.
De volta aos brasões
da Praça do Império
No meio de grandes e relevantes discussões que têm tido lugar na cidade
de Lisboa - desde o problema da especulação imobiliária à questão das
Jornadas Mundiais da Juventude - importa não deixar cair o debate sobre
as representações imperiais e coloniais no espaço público.
𝖣𝖾𝗌𝖽𝖾 𝟤𝟢𝟣𝟦, 𝗆𝗎𝗂𝗍𝖺 𝗍𝗂𝗇𝗍𝖺 𝖼𝗈𝗋𝗋𝖾𝗎 𝗋𝖾𝗅𝖺𝗍𝗂𝗏𝖺𝗆𝖾𝗇𝗍𝖾 𝖺̀ 𝖼𝗈𝗇𝗍𝖾𝗇𝖽𝖺 𝗉𝗎́𝖻𝗅𝗂𝖼𝖺 𝗍𝗋𝖺𝗏𝖺𝖽𝖺 𝗇𝖺 𝖼𝗂𝖽𝖺𝖽𝖾 𝖽𝖾 𝖫𝗂𝗌𝖻𝗈𝖺 𝖺̀ 𝗏𝗈𝗅𝗍𝖺 𝖽𝖺 𝗋𝖾𝗆𝗈𝖼̧𝖺̃𝗈 𝖽𝗈𝗌 𝖻𝗋𝖺𝗌𝗈̃𝖾𝗌 𝗋𝖾𝗅𝖺𝗍𝗂𝗏𝗈𝗌 𝖺̀𝗌 𝖺𝗇𝗍𝗂𝗀𝖺𝗌 𝖼𝗈𝗅𝗈́𝗇𝗂𝖺𝗌 𝖽𝖺 𝖯𝗋𝖺𝖼̧𝖺 𝖽𝗈 𝖨𝗆𝗉𝖾́𝗋𝗂𝗈, 𝖾𝗆 𝖡𝖾𝗅𝖾́𝗆. 𝖭𝖾𝗌𝗌𝖾 𝖺𝗇𝗈, 𝖺 𝖢𝖺̂𝗆𝖺𝗋𝖺 𝖬𝗎𝗇𝗂𝖼𝗂𝗉𝖺𝗅 𝖽𝖾 𝖫𝗂𝗌𝖻𝗈𝖺, 𝗀𝗈𝗏𝖾𝗋𝗇𝖺𝖽𝖺 𝗉𝖾𝗅𝗈 𝖯𝖺𝗋𝗍𝗂𝖽𝗈 𝖲𝗈𝖼𝗂𝖺𝗅𝗂𝗌𝗍𝖺 𝖼𝗈𝗆 𝗆𝖺𝗂𝗈𝗋𝗂𝖺, 𝖺𝗇𝗎𝗇𝖼𝗂𝗈𝗎 𝗎𝗆 𝗉𝗋𝗈𝗀𝗋𝖺𝗆𝖺 𝖽𝖾 𝗋𝖾𝖼𝗎𝗉𝖾𝗋𝖺𝖼̧𝖺̃𝗈 𝖽𝖺 𝖯𝗋𝖺𝖼̧𝖺 𝖽𝗈 𝖨𝗆𝗉𝖾́𝗋𝗂𝗈 𝗊𝗎𝖾 𝗂𝗆𝗉𝗅𝗂𝖼𝖺𝗋𝗂𝖺 𝖺 𝗋𝖾𝗆𝗈𝖼̧𝖺̃𝗈 𝖽𝖾𝗌𝗌𝖾𝗌 𝖺𝗋𝖻𝗎𝗌𝗍𝗈𝗌 𝖾𝗆 𝖿𝗈𝗋𝗆𝖺 𝖽𝖾 𝖻𝗋𝖺𝗌𝗈̃𝖾𝗌. 𝖭𝖺 𝗌𝖾𝗊𝗎𝖾̂𝗇𝖼𝗂𝖺 𝖽𝖾𝗌𝗍𝖾 𝖺𝗇𝗎́𝗇𝖼𝗂𝗈, 𝗌𝖾𝗀𝗎𝗂𝗋𝖺𝗆-𝗌𝖾 𝖺𝗇𝗈𝗌 𝖽𝖾 𝗉𝗈𝗅𝖾́𝗆𝗂𝖼𝖺𝗌 𝗊𝗎𝖾 𝖽𝗂𝗏𝗂𝖽𝗂𝗋𝖺𝗆 𝖾𝗌𝗊𝗎𝖾𝗋𝖽𝖺 𝖾 𝖽𝗂𝗋𝖾𝗂𝗍𝖺 𝗌𝗈𝖻𝗋𝖾 “𝖺𝗉𝖺𝗀𝖺𝗆𝖾𝗇𝗍𝗈 𝖽𝖺 𝗁𝗂𝗌𝗍𝗈́𝗋𝗂𝖺” 𝖾 “𝖽𝖾𝖿𝖾𝗌𝖺 𝖽𝖺 𝗉𝗈𝗋𝗍𝗎𝗀𝖺𝗅𝗂𝖽𝖺𝖽𝖾”. 𝖩𝖺́ 𝖾𝗆 𝟤𝟢𝟤𝟣, 𝗏𝖺́𝗋𝗂𝖺𝗌 𝖿𝗂𝗀𝗎𝗋𝖺𝗌 𝖽𝖺 𝖽𝗂𝗋𝖾𝗂𝗍𝖺 𝗍𝗋𝖺𝖽𝗂𝖼𝗂𝗈𝗇𝖺𝗅 𝗌𝖾 𝗎𝗇𝗂𝗋𝖺𝗆 𝖺 𝗎𝗆𝖺 𝗈𝗋𝗀𝖺𝗇𝗂𝗓𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝖾𝗑𝗍𝗋𝖾𝗆𝖺-𝖽𝗂𝗋𝖾𝗂𝗍𝖺 𝗉𝖺𝗋𝖺 𝗉𝗋𝗈𝗆𝗈𝗏𝖾𝗋 𝗎𝗆𝖺 𝗌𝖾𝗀𝗎𝗇𝖽𝖺 𝗉𝖾𝗍𝗂𝖼̧𝖺̃𝗈 𝗌𝗈𝖻𝗋𝖾 𝖾𝗌𝗍𝖾 𝖺𝗌𝗌𝗎𝗇𝗍𝗈, 𝗇𝖺 𝗊𝗎𝖺𝗅 𝖺 𝖯𝗋𝖺𝖼̧𝖺 𝖽𝗈 𝖨𝗆𝗉𝖾́𝗋𝗂𝗈, 𝖼𝗈𝗆 𝗈𝗌 𝗌𝖾𝗎𝗌 𝖻𝗋𝖺𝗌𝗈̃𝖾𝗌 (𝗊𝗎𝖾, 𝗌𝗎𝖻𝗅𝗂𝗇𝗁𝖾-𝗌𝖾 𝗃𝖺́ 𝖾𝗌𝗍𝖺𝗏𝖺𝗆 𝗊𝗎𝖺𝗌𝖾 𝗍𝗈𝗍𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝗂𝗅𝖾𝗀𝗂́𝗏𝖾𝗂𝗌 𝖾𝗆 𝟤𝟢𝟤𝟣), 𝖾́ 𝖽𝖾𝗌𝖼𝗋𝗂𝗍𝖺 𝖼𝗈𝗆𝗈 𝗎𝗆𝖺 “𝗈𝖻𝗋𝖺 𝖽𝖾 𝖺𝗋𝗍𝖾” 𝗊𝗎𝖾 𝗌𝖾𝗋𝗂𝖺 𝗈 𝖾𝗑𝗉𝗈𝖾𝗇𝗍𝖾 𝗆𝖺́𝗑𝗂𝗆𝗈 𝖽𝖺 𝖺𝗋𝗊𝗎𝗂𝗍𝖾𝗍𝗎𝗋𝖺 𝗆𝗈𝖽𝖾𝗋𝗇𝗂𝗌𝗍𝖺 𝖾𝗆 𝖯𝗈𝗋𝗍𝗎𝗀𝖺𝗅 𝖾 𝗊𝗎𝖾 𝗌𝖾𝗋𝗂𝖺 𝗂𝗀𝗎𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝖺 𝗎́𝗇𝗂𝖼𝖺 𝗉𝗋𝖺𝖼̧𝖺 𝗇𝗈 𝗆𝗎𝗇𝖽𝗈 𝖺 𝗋𝖾𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝗋 𝗈 𝗉𝖾𝗋𝗂́𝗈𝖽𝗈 𝖽𝗈𝗌 “𝖽𝖾𝗌𝖼𝗈𝖻𝗋𝗂𝗆𝖾𝗇𝗍𝗈𝗌” 𝗊𝗎𝖾 𝗈𝗌 𝗉𝗋𝗈́𝗉𝗋𝗂𝗈𝗌 𝗂𝖽𝖾𝗇𝗍𝗂𝖿𝗂𝖼𝖺𝗆 𝖼𝗈𝗆𝗈 𝗌𝖾𝗇𝖽𝗈 𝗈 𝗆𝖺𝗂𝗈𝗋 𝖿𝖾𝗂𝗍𝗈 𝗉𝗈𝗋𝗍𝗎𝗀𝗎𝖾̂𝗌 𝖾 𝗈 𝖾𝗅𝖾𝗆𝖾𝗇𝗍𝗈 𝖼𝖾𝗇𝗍𝗋𝖺𝗅 𝖽𝖺 𝗂𝖽𝖾𝗇𝗍𝗂𝖽𝖺𝖽𝖾 𝗇𝖺𝖼𝗂𝗈𝗇𝖺𝗅. 𝖯𝖺𝗋𝖺 𝗈𝗌 𝗉𝗋𝗈𝗉𝗈𝗇𝖾𝗇𝗍𝖾𝗌, 𝖺𝗉𝖾𝗌𝖺𝗋 𝖽𝗈𝗌 𝖻𝗋𝖺𝗌𝗈̃𝖾𝗌 𝗇𝖺̃𝗈 𝖿𝖺𝗓𝖾𝗋𝖾𝗆 𝗉𝖺𝗋𝗍𝖾 𝖽𝗈 𝗉𝗋𝗈𝗃𝖾𝗍𝗈 𝗂𝗇𝗂𝖼𝗂𝖺𝗅 𝖽𝖺 𝖯𝗋𝖺𝖼̧𝖺 𝖽𝗈 𝖨𝗆𝗉𝖾́𝗋𝗂𝗈 𝗉𝗋𝗈𝗃𝖾𝗍𝗈 𝗉𝖺𝗋𝖺 𝖺 𝖤𝗑𝗉𝗈𝗌𝗂𝖼̧𝖺̃𝗈 𝖽𝗈 𝖬𝗎𝗇𝖽𝗈 𝖯𝗈𝗋𝗍𝗎𝗀𝗎𝖾̂𝗌 (𝖼𝗈𝗂𝗌𝖺 𝗊𝗎𝖾 𝗍𝖺𝗅𝗏𝖾𝗓 𝗇𝖺̃𝗈 𝗌𝗈𝗎𝖻𝖾𝗌𝗌𝖾𝗆), 𝖾𝗌𝗍𝖾𝗌 𝗌𝖾𝗋𝗂𝖺𝗆 𝗌𝗂́𝗆𝖻𝗈𝗅𝗈𝗌 𝖽𝖾 𝗎𝗆 𝗉𝖾𝗋𝗂́𝗈𝖽𝗈 𝗁𝗂𝗌𝗍𝗈́𝗋𝗂𝖼𝗈 𝖾 𝗈 𝗌𝖾𝗎 𝖺𝗉𝖺𝗀𝖺𝗆𝖾𝗇𝗍𝗈 𝗋𝖾𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝗋𝗂𝖺 𝗎𝗆 𝖺𝗍𝗈 𝖽𝖾 “𝖻𝖺𝗋𝖻𝖺𝗋𝗂𝗌𝗆𝗈 𝖼𝗎𝗅𝗍𝗎𝗋𝖺𝗅”.
𝖭𝗈 𝖿𝗂𝗆 𝖽𝖾 𝟤𝟢𝟤𝟣, 𝗈 𝖽𝖾𝖻𝖺𝗍𝖾 𝗉𝗎́𝖻𝗅𝗂𝖼𝗈, 𝖽𝖾𝗉𝗈𝗂𝗌 𝖽𝖾 𝗌𝗎𝖼𝖾𝗌𝗌𝗂𝗏𝖺𝗌 𝖽𝗂𝗌𝖼𝗎𝗌𝗌𝗈̃𝖾𝗌 𝗇𝖺 𝖠𝗌𝗌𝖾𝗆𝖻𝗅𝖾𝗂𝖺 𝖾 𝗇𝖺 𝖢𝖺̂𝗆𝖺𝗋𝖺 𝖬𝗎𝗇𝗂𝖼𝗂𝗉𝖺𝗅 𝖽𝖾 𝖫𝗂𝗌𝖻𝗈𝖺, 𝖺𝖼𝖺𝗅𝗆𝗈𝗎, 𝗉𝗈𝗂𝗌 𝖺 𝗉𝗋𝖺𝖼̧𝖺 𝗁𝖺𝗏𝗂𝖺 𝖿𝖾𝖼𝗁𝖺𝖽𝗈 𝗉𝖺𝗋𝖺 𝗈𝖻𝗋𝖺𝗌, 𝗍𝖾𝗇𝖽𝗈 𝗌𝗂𝖽𝗈 𝗈𝗌 𝖺𝗋𝖻𝗎𝗌𝗍𝗈𝗌 𝗉𝖾𝗋𝗆𝖺𝗇𝖾𝗇𝗍𝖾𝗆𝖾𝗇𝗍𝖾 𝗋𝖾𝗆𝗈𝗏𝗂𝖽𝗈𝗌. 𝖭𝗈 𝖾𝗇𝗍𝖺𝗇𝗍𝗈, 𝗃𝖺́ 𝖾𝗌𝗍𝖾 𝗆𝖾̂𝗌, 𝖺 𝗇𝗈𝗏𝖺 𝖯𝗋𝖺𝖼̧𝖺 𝖽𝗈 𝖨𝗆𝗉𝖾́𝗋𝗂𝗈 𝗂𝗋𝖺́ 𝗋𝖾𝖺𝖻𝗋𝗂𝗋, 𝗌𝖾𝗇𝖽𝗈 𝗊𝗎𝖾 𝗈𝗌 𝖻𝗋𝖺𝗌𝗈̃𝖾𝗌 𝗋𝖾𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝗇𝗍𝖾𝗌 𝖽𝖺𝗌 𝗍𝗋𝗂𝗇𝗍𝖺 𝖼𝖺𝗉𝗂𝗍𝖺𝗂𝗌 𝖽𝖾 𝖽𝗂𝗌𝗍𝗋𝗂𝗍𝗈 𝖽𝖾 𝖯𝗈𝗋𝗍𝗎𝗀𝖺𝗅 𝖾 𝖽𝖺𝗌 𝖺𝗇𝗍𝗂𝗀𝖺𝗌 𝖼𝗈𝗅𝗈́𝗇𝗂𝖺𝗌 𝗂𝗋𝖺̃𝗈 𝗉𝖺𝗌𝗌𝖺𝗋 𝖺 𝖾𝗌𝗍𝖺𝗋 𝗀𝗋𝖺𝗏𝖺𝖽𝗈𝗌 𝗉𝖾𝗋𝗆𝖺𝗇𝖾𝗇𝗍𝖾𝗆𝖾𝗇𝗍𝖾 𝗇𝖺 𝖼𝖺𝗅𝖼̧𝖺𝖽𝖺. 𝖭𝗈 𝗆𝖾𝗂𝗈 𝖽𝖾 𝗀𝗋𝖺𝗇𝖽𝖾𝗌 𝖾 𝗋𝖾𝗅𝖾𝗏𝖺𝗇𝗍𝖾𝗌 𝖽𝗂𝗌𝖼𝗎𝗌𝗌𝗈̃𝖾𝗌 𝗊𝗎𝖾 𝗍𝖾̂𝗆 𝗍𝗂𝖽𝗈 𝗅𝗎𝗀𝖺𝗋 𝗇𝖺 𝖼𝗂𝖽𝖺𝖽𝖾 𝖽𝖾 𝖫𝗂𝗌𝖻𝗈𝖺 - 𝖽𝖾𝗌𝖽𝖾 𝗈 𝗉𝗋𝗈𝖻𝗅𝖾𝗆𝖺 𝖽𝖺 𝖾𝗌𝗉𝖾𝖼𝗎𝗅𝖺𝖼̧𝖺̃𝗈 𝗂𝗆𝗈𝖻𝗂𝗅𝗂𝖺́𝗋𝗂𝖺 𝖺̀ 𝗊𝗎𝖾𝗌𝗍𝖺̃𝗈 𝖽𝖺𝗌 𝖩𝗈𝗋𝗇𝖺𝖽𝖺𝗌 𝖬𝗎𝗇𝖽𝗂𝖺𝗂𝗌 𝖽𝖺 𝖩𝗎𝗏𝖾𝗇𝗍𝗎𝖽𝖾 - 𝗂𝗆𝗉𝗈𝗋𝗍𝖺 𝗇𝖺̃𝗈 𝖽𝖾𝗂𝗑𝖺𝗋 𝖼𝖺𝗂𝗋 𝗈 𝖽𝖾𝖻𝖺𝗍𝖾 𝗌𝗈𝖻𝗋𝖾 𝖺𝗌 𝗋𝖾𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝖼̧𝗈̃𝖾𝗌 𝗂𝗆𝗉𝖾𝗋𝗂𝖺𝗂𝗌 𝖾 𝖼𝗈𝗅𝗈𝗇𝗂𝖺𝗂𝗌 𝗇𝗈 𝖾𝗌𝗉𝖺𝖼̧𝗈 𝗉𝗎́𝖻𝗅𝗂𝖼𝗈. 𝖰𝗎𝖾 𝖾𝗆 𝟤𝟢𝟤𝟥, 𝗊𝗎𝖺𝗇𝖽𝗈 𝗍𝖺𝗇𝗍𝖺𝗌 𝗈𝗎𝗍𝗋𝖺𝗌 𝖼𝗂𝖽𝖺𝖽𝖾𝗌 𝖾𝗎𝗋𝗈𝗉𝖾𝗂𝖺𝗌 𝖼𝗈𝗇𝗏𝗂𝖽𝖺𝗆 𝖺𝗍𝗂𝗏𝗂𝗌𝗍𝖺𝗌 𝖺𝗇𝗍𝗂𝗋𝗋𝖺𝖼𝗂𝗌𝗍𝖺𝗌 𝗉𝖺𝗋𝖺 𝖽𝗂𝗌𝖼𝗎𝗍𝗂𝗋 𝗆𝗈𝗇𝗎𝗆𝖾𝗇𝗍𝗈𝗌 𝖾 𝖾𝗌𝗍𝖺́𝗍𝗎𝖺𝗌, 𝖺𝖻𝗋𝖾𝗆 𝖼𝗈𝗆𝗂𝗌𝗌𝗈̃𝖾𝗌 𝗌𝗈𝖻𝗋𝖾 𝖽𝗂𝗏𝖾𝗋𝗌𝗂𝖽𝖺𝖽𝖾 𝗇𝗈 𝖾𝗌𝗉𝖺𝖼̧𝗈 𝗉𝗎́𝖻𝗅𝗂𝖼𝗈 𝖾 𝖼𝗈𝗇𝗌𝗍𝗋𝗈𝖾𝗆 𝖾𝗌𝗉𝖺𝖼̧𝗈𝗌 𝖽𝖾 𝗁𝗈𝗆𝖾𝗇𝖺𝗀𝖾𝗆 𝖺̀𝗌 𝗏𝗂́𝗍𝗂𝗆𝖺𝗌 𝖽𝖺 𝖾𝗌𝖼𝗋𝖺𝗏𝖺𝗍𝗎𝗋𝖺 𝖾 𝖽𝗈 𝖼𝗈𝗅𝗈𝗇𝗂𝖺𝗅𝗂𝗌𝗆𝗈, 𝖫𝗂𝗌𝖻𝗈𝖺 𝖾𝗌𝖼𝗈𝗅𝗁𝖺 𝗆𝖾𝗆𝗈𝗋𝗂𝖺𝗅𝗂𝗓𝖺𝗋 𝖾𝗆 𝗉𝖾𝖽𝗋𝖺 𝖽𝖺 𝖼𝖺𝗅𝖼̧𝖺𝖽𝖺 𝖺 𝖽𝗈𝗆𝗂𝗇𝖺𝖼̧𝖺̃𝗈 𝖼𝗈𝗅𝗈𝗇𝗂𝖺𝗅 𝖾́, 𝗇𝗈 𝗆𝗂́𝗇𝗂𝗆𝗈, 𝖺𝗇𝖺𝖼𝗋𝗈́𝗇𝗂𝖼𝗈 𝖾, 𝖾𝗆 𝗎́𝗅𝗍𝗂𝗆𝖺 𝗂𝗇𝗌𝗍𝖺̂𝗇𝖼𝗂𝖺, 𝗎𝗆 𝗋𝖾𝗍𝗋𝗈𝖼𝖾𝗌𝗌𝗈 𝗏𝖾𝗋𝗀𝗈𝗇𝗁𝗈𝗌𝗈 𝗇𝗈 𝖼𝖺𝗆𝗂𝗇𝗁𝗈 𝖽𝖺 𝖽𝖾𝗌𝖼𝗈𝗅𝗈𝗇𝗂𝗓𝖺𝖼̧𝖺̃𝗈 𝖽𝖺 𝗇𝗈𝗌𝗌𝖺 𝗌𝗈𝖼𝗂𝖾𝖽𝖺𝖽𝖾. 𝖠𝖽𝖾𝗆𝖺𝗂𝗌, 𝗇𝖺̃𝗈 𝖾́ 𝖽𝖾 𝗌𝗈𝗆𝖾𝗇𝗈𝗌 𝗂𝗆𝗉𝗈𝗋𝗍𝖺̂𝗇𝖼𝗂𝖺 𝖺𝗍𝖾𝗇𝗍𝖺𝗋 𝗇𝖺 𝖾𝗌𝖼𝗈𝗅𝗁𝖺 𝗉𝗈𝗅𝗂́𝗍𝗂𝖼𝖺 𝗊𝗎𝖾 𝖿𝖺𝗓 𝗈 𝖾𝗑𝖾𝖼𝗎𝗍𝗂𝗏𝗈 𝖽𝖾 𝖢𝖺𝗋𝗅𝗈𝗌 𝖬𝗈𝖾𝖽𝖺𝗌 𝖿𝖺𝖼𝖾 𝖺̀ 𝗆𝖾𝗆𝗈́𝗋𝗂𝖺 𝗊𝗎𝖾 𝖾𝗌𝖼𝗈𝗅𝗁𝖾 𝗀𝗋𝖺𝗏𝖺𝗋 𝖽𝖾 𝖿𝗈𝗋𝗆𝖺 𝗉𝖾𝗋𝗆𝖺𝗇𝖾𝗇𝗍𝖾 𝗇𝗈 𝖾𝗌𝗉𝖺𝖼̧𝗈 𝗉𝗎́𝖻𝗅𝗂𝖼𝗈 𝖽𝖺 𝖼𝗂𝖽𝖺𝖽𝖾: 𝗈 𝗉𝗋𝗈𝗃𝖾𝗍𝗈 𝗏𝖾𝗇𝖼𝖾𝖽𝗈𝗋 𝖽𝗈 𝖮𝗋𝖼̧𝖺𝗆𝖾𝗇𝗍𝗈 𝖯𝖺𝗋𝗍𝗂𝖼𝗂𝗉𝖺𝗍𝗂𝗏𝗈 𝖽𝖾 𝟤𝟢𝟣𝟩 𝗉𝖺𝗋𝖺 𝖺 𝖼𝗈𝗇𝗌𝗍𝗋𝗎𝖼̧𝖺̃𝗈 𝖽𝖾 𝗎𝗆 𝖬𝖾𝗆𝗈𝗋𝗂𝖺𝗅 𝖽𝖾 𝖧𝗈𝗆𝖾𝗇𝖺𝗀𝖾𝗆 𝖺̀𝗌 𝖯𝖾𝗌𝗌𝗈𝖺𝗌 𝖤𝗌𝖼𝗋𝖺𝗏𝗂𝗓𝖺𝖽𝖺𝗌, 𝖺𝗉𝖾𝗌𝖺𝗋 𝖽𝖺 𝗏𝗈𝗇𝗍𝖺𝖽𝖾 𝖾𝗑𝗉𝗋𝖾𝗌𝗌𝖺 𝖽𝖺𝗌 𝖾 𝖽𝗈𝗌 𝗅𝗂𝗌𝖻𝗈𝖾𝗍𝖺𝗌, 𝖺𝗂𝗇𝖽𝖺 𝗇𝖺̃𝗈 𝗌𝖺𝗂𝗎 𝖽𝗈 𝗉𝖺𝗉𝖾𝗅, 𝖾𝗇𝗊𝗎𝖺𝗇𝗍𝗈 𝗊𝗎𝖾 𝖺 𝗋𝖾𝗇𝗈𝗏𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝗎𝗆𝖺 𝗉𝗋𝖺𝖼̧𝖺 𝖼𝖺𝗋𝗋𝖾𝗀𝖺𝖽𝖺 𝖽𝖾 𝗇𝖺𝗋𝗋𝖺𝗍𝗂𝗏𝖺𝗌 𝗅𝗎𝗌𝗈𝗍𝗋𝗈𝗉𝗂𝖼𝖺𝗂𝗌 𝖾 𝖺 (𝗋𝖾)𝗂𝗇𝗌𝖼𝗋𝗂𝖼̧𝖺̃𝗈 𝖽𝗈𝗌 𝗌𝗂́𝗆𝖻𝗈𝗅𝗈𝗌 𝖺𝖽𝗆𝗂𝗇𝗂𝗌𝗍𝗋𝖺𝗍𝗂𝗏𝗈𝗌 𝖽𝗈 𝗂𝗆𝗉𝖾́𝗋𝗂𝗈 𝗉𝗈𝗋𝗍𝗎𝗀𝗎𝖾̂𝗌 𝖺𝗉𝖺𝗋𝖾𝗇𝗍𝖺𝗆 𝗌𝖾𝗋 𝗉𝗋𝗂𝗈𝗋𝗂𝖽𝖺𝖽𝖾𝗌. 𝖤𝗌𝗍𝖾 𝖽𝖾𝖻𝖺𝗍𝖾 𝗇𝖺̃𝗈 𝖾́, 𝖼𝗈𝗆𝗈 𝖿𝖺𝗓𝖾𝗆 𝖼𝗋𝖾𝗋 𝗍𝖺𝗇𝗍𝖺𝗌 𝖽𝖺𝗌 𝗏𝗈𝗓𝖾𝗌 𝖽𝗈 𝖼𝗈𝗆𝖾𝗇𝗍𝖺𝗋𝗂𝖺𝖽𝗈 𝗆𝖺𝗂𝗇𝗌𝗍𝗋𝖾𝖺𝗆 𝗌𝗈𝖻𝗋𝖾 𝗈 𝖺𝗌𝗌𝗎𝗇𝗍𝗈, 𝗌𝗈𝖻𝗋𝖾 𝖺𝗉𝖺𝗀𝖺𝗆𝖾𝗇𝗍𝗈 𝗈𝗎 𝗋𝖾𝗏𝗂𝗌𝖺̃𝗈 𝖽𝖺 𝗁𝗂𝗌𝗍𝗈́𝗋𝗂𝖺 - 𝖺𝗍𝖾́ 𝗉𝗈𝗋𝗊𝗎𝖾 𝖻𝗋𝖺𝗌𝗈̃𝖾𝗌 𝖽𝖾𝗌𝖾𝗇𝗁𝖺𝖽𝗈𝗌 𝗇𝖺 𝖼𝖺𝗅𝖼̧𝖺𝖽𝖺 𝖾𝗆 𝟤𝟢𝟤𝟥 𝗇𝖺𝖽𝖺 𝗇𝗈𝗌 𝗍𝖾̂𝗆 𝖺 𝖾𝗇𝗌𝗂𝗇𝖺𝗋 𝗌𝗈𝖻𝗋𝖾 𝖾𝗅𝖺 - 𝗆𝖺𝗌, 𝖺𝗈 𝗂𝗇𝗏𝖾́𝗌, 𝗉𝗋𝖾𝖼𝗂𝗌𝖺𝗆𝖾𝗇𝗍𝖾 𝗌𝗈𝖻𝗋𝖾 𝗈 𝖽𝖾𝗌𝖾𝗇𝖼𝗈𝖻𝗋𝗂𝗋 𝖽𝖺 𝗏𝖾𝗋𝖽𝖺𝖽𝖾 𝗁𝗂𝗌𝗍𝗈́𝗋𝗂𝖼𝖺 𝗌𝗈𝖻𝗋𝖾 𝗈 𝖼𝗈𝗅𝗈𝗇𝗂𝖺𝗅𝗂𝗌𝗆𝗈 𝗉𝗈𝗋𝗍𝗎𝗀𝗎𝖾̂𝗌. 𝖤𝗇𝗊𝗎𝖺𝗇𝗍𝗈 𝗊𝗎𝖾 𝗈𝗌 𝖺𝗋𝗊𝗎𝗂𝗍𝖾𝗍𝗈𝗌 𝗋𝖾𝗌𝗉𝗈𝗇𝗌𝖺́𝗏𝖾𝗂𝗌 𝗉𝖾𝗅𝖺 𝗋𝖾𝗇𝗈𝗏𝖺𝖼̧𝖺̃𝗈 𝖽𝖺 𝗉𝗋𝖺𝖼̧𝖺 𝖾𝗇𝗎𝗆𝖾𝗋𝖺𝗆 𝖺𝗈𝗌 𝗃𝗈𝗋𝗇𝖺𝗂𝗌 𝖺𝗌 𝗉𝗅𝖺𝗇𝗍𝖺𝗌 𝗊𝗎𝖾 𝗂𝗋𝖺̃𝗈 𝖼𝗋𝖾𝗌𝖼𝖾𝗋 𝗇𝗈𝗌 𝗇𝗈𝗏𝗈𝗌 𝖼𝖺𝗇𝗍𝖾𝗂𝗋𝗈𝗌, 𝗉𝖺𝗋𝖾𝖼𝖾 𝗊𝗎𝖾 𝗍𝗈𝖽𝗈𝗌 𝗌𝖾 𝖾𝗌𝗊𝗎𝖾𝖼𝖾𝗆 𝖽𝖺 𝖤𝗑𝗉𝗈𝗌𝗂𝖼̧𝖺̃𝗈 𝖽𝗈 𝖬𝗎𝗇𝖽𝗈 𝖯𝗈𝗋𝗍𝗎𝗀𝗎𝖾̂𝗌, 𝗊𝗎𝖾 𝖺𝗅𝗂 𝗍𝖾𝗏𝖾 𝗅𝗎𝗀𝖺𝗋 𝖾𝗆 𝟣𝟫𝟦𝟢 𝖾 𝖼𝗈𝗇𝗍𝗈𝗎 𝖼𝗈𝗆 𝗓𝗈𝗈𝗌 𝖽𝖾 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝖺𝖿𝗋𝗂𝖼𝖺𝗇𝖺𝗌. 𝖭𝖾𝗌𝗍𝖺 𝖡𝖾𝗅𝖾́𝗆 𝖽𝗈 𝗅𝗎𝗌𝗈𝗍𝗋𝗈𝗉𝗂𝖼𝖺𝗅𝗂𝗌𝗆𝗈 𝗋𝖾𝖻𝗋𝖺𝗇𝖽𝖾𝖽 𝗉𝖺𝗋𝖺 𝗍𝗎𝗋𝗂𝗌𝗍𝖺𝗌 𝗇𝖺̃𝗈 𝗉𝖺𝗋𝖾𝖼𝖾 𝗁𝖺𝗏𝖾𝗋 𝖾𝗌𝗉𝖺𝖼̧𝗈 𝗉𝖺𝗋𝖺 𝖺 𝗁𝗂𝗌𝗍𝗈́𝗋𝗂𝖺 𝖽𝖺 𝗏𝗂𝗈𝗅𝖾̂𝗇𝖼𝗂𝖺 𝖽𝖺 𝖼𝗈𝗅𝗈𝗇𝗂𝗓𝖺𝖼̧𝖺̃𝗈 𝗉𝗈𝗋𝗍𝗎𝗀𝗎𝖾𝗌𝖺, 𝖽𝖺 𝗉𝗋𝖾𝗌𝖾𝗇𝖼̧𝖺 𝗇𝖾𝗀𝗋𝖺 𝗇𝖺 𝖼𝗂𝖽𝖺𝖽𝖾 𝗈𝗎 𝖽𝖺𝗌 𝗅𝗎𝗍𝖺𝗌 𝖺𝗇𝗍𝗂𝖼𝗈𝗅𝗈𝗇𝗂𝖺𝗂𝗌. 𝖮𝗌 𝖻𝗋𝖺𝗌𝗈̃𝖾𝗌 𝗇𝖺 𝖼𝖺𝗅𝖼̧𝖺𝖽𝖺 𝖽𝖺 𝖯𝗋𝖺𝖼̧𝖺 𝖽𝗈 𝖨𝗆𝗉𝖾́𝗋𝗂𝗈 𝗇𝖺̃𝗈 𝗌𝖺̃𝗈 𝗌𝗈́ 𝗆𝖺𝗂𝗌 𝗎𝗆𝖺 𝖽𝖾𝖼𝗈𝗋𝖺𝖼̧𝖺̃𝗈 𝖾𝗇𝗍𝗋𝖾 𝖺𝗋𝖻𝗎𝗌𝗍𝗈𝗌, 𝗁𝗈𝗋𝗍𝖺𝗌 𝖾 𝖼𝖺𝗇𝗍𝖾𝗂𝗋𝗈𝗌: 𝗌𝖺̃𝗈 𝖺 𝗋𝖾𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝖼̧𝖺̃𝗈 𝖾𝗆 𝗉𝖾𝖽𝗋𝖺 𝖽𝖺 𝗉𝖾𝗋𝗌𝗂𝗌𝗍𝖾̂𝗇𝖼𝗂𝖺 𝖽𝖺 𝗇𝖺𝗋𝗋𝖺𝗍𝗂𝗏𝖺 𝖽𝗈 𝖼𝗈𝗅𝗈𝗇𝗂𝗓𝖺𝖽𝗈𝗋 𝖻𝖾𝗇𝗂𝗀𝗇𝗈 𝖾𝗆 𝖫𝗂𝗌𝖻𝗈𝖺 𝖾 𝗎𝗆 𝗂𝗇𝗌𝗎𝗅𝗍𝗈 𝖺 𝗎𝗆𝖺 𝖼𝗂𝖽𝖺𝖽𝖾 𝗊𝗎𝖾 𝗌𝖾 𝗊𝗎𝖾𝗋 𝗉𝗅𝗎𝗋𝖺𝗅 𝖾 𝖽𝖾𝗆𝗈𝖼𝗋𝖺́𝗍𝗂𝖼𝖺.
* Licenciada em Ciência Política e Relações Internacionais na NOVA-FCSH. Mestranda em Antropologia sobre colonialismo, memória e espaço público na FCSH. Deputada na AM de Lisboa pelo Bloco de Esquerda. Ativista estudantil e feminista
IN "gerador.eu" - 15/02/23.
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