𝗂́𝖽𝗂𝗈 𝗇𝖺 𝖯𝖺𝗅𝖾𝗌𝗍𝗂𝗇𝖺.
“𝖮 𝖣𝗂𝗋𝖾𝗂𝗍𝗈 𝖧𝗎𝗆𝖺𝗇𝗂𝗍𝖺́𝗋𝗂𝗈 𝖨𝗇𝗍𝖾𝗋𝗇𝖺𝖼𝗂𝗈𝗇𝖺𝗅 𝖾𝗌𝗍𝖺𝖻𝖾𝗅𝖾𝖼𝖾 𝗋𝖾𝗀𝗋𝖺𝗌 𝖼𝗅𝖺𝗋𝖺𝗌 𝗊𝗎𝖾 𝗇𝖺̃𝗈 𝗉𝗈𝖽𝖾𝗆 𝗌𝖾𝗋 𝗂𝗀𝗇𝗈𝗋𝖺𝖽𝖺𝗌. 𝖭𝖺̃𝗈 𝖾́ 𝗎𝗆 𝗆𝖾𝗇𝗎 𝖺̀ 𝗅𝖺 𝖼𝖺𝗋𝗍𝖾, 𝖾 𝗇𝖺̃𝗈 𝗉𝗈𝖽𝖾 𝗌𝖾𝗋 𝖺𝗉𝗅𝗂𝖼𝖺𝖽𝗈 𝗌𝖾𝗅𝖾𝖼𝗍𝗂𝗏𝖺𝗆𝖾𝗇𝗍𝖾”, 𝖽𝖾𝗌𝗍𝖺𝖼𝗈𝗎 𝗈 𝗅𝗂́𝖽𝖾𝗋 𝖽𝖺 𝖮𝖭𝖴.
𝖮 𝖺𝗏𝗂𝗌𝗈 𝖼𝗈𝗇𝗍𝗂𝗇𝗎𝖺, 𝖼𝗈𝗇𝗍𝗎𝖽𝗈, 𝖺 𝖼𝖺𝗂𝗋 𝖾𝗆 𝗌𝖺𝖼𝗈-𝗋𝗈𝗍𝗈: 𝗈𝗌 𝖺𝗍𝖺𝗊𝗎𝖾𝗌 𝗂𝗌𝗋𝖺𝖾𝗅𝗂𝗍𝖺𝗌 𝖾𝗆 𝖦𝖺𝗓𝖺 𝗉𝖾𝗋𝗌𝗂𝗌𝗍𝖾𝗆, 𝖾, 𝗌𝖾𝗀𝗎𝗇𝖽𝗈 𝖺𝗌 𝖺𝗎𝗍𝗈𝗋𝗂𝖽𝖺𝖽𝖾𝗌 𝗅𝗈𝖼𝖺𝗂𝗌, 𝗃𝖺́ 𝗍𝗈𝗍𝖺𝗅𝗂𝗓𝖺𝗆 𝖺𝖼𝗂𝗆𝖺 𝖽𝖾 𝟤𝟪 𝗆𝗂𝗅 𝗆𝗈𝗋𝗍𝖾𝗌, 𝗂𝗇𝖼𝗅𝗎𝗂𝗇𝖽𝗈 𝗆𝖺𝗂𝗌 𝖽𝖾 𝟣𝟣.𝟧𝟢𝟢 𝗆𝖾𝗇𝗈𝗋𝖾𝗌 𝖽𝖾 𝟣𝟪 𝖺𝗇𝗈𝗌.
𝖮 𝗀𝗋𝗎𝗉𝗈 𝖤𝗎𝗋𝗈-𝖬𝖾𝖽𝗂𝗍𝖾𝗋𝗋𝖺𝗇𝖾𝖺𝗇 𝖧𝗎𝗆𝖺𝗇 𝖱𝗂𝗀𝗁𝗍𝗌 𝖬𝗈𝗇𝗂𝗍𝗈𝗋 𝖺𝖼𝗋𝖾𝗌𝖼𝖾𝗇𝗍𝖺 𝗈𝗎𝗍𝗋𝗈 𝖽𝖺𝖽𝗈 𝖺𝗈 𝖻𝖺𝗅𝖺𝗇𝖼̧𝗈 𝖽𝗈 𝗀𝖾𝗇𝗈𝖼𝗂́𝖽𝗂𝗈: 𝟤𝟦.𝟢𝟢𝟢 𝖼𝗋𝗂𝖺𝗇𝖼̧𝖺𝗌 𝗉𝖾𝗋𝖽𝖾𝗋𝖺𝗆 𝗎𝗆 𝗈𝗎 𝖺𝗆𝖻𝗈𝗌 𝗈𝗌 𝗉𝖺𝗂𝗌.
𝖠 𝖼𝖺𝖽𝖺 𝗏𝗂𝖽𝖺 𝗌𝗎𝖻𝗍𝗋𝖺𝗂́𝖽𝖺 𝖾 𝗍𝗋𝖺𝗎𝗆𝖺 𝗌𝗈𝗆𝖺𝖽𝗈, 𝖿𝗂𝖼𝖺 𝖾𝗏𝗂𝖽𝖾𝗇𝗍𝖾 𝗊𝗎𝖾, 𝗇𝗈 𝗆𝗎𝗇𝖽𝗈 𝖾𝗆 𝗊𝗎𝖾 𝖾𝗌𝗍𝖺𝗆𝗈𝗌, “𝖭𝖺̃𝗈 𝗌𝗈𝗆𝗈𝗌 𝖾𝗌𝗍𝖺𝗌 𝖼𝗋𝗂𝖺𝗇𝖼̧𝖺𝗌”. 𝖬𝖺𝗌 𝗍𝖾𝗆𝗈𝗌 𝗈 𝖽𝖾𝗏𝖾𝗋 𝖽𝖾 𝗌𝖾𝗋.
IN "DIÁRIO DE NOTÍCIAS" 14/02/24.
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