.
Uma mulher excepcional
𝙾 𝙲𝚎𝚗𝚝𝚛𝚘 𝙽𝚊𝚌𝚒𝚘𝚗𝚊𝚕 𝚍𝚎 𝙲𝚞𝚕𝚝𝚞𝚛𝚊 𝚙𝚞𝚋𝚕𝚒𝚌𝚊, 𝚝𝚘𝚍𝚘𝚜 𝚘𝚜 𝚊𝚗𝚘𝚜, 𝚗𝚘 𝚖𝚎̂𝚜 𝚍𝚎 𝚊𝚐𝚘𝚜𝚝𝚘 𝚞𝚖 𝚌𝚘𝚗𝚓𝚞𝚗𝚝𝚘 𝚍𝚎 𝚝𝚎𝚡𝚝𝚘𝚜 𝚜𝚘𝚋𝚛𝚎 𝚊𝚜 𝚌𝚞𝚕𝚝𝚞𝚛𝚊𝚜 𝚍𝚊 𝚕𝚒́𝚗𝚐𝚞𝚊 𝚙𝚘𝚛𝚝𝚞𝚐𝚞𝚎𝚜𝚊. 𝙴𝚜𝚝𝚎 𝚊𝚗𝚘 𝚎𝚕𝚊𝚋𝚘𝚛𝚘𝚞 𝚞𝚖 𝙰𝚋𝚎𝚌𝚎𝚍𝚊́𝚛𝚒𝚘 𝚗𝚘 𝚖𝚎𝚜𝚖𝚘 𝚜𝚎𝚗𝚝𝚒𝚍𝚘. 𝙴 𝚜𝚘𝚋𝚛𝚎𝚜𝚜𝚊𝚒𝚞 𝚘 𝚗𝚘𝚖𝚎 𝚍𝚎 𝙲𝚊𝚛𝚘𝚕𝚒𝚗𝚊 𝙼𝚒𝚌𝚑𝚊𝚎𝚕𝚒𝚜 𝚍𝚎 𝚅𝚊𝚜𝚌𝚘𝚗𝚌𝚎𝚕𝚘𝚜, 𝚊 𝚙𝚛𝚒𝚖𝚎𝚒𝚛𝚊 𝚖𝚞𝚕𝚑𝚎𝚛 𝚌𝚊𝚝𝚎𝚍𝚛𝚊́𝚝𝚒𝚌𝚊 𝚍𝚊 𝚄𝚗𝚒𝚟𝚎𝚛𝚜𝚒𝚍𝚊𝚍𝚎 𝚙𝚘𝚛𝚝𝚞𝚐𝚞𝚎𝚜𝚊, 𝚚𝚞𝚎 𝚗𝚊𝚜𝚌𝚎𝚞 𝚊𝚕𝚎𝚖𝚊̃. 𝚅𝚎𝚒𝚘 𝚙𝚊𝚛𝚊 𝙿𝚘𝚛𝚝𝚞𝚐𝚊𝚕 𝚙𝚘𝚛 𝚌𝚊𝚜𝚊𝚖𝚎𝚗𝚝𝚘 𝚌𝚘𝚖 𝚞𝚖 𝚍𝚘𝚜 𝚐𝚛𝚊𝚗𝚍𝚎𝚜 𝚒𝚗𝚝𝚎𝚕𝚎𝚌𝚝𝚞𝚊𝚒𝚜 𝚍𝚘 𝚜𝚎́𝚌𝚞𝚕𝚘 𝚇𝙸𝚇, 𝙹𝚘𝚊𝚚𝚞𝚒𝚖 𝚍𝚎 𝚅𝚊𝚜𝚌𝚘𝚗𝚌𝚎𝚕𝚘𝚜, 𝚎𝚜𝚝𝚞𝚍𝚒𝚘𝚜𝚘 𝚍𝚎 𝚖𝚞𝚜𝚒𝚌𝚘𝚕𝚘𝚐𝚒𝚊, 𝚌𝚞𝚕𝚝𝚞𝚛𝚊, 𝚙𝚒𝚗𝚝𝚞𝚛𝚊 𝚙𝚘𝚛𝚝𝚞𝚐𝚞𝚎𝚜𝚊 𝚗𝚘𝚜 𝚜𝚎́𝚌𝚞𝚕𝚘𝚜 𝚇𝚅 𝚎 𝚇𝚅𝙸, 𝚍𝚘𝚜 𝚌𝚘𝚗𝚝𝚊𝚌𝚝𝚘𝚜 𝚙𝚘𝚛𝚝𝚞𝚐𝚞𝚎𝚜𝚎𝚜 𝚌𝚘𝚖 𝚐𝚛𝚊𝚗𝚍𝚎𝚜 𝚊𝚛𝚝𝚒𝚜𝚝𝚊𝚜 𝚌𝚘𝚖𝚘 𝙰𝚕𝚋𝚛𝚎𝚌𝚑𝚝 𝙳𝚞̈𝚛𝚎𝚛, 𝚁𝚊𝚏𝚊𝚎𝚕 𝚎 𝚅𝚊𝚗 𝙴𝚢𝚌𝚔. 𝙸𝚗𝚝𝚎́𝚛𝚙𝚛𝚎𝚝𝚎 𝚍𝚊 𝚒𝚍𝚎𝚗𝚝𝚒𝚍𝚊𝚍𝚎 𝚙𝚘𝚛𝚝𝚞𝚐𝚞𝚎𝚜𝚊, 𝚏𝚘𝚒 𝚍𝚘𝚜 𝚙𝚛𝚒𝚖𝚎𝚒𝚛𝚘𝚜 𝚊 𝚙𝚛𝚘𝚗𝚞𝚗𝚌𝚒𝚊𝚛-𝚜𝚎 𝚜𝚘𝚋𝚛𝚎 𝚘𝚜 𝙿𝚊𝚒𝚗𝚎́𝚒𝚜 𝚍𝚎 𝚂. 𝚅𝚒𝚌𝚎𝚗𝚝𝚎, 𝚊𝚝𝚛𝚒𝚋𝚞𝚒́𝚍𝚘𝚜 𝚊 𝙽𝚞𝚗𝚘 𝙶𝚘𝚗𝚌̧𝚊𝚕𝚟𝚎𝚜.
𝙽𝚊 𝚁𝚞𝚊 𝚍𝚊 𝙲𝚎𝚍𝚘𝚏𝚎𝚒𝚝𝚊, 𝚗𝚊 𝚌𝚒𝚍𝚊𝚍𝚎 𝚍𝚘 𝙿𝚘𝚛𝚝𝚘, 𝚊 𝚌𝚊𝚜𝚊 𝚍𝚘𝚜 𝚅𝚊𝚜𝚌𝚘𝚗𝚌𝚎𝚕𝚘𝚜 𝚎𝚛𝚊 𝚞𝚖 𝚌𝚎𝚗𝚝𝚛𝚘 𝚘𝚗𝚍𝚎 𝚜𝚎 𝚛𝚎𝚞𝚗𝚒𝚊𝚖 𝚘𝚜 𝚖𝚊𝚒𝚜 𝚒𝚗𝚏𝚕𝚞𝚎𝚗𝚝𝚎𝚜 𝚒𝚗𝚝𝚎𝚕𝚎𝚌𝚝𝚞𝚊𝚒𝚜 𝚍𝚘 𝚜𝚎𝚞 𝚝𝚎𝚖𝚙𝚘, 𝚎𝚖𝚙𝚎𝚗𝚑𝚊𝚍𝚘𝚜 𝚗𝚊 𝚟𝚒𝚍𝚊 𝚌𝚒́𝚟𝚒𝚌𝚊 𝚎 𝚗𝚘 𝚕𝚊𝚗𝚌̧𝚊𝚖𝚎𝚗𝚝𝚘 𝚍𝚊𝚜 𝚋𝚊𝚜𝚎𝚜 𝚍𝚘 𝚙𝚛𝚘𝚐𝚛𝚎𝚜𝚜𝚘 𝚋𝚊𝚜𝚎𝚊𝚍𝚘 𝚗𝚊 𝚌𝚞𝚕𝚝𝚞𝚛𝚊 𝚎 𝚗𝚊 𝚕𝚒𝚋𝚎𝚛𝚍𝚊𝚍𝚎. 𝙾 𝚌𝚘𝚗𝚑𝚎𝚌𝚒𝚖𝚎𝚗𝚝𝚘 𝚜𝚘𝚋𝚛𝚎 𝚊 𝚛𝚎𝚊𝚕𝚒𝚍𝚊𝚍𝚎 𝚙𝚘𝚛𝚝𝚞𝚐𝚞𝚎𝚜𝚊 𝚍𝚎 𝙲𝚊𝚛𝚘𝚕𝚒𝚗𝚊 𝙼𝚒𝚌𝚑𝚊𝚎𝚕𝚒𝚜 𝚎𝚗𝚌𝚑𝚒𝚊 𝚍𝚎 𝚎𝚜𝚙𝚊𝚗𝚝𝚘 𝚘𝚜 𝚜𝚎𝚞𝚜 𝚕𝚎𝚒𝚝𝚘𝚛𝚎𝚜. 𝙴́ 𝚒𝚖𝚙𝚛𝚎𝚜𝚜𝚒𝚘𝚗𝚊𝚗𝚝𝚎 𝚊 𝚕𝚒𝚜𝚝𝚊 𝚍𝚘𝚜 𝚝𝚛𝚊𝚋𝚊𝚕𝚑𝚘𝚜 𝚚𝚞𝚎 𝚙𝚞𝚋𝚕𝚒𝚌𝚘𝚞 𝚜𝚘𝚋𝚛𝚎 𝚑𝚒𝚜𝚝𝚘́𝚛𝚒𝚊 𝚎 𝚌𝚛𝚒́𝚝𝚒𝚌𝚊 𝚕𝚒𝚝𝚎𝚛𝚊́𝚛𝚒𝚊𝚜. 𝙻𝚎𝚖𝚋𝚛𝚎𝚖𝚘𝚜 𝚘𝚜 𝚎𝚜𝚝𝚞𝚍𝚘𝚜 𝚜𝚘𝚋𝚛𝚎 𝚘 𝙲𝚊𝚗𝚌𝚒𝚘𝚗𝚎𝚒𝚛𝚘 𝚍𝚊 𝙰𝚓𝚞𝚍𝚊 𝚎 𝚘 𝚐𝚕𝚘𝚜𝚜𝚊́𝚛𝚒𝚘 𝚒𝚖𝚙𝚛𝚎𝚜𝚌𝚒𝚗𝚍𝚒́𝚟𝚎𝚕 𝚚𝚞𝚎 𝚙𝚛𝚎𝚙𝚊𝚛𝚘𝚞, 𝚌𝚘𝚖 𝚎𝚗𝚘𝚛𝚖𝚎 𝚌𝚞𝚒𝚍𝚊𝚍𝚘. 𝙰 𝚕𝚒𝚝𝚎𝚛𝚊𝚝𝚞𝚛𝚊 𝚙𝚘𝚛𝚝𝚞𝚐𝚞𝚎𝚜𝚊 𝚏𝚘𝚒 𝚞𝚖 𝚒𝚗𝚎𝚜𝚐𝚘𝚝𝚊́𝚟𝚎𝚕 𝚌𝚊𝚖𝚙𝚘 𝚙𝚊𝚛𝚊 𝚊 𝚜𝚞𝚊 𝚒𝚗𝚟𝚎𝚜𝚝𝚒𝚐𝚊𝚌̧𝚊̃𝚘 𝚜𝚘𝚋𝚛𝚎 𝚊𝚜 𝚘𝚛𝚒𝚐𝚎𝚗𝚜 𝚍𝚊 𝚙𝚘𝚎𝚜𝚒𝚊 𝚙𝚎𝚗𝚒𝚗𝚜𝚞𝚕𝚊𝚛.
𝙴𝚖 𝟷𝟿𝟶𝟷, 𝙳. 𝙲𝚊𝚛𝚕𝚘𝚜 𝚌𝚘𝚗𝚌𝚎𝚍𝚎𝚞 𝚊 𝙲𝚊𝚛𝚘𝚕𝚒𝚗𝚊 𝙼𝚒𝚌𝚑𝚊𝚎𝚕𝚒𝚜 𝚘 𝚐𝚛𝚊𝚞 𝚍𝚎 𝚘𝚏𝚒𝚌𝚒𝚊𝚕 𝚍𝚊 𝙾𝚛𝚍𝚎𝚖 𝚍𝚎 𝚂𝚊𝚗𝚝𝚒𝚊𝚐𝚘 𝚍𝚊 𝙴𝚜𝚙𝚊𝚍𝚊, 𝚌𝚘𝚖𝚘 𝚙𝚛𝚎𝚒𝚝𝚘 𝚍𝚎 𝚑𝚘𝚖𝚎𝚗𝚊𝚐𝚎𝚖 𝚊𝚘 𝚜𝚎𝚞 𝚕𝚊𝚋𝚘𝚛 𝚌𝚒𝚎𝚗𝚝𝚒́𝚏𝚒𝚌𝚘. 𝙴 𝚎𝚖 𝟷𝟿𝟷𝟷, 𝚕𝚘𝚐𝚘 𝚊𝚙𝚘́𝚜 𝚊 𝚒𝚖𝚙𝚕𝚊𝚗𝚝𝚊𝚌̧𝚊̃𝚘 𝚍𝚊 𝚁𝚎𝚙𝚞́𝚋𝚕𝚒𝚌𝚊, 𝚏𝚘𝚒 𝚗𝚘𝚖𝚎𝚊𝚍𝚊 𝚙𝚛𝚘𝚏𝚎𝚜𝚜𝚘𝚛𝚊 𝚍𝚊 𝚗𝚘𝚟𝚊 𝙵𝚊𝚌𝚞𝚕𝚍𝚊𝚍𝚎 𝚍𝚎 𝙻𝚎𝚝𝚛𝚊𝚜 𝚍𝚎 𝙻𝚒𝚜𝚋𝚘𝚊, 𝚕𝚞𝚐𝚊𝚛 𝚚𝚞𝚎 𝚗𝚊̃𝚘 𝚊𝚌𝚎𝚒𝚝𝚘𝚞, 𝚙𝚘𝚛 𝚖𝚘𝚝𝚒𝚟𝚘𝚜 𝚏𝚊𝚖𝚒𝚕𝚒𝚊𝚛𝚎𝚜. 𝙽𝚘 𝚎𝚗𝚝𝚊𝚗𝚝𝚘, 𝚊𝚜𝚜𝚞𝚖𝚒𝚞 𝚘 𝚎𝚗𝚌𝚊𝚛𝚐𝚘 𝚗𝚊 𝚄𝚗𝚒𝚟𝚎𝚛𝚜𝚒𝚍𝚊𝚍𝚎 𝚍𝚎 𝙲𝚘𝚒𝚖𝚋𝚛𝚊, 𝚘𝚗𝚍𝚎 𝚛𝚎𝚌𝚎𝚋𝚎𝚞, 𝚎𝚖 𝟷𝟿𝟷𝟼, 𝚘 𝚐𝚛𝚊𝚞 𝚍𝚎 𝚍𝚘𝚞𝚝𝚘𝚛𝚊 𝚑𝚘𝚗𝚘𝚛𝚒𝚜 𝚌𝚊𝚞𝚜𝚊. 𝙴𝚖 𝟷𝟿𝟸𝟹 𝚏𝚘𝚒-𝚕𝚑𝚎 𝚘𝚞𝚝𝚘𝚛𝚐𝚊𝚍𝚊 𝚒𝚍𝚎̂𝚗𝚝𝚒𝚌𝚊 𝚑𝚘𝚗𝚛𝚊 𝚗𝚊 𝚄𝚗𝚒𝚟𝚎𝚛𝚜𝚒𝚍𝚊𝚍𝚎 𝚍𝚎 𝙷𝚊𝚖𝚋𝚞𝚛𝚐𝚘.
𝙼𝚞𝚕𝚑𝚎𝚛 𝚎 𝚒𝚗𝚟𝚎𝚜𝚝𝚒𝚐𝚊𝚍𝚘𝚛𝚊, 𝚌𝚞𝚕𝚝𝚘𝚛𝚊 𝚍𝚊 𝚜𝚎𝚗𝚜𝚒𝚋𝚒𝚕𝚒𝚍𝚊𝚍𝚎 𝚎 𝚍𝚘 𝚛𝚒𝚐𝚘𝚛, 𝚊 𝚜𝚞𝚊 𝚟𝚒𝚍𝚊 𝚍𝚎𝚖𝚘𝚗𝚜𝚝𝚛𝚊 𝚊 𝚒𝚖𝚙𝚘𝚛𝚝𝚊̂𝚗𝚌𝚒𝚊 𝚍𝚊 𝚕𝚒𝚐𝚊𝚌̧𝚊̃𝚘 𝚎𝚗𝚝𝚛𝚎 𝚊 𝚘𝚙𝚌̧𝚊̃𝚘 𝚙𝚎𝚜𝚜𝚘𝚊𝚕 𝚎 𝚊 𝚟𝚘𝚌𝚊𝚌̧𝚊̃𝚘 𝚌𝚒𝚎𝚗𝚝𝚒́𝚏𝚒𝚌𝚊. 𝙲𝚘𝚗𝚜𝚒𝚍𝚎𝚛𝚘𝚞 𝚊 𝚂𝚊𝚞𝚍𝚊𝚍𝚎 𝚌𝚘𝚖𝚘 𝚞𝚖 "𝚝𝚛𝚊𝚌̧𝚘 𝚍𝚒𝚜𝚝𝚒𝚗𝚝𝚒𝚟𝚘 𝚍𝚊 𝚖𝚎𝚕𝚊𝚗𝚌𝚘́𝚕𝚒𝚌𝚊 𝚙𝚜𝚒𝚚𝚞𝚎 𝚙𝚘𝚛𝚝𝚞𝚐𝚞𝚎𝚜𝚊 𝚎 𝚍𝚊𝚜 𝚜𝚞𝚊𝚜 𝚖𝚊𝚗𝚒𝚏𝚎𝚜𝚝𝚊𝚌̧𝚘̃𝚎𝚜 𝚖𝚞𝚜𝚒𝚌𝚊𝚒𝚜 𝚎 𝚕𝚒́𝚛𝚒𝚌𝚊𝚜", 𝚖𝚞𝚒𝚝𝚘 𝚖𝚊𝚒𝚜 𝚍𝚘 𝚚𝚞𝚎 𝚊 𝚂𝚎𝚑𝚗𝚜𝚞𝚌𝚑𝚝, 𝚌𝚊𝚛𝚊𝚌𝚝𝚎𝚛𝚒́𝚜𝚝𝚒𝚌𝚊 𝚍𝚊 𝚊𝚕𝚖𝚊 𝚐𝚎𝚛𝚖𝚊̂𝚗𝚒𝚌𝚊. "𝚁𝚎𝚏𝚕𝚎𝚝𝚒𝚍𝚊, 𝚏𝚒𝚕𝚘𝚜𝚘́𝚏𝚒𝚌𝚊, 𝚊𝚌𝚊𝚝𝚊𝚍𝚘𝚛𝚊 𝚍𝚘 𝚒𝚖𝚙𝚎𝚛𝚊𝚝𝚒𝚟𝚘 𝚌𝚊𝚝𝚎𝚐𝚘́𝚛𝚒𝚌𝚘 𝚍𝚊 𝚁𝚊𝚣𝚊̃𝚘 𝚙𝚞𝚛𝚊, 𝚘𝚞 𝚍𝚘 𝚒𝚖𝚙𝚎𝚛𝚊𝚝𝚒𝚟𝚘 𝚎𝚗𝚎𝚛𝚐𝚎́𝚝𝚒𝚌𝚘 𝚍𝚊 𝚊𝚝𝚒𝚟𝚒𝚍𝚊𝚍𝚎 𝚙𝚘𝚗𝚍𝚎𝚛𝚊𝚍𝚊", 𝚊 𝚙𝚊𝚕𝚊𝚟𝚛𝚊 𝚊𝚕𝚎𝚖𝚊̃ 𝚝𝚎𝚛𝚒𝚊 "𝚖𝚞𝚒𝚝𝚘 𝚖𝚊𝚒𝚘𝚛 𝚏𝚘𝚛𝚌̧𝚊 𝚍𝚎 𝚛𝚎𝚜𝚒𝚜𝚝𝚎̂𝚗𝚌𝚒𝚊 𝚌𝚘𝚗𝚝𝚛𝚊 𝚜𝚎𝚗𝚝𝚒𝚖𝚎𝚗𝚝𝚊𝚕𝚒𝚜𝚖𝚘𝚜 𝚍𝚎𝚕𝚎𝚝𝚎́𝚛𝚒𝚘𝚜".
𝙰 𝚜𝚊𝚞𝚍𝚊𝚍𝚎 𝚎 𝚘 𝚖𝚘𝚛𝚛𝚎𝚛 𝚍𝚎 𝚊𝚖𝚘𝚛" 𝚜𝚊̃𝚘 𝚙𝚊𝚛𝚊 𝚊 𝚎𝚜𝚝𝚞𝚍𝚒𝚘𝚜𝚊 "𝚊𝚜 𝚜𝚎𝚗𝚜𝚊𝚌̧𝚘̃𝚎𝚜 𝚚𝚞𝚎 𝚟𝚒𝚋𝚛𝚊𝚖 𝚗𝚊𝚜 𝚖𝚎𝚕𝚑𝚘𝚛𝚎𝚜 𝚘𝚋𝚛𝚊𝚜 𝚍𝚊 𝚕𝚒𝚝𝚎𝚛𝚊𝚝𝚞𝚛𝚊 𝚙𝚘𝚛𝚝𝚞𝚐𝚞𝚎𝚜𝚊, 𝚗𝚊𝚚𝚞𝚎𝚕𝚊𝚜 𝚚𝚞𝚎 𝚕𝚑𝚎 𝚍𝚊̃𝚘 𝚗𝚘𝚖𝚎 𝚎 𝚛𝚎𝚗𝚘𝚖𝚎". 𝙴𝚕𝚊𝚜 𝚙𝚎𝚛𝚏𝚞𝚖𝚊𝚖 𝚘 𝚖𝚎𝚒𝚐𝚘 𝚕𝚒𝚟𝚛𝚘 𝚍𝚎 𝙱𝚎𝚛𝚗𝚊𝚛𝚍𝚒𝚖 𝚁𝚒𝚋𝚎𝚒𝚛𝚘 𝚎 𝚘𝚜 𝚕𝚒𝚟𝚛𝚘𝚜 𝚚𝚞𝚎 𝚎𝚜𝚝𝚒𝚕𝚒𝚜𝚝𝚒𝚌𝚊𝚖𝚎𝚗𝚝𝚎 𝚍𝚎𝚛𝚒𝚟𝚊𝚖 𝚍𝚎𝚕𝚎, 𝚌𝚘𝚖𝚘 𝚊 𝙲𝚘𝚗𝚜𝚘𝚕𝚊𝚌̧𝚊̃𝚘 𝚍𝚎 𝙸𝚜𝚛𝚊𝚎𝚕 𝚍𝚎 𝚂𝚊𝚖𝚞𝚎𝚕 𝚄𝚜𝚚𝚞𝚎, 𝚊𝚜 𝚂𝚊𝚞𝚍𝚊𝚍𝚎𝚜 𝚍𝚊 𝚃𝚎𝚛𝚛𝚊 𝚍𝚎 𝙶𝚊𝚜𝚙𝚊𝚛 𝙵𝚛𝚞𝚝𝚞𝚘𝚜𝚘, 𝚊𝚜 𝚁𝚒𝚖𝚊𝚜 𝚍𝚎 𝙲𝚊𝚖𝚘̃𝚎𝚜, 𝚘𝚜 𝙴𝚙𝚒𝚜𝚘́𝚍𝚒𝚘𝚜 𝚎 𝚊𝚜 𝙿𝚛𝚘𝚜𝚘𝚙𝚘𝚙𝚎𝚒𝚊𝚜 𝚍𝚎 𝙾𝚜 𝙻𝚞𝚜𝚒́𝚊𝚍𝚊𝚜, 𝚊𝚜 𝙲𝚊𝚛𝚝𝚊𝚜 𝚍𝚊 𝚁𝚎𝚕𝚒𝚐𝚒𝚘𝚜𝚊 𝙿𝚘𝚛𝚝𝚞𝚐𝚞𝚎𝚜𝚊 𝚎 𝚊𝚜 𝚌𝚛𝚒𝚊𝚌̧𝚘̃𝚎𝚜 𝚖𝚊𝚒𝚜 𝚑𝚞𝚖𝚊𝚗𝚊𝚜 𝚍𝚎 𝙰𝚕𝚖𝚎𝚒𝚍𝚊 𝙶𝚊𝚛𝚛𝚎𝚝𝚝, 𝚊 𝙹𝚘𝚊𝚗𝚒𝚗𝚑𝚊 𝚍𝚘𝚜 𝚘𝚕𝚑𝚘𝚜 𝚟𝚎𝚛𝚍𝚎𝚜 𝚎 𝚊𝚜 𝚏𝚒𝚐𝚞𝚛𝚊𝚜 𝚝𝚘𝚍𝚊𝚜 𝚍𝚎 𝙵𝚛𝚎𝚒 𝙻𝚞𝚒́𝚜 𝚍𝚎 𝚂𝚘𝚞𝚜𝚊. 𝙽𝚊̃𝚘 𝚏𝚊𝚕𝚝𝚊𝚖 𝚗𝚘 𝙲𝚊𝚗𝚌𝚒𝚘𝚗𝚎𝚒𝚛𝚘 𝚍𝚘 𝚙𝚘𝚟𝚘; 𝚗𝚎𝚖 𝚗𝚊 𝚜𝚞𝚊 𝚏𝚊𝚜𝚎 𝚊𝚛𝚌𝚊𝚒𝚌𝚊, 𝚘𝚜 𝚛𝚎𝚏𝚕𝚎𝚡𝚘𝚜 𝚌𝚞𝚕𝚝𝚘𝚜 𝚍𝚊 𝚖𝚞𝚜𝚊 𝚙𝚘𝚙𝚞𝚕𝚊𝚛 𝚚𝚞𝚎 𝚙𝚘𝚜𝚜𝚞𝚒́𝚖𝚘𝚜, 𝚒𝚜𝚝𝚘 𝚎́, 𝚗𝚘𝚜 𝚌𝚊𝚗𝚝𝚊𝚛𝚎𝚜 𝚍𝚎 𝚊𝚖𝚘𝚛 𝚎 𝚍𝚎 𝚊𝚖𝚒𝚐𝚘 𝚍𝚘𝚜 𝚝𝚛𝚘𝚟𝚊𝚍𝚘𝚛𝚎𝚜 𝚐𝚊𝚕𝚎𝚐𝚘-𝚙𝚘𝚛𝚝𝚞𝚐𝚞𝚎𝚜𝚎𝚜, 𝚗𝚘 𝚙𝚎𝚛𝚒́𝚘𝚍𝚘 𝚚𝚞𝚎 𝚜𝚎 𝚙𝚛𝚘𝚕𝚘𝚗𝚐𝚘𝚞 𝚊𝚝𝚎́ 𝙿𝚎𝚍𝚛𝚘 𝚎 𝙸𝚗𝚎̂𝚜. 𝙴 𝚕𝚘𝚐𝚘 𝚗𝚘 𝚊𝚕𝚟𝚘𝚛𝚎𝚌𝚎𝚛 𝚍𝚊 𝚙𝚘𝚎𝚜𝚒𝚊, 𝚜𝚞𝚛𝚐𝚒𝚛𝚊𝚖 𝚗𝚊𝚝𝚞𝚛𝚊𝚕𝚖𝚎𝚗𝚝𝚎 "𝚕𝚒𝚗𝚍𝚘𝚜 𝚕𝚊𝚖𝚎𝚗𝚝𝚘𝚜 𝚍𝚎 𝚊𝚖𝚘𝚛 𝚎 𝚍𝚎 𝚊𝚞𝚜𝚎̂𝚗𝚌𝚒𝚊, 𝚌𝚘𝚖𝚘 𝚗𝚊 𝚜𝚒𝚗𝚐𝚎𝚕𝚊 𝚌𝚘𝚖𝚙𝚘𝚜𝚒𝚌̧𝚊̃𝚘, 𝚎𝚖 𝚚𝚞𝚎 𝚘 𝚛𝚎𝚒 𝙳. 𝚂𝚊𝚗𝚌𝚑𝚘 𝚘 𝚅𝚎𝚕𝚑𝚘 𝚍𝚎𝚜𝚍𝚘𝚋𝚛𝚊 𝚘 𝚜𝚎𝚗𝚝𝚒𝚖𝚎𝚗𝚝𝚘 𝚍𝚊 𝚜𝚊𝚞𝚍𝚊𝚍𝚎 𝚗𝚊𝚜 𝚜𝚞𝚊𝚜 𝚍𝚞𝚊𝚜 𝚌𝚘𝚖𝚙𝚘𝚗𝚎𝚗𝚝𝚎𝚜 𝚙𝚛𝚒𝚗𝚌𝚒𝚙𝚊𝚒𝚜: 𝚌𝚞𝚒𝚍𝚊𝚍𝚘 𝚎 𝚍𝚎𝚜𝚎𝚓𝚘".
𝚅𝚎𝚗𝚍𝚘 𝚊 𝚖𝚎𝚜𝚝𝚛𝚊 𝚌𝚘𝚖 𝚘𝚕𝚑𝚘𝚜 𝚍𝚎 𝚑𝚘𝚓𝚎, 𝚗𝚊̃𝚘 𝚙𝚊𝚜𝚜𝚊 𝚍𝚎𝚜𝚙𝚎𝚛𝚌𝚎𝚋𝚒𝚍𝚊 𝚊 𝚒𝚗𝚝𝚎𝚗𝚌̧𝚊̃𝚘 𝚌𝚕𝚊𝚛𝚊𝚖𝚎𝚗𝚝𝚎 𝚎𝚖𝚊𝚗𝚌𝚒𝚙𝚊𝚍𝚘𝚛𝚊 𝚍𝚊 𝚖𝚞𝚕𝚑𝚎𝚛 𝚚𝚞𝚎 𝚍𝚎𝚏𝚎𝚗𝚍𝚒𝚊 𝚊 𝚕𝚒𝚋𝚎𝚛𝚍𝚊𝚍𝚎 𝚎 𝚊 𝚒𝚐𝚞𝚊𝚕𝚍𝚊𝚍𝚎, 𝚊 𝚒𝚐𝚞𝚊𝚕𝚍𝚊𝚍𝚎 𝚎 𝚊 𝚍𝚒𝚏𝚎𝚛𝚎𝚗𝚌̧𝚊 𝚌𝚘𝚖𝚘 𝚏𝚊𝚌𝚎𝚜 𝚍𝚘 𝚖𝚎𝚜𝚖𝚘 𝚎𝚜𝚙𝚎𝚕𝚑𝚘, 𝚗𝚞𝚗𝚌𝚊 𝚌𝚘𝚖𝚘 𝚛𝚎𝚊𝚕𝚒𝚍𝚊𝚍𝚎𝚜 𝚊𝚗𝚝𝚊𝚐𝚘́𝚗𝚒𝚌𝚊𝚜. 𝙲𝚘𝚖𝚘 𝚍𝚒𝚜𝚜𝚎 𝙶𝚎𝚛𝚑𝚊𝚛𝚍 𝙼𝚘𝚕𝚍𝚎𝚗𝚑𝚊𝚞𝚎𝚛 𝚗𝚊 𝚘𝚛𝚊𝚌̧𝚊̃𝚘 𝚏𝚞́𝚗𝚎𝚋𝚛𝚎: "𝚀𝚞𝚎𝚖, 𝚙𝚊𝚛𝚊 𝚖𝚊𝚒𝚜 𝚌𝚘𝚗𝚜𝚌𝚒𝚎𝚗𝚝𝚎𝚖𝚎𝚗𝚝𝚎 𝚜𝚎 𝚘𝚛𝚐𝚞𝚕𝚑𝚊𝚛 𝚍𝚎 𝚜𝚎𝚛 𝚙𝚘𝚛𝚝𝚞𝚐𝚞𝚎̂𝚜, 𝚊𝚕𝚐𝚞𝚖𝚊 𝚟𝚎𝚣 𝚜𝚎 𝚒𝚗𝚝𝚎𝚛𝚎𝚜𝚜𝚘𝚞 𝚙𝚎𝚕𝚊 𝚗𝚘𝚜𝚜𝚊 𝚑𝚎𝚛𝚊𝚗𝚌̧𝚊 𝚎𝚜𝚙𝚒𝚛𝚒𝚝𝚞𝚊𝚕, 𝚎𝚗𝚌𝚘𝚗𝚝𝚛𝚘𝚞 𝚜𝚎𝚖𝚙𝚛𝚎 𝚗𝚘 𝚎𝚡𝚌𝚎𝚌𝚒𝚘𝚗𝚊𝚕 𝚎𝚜𝚙𝚒́𝚛𝚒𝚝𝚘 𝚍𝚎 𝙲𝚊𝚛𝚘𝚕𝚒𝚗𝚊 𝙼𝚒𝚌𝚑𝚊𝚎𝚕𝚒𝚜 𝚘 𝚖𝚊𝚒𝚜 𝚊𝚖𝚊́𝚟𝚎𝚕 𝚍𝚘𝚜 𝚖𝚎𝚜𝚝𝚛𝚎𝚜 𝚎 𝚘 𝚖𝚊𝚒𝚜 𝚜𝚎𝚐𝚞𝚛𝚘 𝚍𝚘𝚜 𝚐𝚞𝚒𝚊𝚜".
* Administrador executivo da Fundação Calouste Gulbenkian
IN "DIÁRIO DE NOTÍCIAS" - 29/08/23 .
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