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Cultura da Inveja
Primeiro ignorei. Mas a coisa foi-se agigantando de tal forma, à boa maneira da tão Tuga cultura da Inveja, que se tornou boa demais para a guardar só para mim.
𝑽𝒂𝒎𝒐𝒔 𝒂𝒐𝒔 𝒇𝒂𝒄𝒕𝒐𝒔: 𝒆𝒎 𝑶𝒖𝒕𝒖𝒃𝒓𝒐 𝒅𝒆 𝟐𝟎𝟐𝟐 𝒇𝒊𝒛 𝒖𝒎𝒂 𝒄𝒖𝒓𝒕𝒂, 𝒎𝒂𝒔 𝒎𝒖𝒊𝒕𝒐 𝒆𝒇𝒊𝒄𝒂𝒛 𝒅𝒊𝒈𝒓𝒆𝒔𝒔𝒂̃𝒐 𝒊𝒏𝒕𝒆𝒓𝒏𝒂𝒄𝒊𝒐𝒏𝒂𝒍, 𝒄𝒐𝒎𝒐 𝒇𝒂𝒄̧𝒐 𝒄𝒊𝒄𝒍𝒊𝒄𝒂𝒎𝒆𝒏𝒕𝒆, 𝒕𝒆𝒏𝒅𝒐 𝒄𝒐𝒏𝒗𝒊𝒅𝒂𝒅𝒐 𝒐 𝑮𝒓𝒖𝒑𝒐 𝑬𝒕𝒏𝒐𝒈𝒓𝒂́𝒇𝒊𝒄𝒐 𝑪𝒂𝒏𝒕𝒂𝒅𝒐𝒓𝒆𝒔 𝒅𝒆 𝑷𝒊𝒂𝒔, 𝒍𝒊𝒅𝒆𝒓𝒂𝒅𝒐𝒔 𝒑𝒐𝒓 𝑷𝒂𝒖𝒍𝒐 𝑹𝒊𝒃𝒆𝒊𝒓𝒐, 𝒑𝒂𝒓𝒂 𝒎𝒆 𝒂𝒄𝒐𝒎𝒑𝒂𝒏𝒉𝒂𝒓𝒆𝒎 𝒅𝒆𝒔𝒕𝒂 𝒗𝒆𝒛. 𝑳𝒐𝒕𝒂́𝒎𝒐𝒔 𝒂𝒔 𝒔𝒂𝒍𝒂𝒔 𝒎𝒂𝒊𝒔 𝒆𝒎𝒃𝒍𝒆𝒎𝒂́𝒕𝒊𝒄𝒂𝒔 𝒅𝒆 𝑳𝒐𝒏𝒅𝒓𝒆𝒔, 𝑷𝒂𝒓𝒊𝒔, 𝑩𝒓𝒖𝒙𝒆𝒍𝒂𝒔 𝒆 𝑳𝒖𝒙𝒆𝒎𝒃𝒖𝒓𝒈𝒐. 𝑨 𝒎𝒂𝒈𝒏𝒊𝒇𝒊𝒄𝒊𝒆̂𝒏𝒄𝒊𝒂, 𝒂 𝒃𝒆𝒍𝒆𝒛𝒂 𝒑𝒖𝒓𝒂 𝒅𝒐 𝑪𝒂𝒏𝒕𝒆 𝑨𝒍𝒆𝒏𝒕𝒆𝒋𝒂𝒏𝒐, 𝒑𝒆𝒍𝒂 𝒗𝒐𝒛 𝒅𝒆𝒔𝒕𝒆𝒔 𝟐𝟕 𝒊𝒏𝒄𝒓𝒊́𝒗𝒆𝒊𝒔 𝒄𝒂𝒏𝒕𝒐𝒓𝒆𝒔, 𝒄𝒐𝒏𝒒𝒖𝒊𝒔𝒕𝒂𝒗𝒂 𝒐 𝒄𝒐𝒓𝒂𝒄̧𝒂̃𝒐 𝒅𝒂 𝑬𝒖𝒓𝒐𝒑𝒂. 𝑺𝒖𝒄𝒆𝒔𝒔𝒐 𝒕𝒐𝒕𝒂𝒍. 𝑴𝒊𝒍𝒉𝒂𝒓𝒆𝒔 𝒅𝒆 𝒑𝒆𝒔𝒔𝒐𝒂𝒔 𝒑𝒖𝒅𝒆𝒓𝒂𝒎 𝒆𝒏𝒕𝒆𝒏𝒅𝒆𝒓 𝒂 𝒓𝒂𝒛𝒂̃𝒐 𝒑𝒆𝒍𝒂 𝒒𝒖𝒂𝒍 𝒐 𝑪𝒂𝒏𝒕𝒆 𝒇𝒐𝒊 𝒕𝒂̃𝒐 𝒋𝒖𝒔𝒕𝒂𝒎𝒆𝒏𝒕𝒆 𝒆𝒍𝒆𝒗𝒂𝒅𝒐 𝒂 𝑷𝒂𝒕𝒓𝒊𝒎𝒐́𝒏𝒊𝒐 𝒅𝒂 𝑯𝒖𝒎𝒂𝒏𝒊𝒅𝒂𝒅𝒆 𝒑𝒆𝒍𝒂 𝑼𝑵𝑬𝑺𝑪𝑶.
𝑪𝒐𝒎𝒐 𝒆́ 𝒎𝒆𝒖 𝒉𝒂́𝒃𝒊𝒕𝒐, 𝒆 𝒑𝒐𝒓𝒒𝒖𝒆 𝒎𝒆 𝒄𝒖𝒎𝒑𝒓𝒆, 𝒄𝒐𝒎𝒐 𝒂 𝒕𝒐𝒅𝒐𝒔 𝒏𝒐́𝒔, 𝒅𝒆𝒇𝒆𝒏𝒅𝒆𝒓 𝒆 𝒅𝒊𝒈𝒏𝒊𝒇𝒊𝒄𝒂𝒓 𝒐 𝒎𝒆𝒖 𝒑𝒂𝒊́𝒔 𝒔𝒆𝒋𝒂 𝒂 𝒒𝒖𝒆 𝒑𝒓𝒆𝒄̧𝒐 𝒇𝒐𝒓, 𝒍𝒆𝒗𝒆𝒊 𝒂 𝒄𝒂𝒃𝒐 𝒆𝒔𝒕𝒂 𝒐𝒑𝒆𝒓𝒂𝒄̧𝒂̃𝒐 𝒊𝒏𝒕𝒆𝒈𝒓𝒂𝒍𝒎𝒆𝒏𝒕𝒆 𝒄𝒖𝒔𝒕𝒆𝒂𝒅𝒂 𝒑𝒆𝒍𝒐 𝒎𝒆𝒖 𝒃𝒐𝒍𝒔𝒐. 𝑬́ 𝒎𝒊𝒏𝒉𝒂 𝒐𝒃𝒓𝒊𝒈𝒂𝒄̧𝒂̃𝒐 𝒔𝒖𝒔𝒕𝒆𝒏𝒕𝒂𝒓 𝒐𝒔 𝒎𝒆𝒖𝒔 𝒅𝒆𝒗𝒂𝒏𝒆𝒊𝒐𝒔 𝒂𝒓𝒕𝒊́𝒔𝒕𝒊𝒄𝒐𝒔 𝒆 𝒔𝒆𝒎𝒑𝒓𝒆 𝒐𝒃𝒕𝒊𝒗𝒆 𝒑𝒂𝒓𝒂 𝒎𝒊𝒎, 𝒆 𝒑𝒂𝒓𝒂 𝑷𝒐𝒓𝒕𝒖𝒈𝒂𝒍, 𝒐 𝒎𝒆𝒍𝒉𝒐𝒓 𝒑𝒓𝒐𝒗𝒆𝒊𝒕𝒐 𝒑𝒐𝒔𝒔𝒊́𝒗𝒆𝒍. 𝑴𝒖𝒊𝒕𝒂𝒔 𝒗𝒆𝒛𝒆𝒔, 𝒄𝒐𝒎𝒐 𝒇𝒐𝒊 𝒆𝒔𝒕𝒆 𝒐 𝒄𝒂𝒔𝒐, 𝒐 𝒑𝒓𝒆𝒋𝒖𝒊́𝒛𝒐 𝒇𝒊𝒏𝒂𝒏𝒄𝒆𝒊𝒓𝒐 𝒆́ 𝒄𝒐𝒎𝒑𝒆𝒏𝒔𝒂𝒅𝒐 𝒑𝒆𝒍𝒂 𝒔𝒂𝒕𝒊𝒔𝒇𝒂𝒄̧𝒂̃𝒐 𝒆, 𝒑𝒐𝒓𝒒𝒖𝒆 𝒏𝒂̃𝒐 𝒅𝒊𝒛𝒆̂-𝒍𝒐, 𝒑𝒆𝒍𝒐 𝒑𝒓𝒆𝒔𝒕𝒊́𝒈𝒊𝒐 𝒅𝒆 𝒄𝒐𝒏𝒄𝒓𝒆𝒕𝒊𝒛𝒂𝒓 𝒂𝒍𝒈𝒐 𝑷𝒓𝒐𝒇𝒖𝒏𝒅𝒐. 𝑭𝒂𝒛𝒆𝒓 𝒅𝒊𝒂𝒍𝒐𝒈𝒂𝒓 𝒂𝒔 𝒎𝒊𝒏𝒉𝒂𝒔 𝒄𝒂𝒏𝒄̧𝒐̃𝒆𝒔 𝒄𝒐𝒎 𝒎𝒐𝒅𝒂𝒔 𝒕𝒓𝒂𝒅𝒊𝒄𝒊𝒐𝒏𝒂𝒊𝒔 𝒂𝒍𝒆𝒏𝒕𝒆𝒋𝒂𝒏𝒂𝒔 𝒑𝒂𝒓𝒆𝒄𝒆𝒖-𝒎𝒆 𝒖𝒎𝒂 𝒐𝒑𝒐𝒓𝒕𝒖𝒏𝒊𝒅𝒂𝒅𝒆 𝒊𝒎𝒑𝒆𝒓𝒅𝒊́𝒗𝒆𝒍 𝒑𝒂𝒓𝒂 𝒔𝒖𝒔𝒕𝒆𝒏𝒕𝒂𝒓 𝒂 𝒕𝒆𝒔𝒆 𝒅𝒆 𝒒𝒖𝒆 𝒂 𝑴𝒖́𝒔𝒊𝒄𝒂 𝒆́ 𝒂 𝒍𝒊𝒏𝒈𝒖𝒂𝒈𝒆𝒎 𝒅𝒐𝒔 𝒉𝒐𝒎𝒆𝒏𝒔 𝒒𝒖𝒆 𝒎𝒂𝒊𝒔 𝒇𝒓𝒐𝒏𝒕𝒆𝒊𝒓𝒂𝒔 𝒅𝒆𝒓𝒓𝒖𝒃𝒂. 𝑴𝒂𝒊𝒔: 𝒕𝒆𝒏𝒅𝒐 𝒆𝒖 𝒄𝒐𝒏𝒗𝒊𝒅𝒂𝒅𝒐 𝒂𝒐 𝒍𝒐𝒏𝒈𝒐 𝒅𝒐𝒔 𝒂𝒏𝒐𝒔 𝒑𝒂𝒓𝒂 𝒑𝒊𝒔𝒂𝒓 𝒐 𝒑𝒂𝒍𝒄𝒐 𝒄𝒐𝒎𝒊𝒈𝒐 𝒐𝒔 𝒎𝒆𝒍𝒉𝒐𝒓𝒆𝒔 𝒎𝒖́𝒔𝒊𝒄𝒐𝒔 𝒅𝒆 𝑱𝒂𝒛𝒛 𝒆 𝑭𝒖𝒏𝒌 𝒏𝒐𝒓𝒕𝒆-𝒂𝒎𝒆𝒓𝒊𝒄𝒂𝒏𝒐𝒔, 𝒄𝒐𝒎𝒐 𝒐 𝒄𝒂𝒔𝒐 𝒅𝒆 𝑴𝒂𝒄𝒆𝒐 𝑷𝒂𝒓𝒌𝒆𝒓, 𝒅𝒆 𝑪𝒐𝒖𝒏𝒕𝒓𝒚, 𝑳𝒖𝒄𝒊𝒏𝒅𝒂 𝑾𝒊𝒍𝒍𝒊𝒂𝒎𝒔, 𝒅𝒂 𝒎𝒖́𝒔𝒊𝒄𝒂 𝑩𝒓𝒂𝒔𝒊𝒍𝒆𝒊𝒓𝒂, 𝑴𝒂𝒓𝒊𝒂 𝑩𝒆𝒕𝒉𝒂𝒏𝒊𝒂, 𝑪𝒂𝒆𝒕𝒂𝒏𝒐 𝑽𝒆𝒍𝒐𝒔𝒐, 𝑵𝒆𝒚 𝑴𝒂𝒕𝒐𝒈𝒓𝒐𝒔𝒔𝒐, 𝒅𝒐 𝑭𝒍𝒂𝒎𝒆𝒏𝒄𝒐 𝑨𝒏𝒅𝒂𝒍𝒖𝒛, 𝑬𝒍 𝑫𝒖𝒒𝒖𝒆𝒏𝒅𝒆, 𝒅𝒂 𝒎𝒖́𝒔𝒊𝒄𝒂 𝒇𝒓𝒂𝒏𝒄𝒆𝒔𝒂, 𝑪𝒂𝒓𝒍𝒂 𝑩𝒓𝒖𝒏𝒊, 𝒆𝒏𝒕𝒓𝒆 𝒎𝒖𝒊𝒕𝒐𝒔 𝒐𝒖𝒕𝒓𝒐𝒔, 𝒂𝒄𝒉𝒆𝒊 𝒒𝒖𝒆 𝒐 𝑷𝒂𝒕𝒓𝒊𝒎𝒐́𝒏𝒊𝒐 𝒅𝒂 𝑯𝒖𝒎𝒂𝒏𝒊𝒅𝒂𝒅𝒆 𝒅𝒐 𝒎𝒆𝒖 𝒑𝒂𝒊́𝒔 𝒏𝒂̃𝒐 𝒇𝒊𝒄𝒂𝒓𝒊𝒂 𝒎𝒂𝒍 𝒓𝒆𝒑𝒓𝒆𝒔𝒆𝒏𝒕𝒂𝒅𝒐 𝒔𝒆 𝒐 𝒄𝒐𝒏𝒗𝒊𝒅𝒂𝒔𝒔𝒆 𝒑𝒂𝒓𝒂 𝒐 𝒎𝒆𝒖 𝒑𝒂𝒍𝒄𝒐.
𝑹𝒆𝒈𝒓𝒆𝒔𝒔𝒂𝒅𝒐𝒔 𝒂 𝑷𝒐𝒓𝒕𝒖𝒈𝒂𝒍 𝒄𝒐𝒎 𝒐𝒔 𝒆𝒄𝒐𝒔 𝒅𝒐 𝒊𝒎𝒑𝒂𝒄𝒕𝒐 𝒒𝒖𝒆 𝒕𝒊𝒗𝒆́𝒓𝒂𝒎𝒐𝒔 𝒏𝒂 𝑬𝒖𝒓𝒐𝒑𝒂, 𝒂𝒄𝒉𝒆𝒊 𝒒𝒖𝒆 𝒑𝒐𝒅𝒆𝒓𝒊́𝒂𝒎𝒐𝒔, 𝒆 𝒅𝒆𝒗𝒆𝒓𝒊́𝒂𝒎𝒐𝒔, 𝒍𝒆𝒗𝒂𝒓 𝒎𝒂𝒊𝒔 𝒍𝒐𝒏𝒈𝒆 𝒂 𝒏𝒐𝒔𝒔𝒂 𝒐𝒖𝒔𝒂𝒅𝒊𝒂. 𝑩𝒖𝒆𝒏𝒐𝒔 𝑨𝒊𝒓𝒆𝒔, 𝑵𝒐𝒗𝒂 𝑰𝒐𝒓𝒒𝒖𝒆, 𝑹𝒊𝒐 𝒅𝒆 𝑱𝒂𝒏𝒆𝒊𝒓𝒐, 𝑺𝒂𝒐 𝑷𝒂𝒖𝒍𝒐, 𝑻𝒐́𝒒𝒖𝒊𝒐, 𝑬𝒔𝒕𝒐𝒄𝒐𝒍𝒎𝒐, 𝑶𝒔𝒍𝒐, 𝑩𝒆𝒓𝒍𝒊𝒎, 𝑨𝒎𝒔𝒕𝒆𝒓𝒅𝒂̃𝒐, 𝒏𝒖𝒎 𝒕𝒐𝒕𝒂𝒍 𝒅𝒆 𝒗𝒊𝒏𝒕𝒆 𝒄𝒊𝒅𝒂𝒅𝒆𝒔, 𝒂𝒇𝒊𝒈𝒖𝒓𝒂𝒎-𝒔𝒆 𝒅𝒆𝒔𝒕𝒊𝒏𝒐𝒔 𝒐́𝒃𝒗𝒊𝒐𝒔 𝒑𝒂𝒓𝒂 𝒕𝒂̃𝒐 𝒇𝒆𝒍𝒊𝒛 𝒆 𝒃𝒆𝒎 𝒔𝒖𝒄𝒆𝒅𝒊𝒅𝒂 𝒍𝒊𝒈𝒂𝒄̧𝒂̃𝒐. 𝑷𝒐𝒓𝒒𝒖𝒆 𝒔𝒐𝒛𝒊𝒏𝒉𝒐 𝒋𝒂́ 𝒏𝒂̃𝒐 𝒑𝒐𝒅𝒆𝒓𝒆𝒊 𝒄𝒖𝒔𝒕𝒆𝒂𝒓 𝒕𝒂𝒍 𝒐𝒑𝒆𝒓𝒂𝒄̧𝒂̃𝒐, 𝒅𝒂𝒅𝒐 𝒒𝒖𝒆, 𝒑𝒂𝒓𝒂 𝒂𝒍𝒆́𝒎 𝒅𝒐𝒔 𝟐𝟕 𝒄𝒂𝒏𝒕𝒂𝒅𝒐𝒓𝒆𝒔 𝒅𝒆 𝑷𝒊𝒂𝒔, 𝒕𝒆𝒓𝒊𝒂 𝒒𝒖𝒆 𝒍𝒆𝒗𝒂𝒓 𝟏 𝒎𝒖́𝒔𝒊𝒄𝒐 𝒆 𝟓 𝒕𝒆́𝒄𝒏𝒊𝒄𝒐𝒔, 𝒏𝒖𝒎 𝒕𝒐𝒕𝒂𝒍 𝒅𝒆 𝟑𝟑 𝒑𝒆𝒔𝒔𝒐𝒂𝒔, 𝒂𝒕𝒓𝒆𝒗𝒊-𝒎𝒆 𝒂 𝒑𝒆𝒅𝒊𝒓 𝒂̀ 𝑫𝒊𝒓𝒆𝒄𝒄̧𝒂̃𝒐 𝒅𝒆 𝑻𝒖𝒓𝒊𝒔𝒎𝒐 𝒅𝒐 𝑨𝒍𝒆𝒏𝒕𝒆𝒋𝒐 𝒒𝒖𝒆 𝒎𝒆 𝒂𝒋𝒖𝒅𝒂𝒔𝒔𝒆 𝒂 𝒇𝒂𝒛𝒆𝒓 𝒐 𝒍𝒆𝒗𝒂𝒏𝒕𝒂𝒎𝒆𝒏𝒕𝒐 𝒅𝒆 𝒆𝒗𝒆𝒏𝒕𝒖𝒂𝒊𝒔 𝒆𝒏𝒕𝒊𝒅𝒂𝒅𝒆𝒔, 𝒑𝒓𝒊𝒗𝒂𝒅𝒂𝒔 𝒐𝒖 𝒑𝒖́𝒃𝒍𝒊𝒄𝒂𝒔, 𝒒𝒖𝒆 𝒒𝒖𝒊𝒔𝒆𝒔𝒔𝒆𝒎 𝒄𝒐𝒍𝒂𝒃𝒐𝒓𝒂𝒓 𝒅𝒂 𝒎𝒂𝒏𝒆𝒊𝒓𝒂 𝒒𝒖𝒆 𝒆𝒏𝒕𝒆𝒏𝒅𝒆𝒔𝒔𝒆𝒎 𝒆𝒎 𝒍𝒆𝒗𝒂𝒓 𝒂𝒅𝒊𝒂𝒏𝒕𝒆 𝒕𝒂𝒍 𝒆𝒎𝒑𝒓𝒆𝒊𝒕𝒂𝒅𝒂.
𝑷𝒂𝒓𝒂 𝒕𝒂𝒍, 𝒕𝒊𝒗𝒆 𝒖𝒎𝒂 𝒓𝒆𝒖𝒏𝒊𝒂̃𝒐 𝒑𝒓𝒆́𝒗𝒊𝒂 𝒅𝒆 𝟒𝟎 𝒎𝒊𝒏𝒖𝒕𝒐𝒔, 𝒂𝒑𝒆𝒏𝒂𝒔 𝒄𝒐𝒏𝒔𝒖𝒍𝒕𝒊𝒗𝒂, 𝒄𝒐𝒎 𝒐 𝑻𝒖𝒓𝒊𝒔𝒎𝒐 𝒅𝒐 𝑨𝒍𝒆𝒏𝒕𝒆𝒋𝒐, 𝒆𝒎 𝑩𝒆𝒋𝒂. 𝑨 𝒖́𝒏𝒊𝒄𝒂 𝒄𝒐𝒏𝒄𝒍𝒖𝒔𝒂̃𝒐 𝒅𝒆𝒔𝒔𝒆 𝒆𝒏𝒄𝒐𝒏𝒕𝒓𝒐 𝒇𝒐𝒊 𝒒𝒖𝒆 𝒆𝒓𝒂 𝒏𝒆𝒄𝒆𝒔𝒔𝒂́𝒓𝒊𝒐 𝒅𝒆𝒔𝒆𝒏𝒗𝒐𝒍𝒗𝒆𝒓 𝒖𝒎 𝒅𝒐𝒄𝒖𝒎𝒆𝒏𝒕𝒐 𝒄𝒍𝒂𝒓𝒐, 𝒆𝒙𝒂𝒖𝒔𝒕𝒊𝒗𝒐 𝒆 𝒕𝒓𝒂𝒏𝒔𝒑𝒂𝒓𝒆𝒏𝒕𝒆, 𝒑𝒂𝒓𝒂 𝒂𝒑𝒓𝒆𝒔𝒆𝒏𝒕𝒂𝒓 𝒂 𝒊𝒏𝒔𝒕𝒊𝒕𝒖𝒊𝒄̧𝒐̃𝒆𝒔 𝒎𝒖́𝒍𝒕𝒊𝒑𝒍𝒂𝒔. 𝑬 𝒂 𝒄𝒐𝒊𝒔𝒂 𝒇𝒊𝒄𝒐𝒖 𝒑𝒐𝒓 𝒂𝒒𝒖𝒊. 𝑶𝒖 𝒇𝒊𝒄𝒂𝒓𝒊𝒂.
𝑬́ 𝒑𝒓𝒆𝒄𝒊𝒔𝒐 𝒓𝒆𝒍𝒆𝒎𝒃𝒓𝒂𝒓 𝒒𝒖𝒆 𝑷𝒐𝒓𝒕𝒖𝒈𝒂𝒍 𝒂𝒈𝒖𝒆𝒏𝒕𝒐𝒖, 𝒆 𝒎𝒖𝒊𝒕𝒂𝒔 𝒗𝒆𝒛𝒆𝒔 𝒄𝒐𝒍𝒂𝒃𝒐𝒓𝒐𝒖, 𝒄𝒐𝒎 𝒖𝒎 𝒔𝒊𝒔𝒕𝒆𝒎𝒂 𝒅𝒆 𝒏𝒂𝒄𝒊𝒐𝒏𝒂𝒍-𝒄𝒉𝒊𝒃𝒊𝒔𝒎𝒐 𝒒𝒖𝒆 𝒑𝒆𝒓𝒎𝒊𝒕𝒊𝒖 𝒂̀ 𝑰𝒏𝒒𝒖𝒊𝒔𝒊𝒄̧𝒂̃𝒐 𝒒𝒖𝒆𝒊𝒎𝒂𝒓 𝒄𝒆𝒏𝒕𝒆𝒏𝒂𝒔 𝒅𝒆 𝒗𝒊́𝒕𝒊𝒎𝒂𝒔 𝒆 𝒂̀ 𝑷𝑰𝑫𝑬 𝒕𝒆𝒓 𝒖𝒎 𝒆𝒔𝒃𝒊𝒓𝒓𝒐 𝒆𝒎 𝒄𝒂𝒅𝒂 𝒂𝒔𝒔𝒐𝒄𝒊𝒂𝒄̧𝒂̃𝒐. 𝑫𝒆 𝒓𝒆𝒑𝒆𝒏𝒕𝒆, 𝒔𝒂𝒃𝒆-𝒔𝒆 𝒍𝒂́ 𝒊𝒏𝒅𝒊𝒈𝒊𝒕𝒂𝒅𝒐 𝒑𝒐𝒓 𝒒𝒖𝒆𝒎, 𝒆𝒖 𝒋𝒂́ 𝒆𝒓𝒂 ‘𝑬𝒎𝒃𝒂𝒊𝒙𝒂𝒅𝒐𝒓 𝒅𝒐 𝑪𝒂𝒏𝒕𝒆 𝑨𝒍𝒆𝒏𝒕𝒆𝒋𝒂𝒏𝒐’ 𝒆, 𝒑𝒓𝒐𝒗𝒂𝒗𝒆𝒍𝒎𝒆𝒏𝒕𝒆, 𝒅𝒆𝒗𝒆𝒓𝒊𝒂 𝒆𝒔𝒕𝒂𝒓 𝒂 𝒓𝒆𝒄𝒆𝒃𝒆𝒓 𝒑𝒐𝒓 𝒅𝒆𝒃𝒂𝒊𝒙𝒐 𝒅𝒂 𝒎𝒆𝒔𝒂 𝒎𝒊𝒍𝒉𝒐̃𝒆𝒔 𝒅𝒆 𝒆𝒖𝒓𝒐𝒔 𝒒𝒖𝒆 𝒈𝒂𝒔𝒕𝒂𝒓𝒊𝒂 𝒆𝒎 𝒑𝒂𝒔𝒔𝒆𝒊𝒐𝒔 𝒏𝒐 𝒎𝒆𝒖 𝒐𝒑𝒖𝒍𝒆𝒏𝒕𝒐 𝒗𝒆𝒍𝒆𝒊𝒓𝒐 𝒇𝒖𝒏𝒅𝒆𝒂𝒅𝒐 𝒏𝒐 𝒄𝒂𝒊𝒔 𝒅𝒆 𝑩𝒆𝒋𝒂. 𝑬𝒖, 𝒊́𝒎𝒑𝒊𝒐 𝒆𝒔𝒕𝒓𝒂𝒏𝒈𝒆𝒊𝒓𝒐, 𝒄𝒐𝒎𝒐 𝒎𝒆 𝒑𝒐𝒅𝒊𝒂 𝒑𝒆𝒓𝒎𝒊𝒕𝒊𝒓 𝒕𝒐𝒄𝒂𝒓 𝒏𝒐 𝒔𝒂𝒄𝒓𝒐𝒔𝒔𝒂𝒏𝒕𝒐 𝑪𝒂𝒏𝒕𝒆?
𝑬𝒔𝒔𝒂 𝑨𝒓𝒕𝒆 𝒔𝒖𝒃𝒍𝒊𝒎𝒆, 𝒐 𝒎𝒂𝒓𝒂𝒗𝒊𝒍𝒉𝒐𝒔𝒐 𝑪𝒂𝒏𝒕𝒆 𝑨𝒍𝒆𝒏𝒕𝒆𝒋𝒂𝒏𝒐, 𝒆́ 𝒂𝒇𝒊𝒏𝒂𝒍, 𝒑𝒂𝒓𝒂 𝒂𝒍𝒈𝒖𝒏𝒔 𝒊𝒍𝒖𝒎𝒊𝒏𝒂𝒅𝒐𝒔, 𝒖𝒎𝒂 𝒑𝒐𝒔𝒔𝒆, 𝒖𝒎𝒂 𝒄𝒐𝒊𝒔𝒂 𝒑𝒂𝒓𝒂𝒅𝒂, 𝒖𝒎𝒂 𝒄𝒆𝒏𝒂 𝒅𝒆 𝒗𝒊𝒕𝒓𝒊𝒏𝒆, 𝒂𝒅𝒆𝒓𝒆𝒄̧𝒐 𝒅𝒆 𝒆𝒏𝒇𝒆𝒊𝒕𝒆 𝒑𝒓𝒊𝒔𝒊𝒐𝒏𝒆𝒊𝒓𝒐 𝒅𝒂𝒔 𝒇𝒓𝒐𝒏𝒕𝒆𝒊𝒓𝒂𝒔 𝒅𝒂 𝒎𝒆𝒔𝒒𝒖𝒊𝒏𝒉𝒆𝒛. 𝑷𝒂𝒓𝒂 𝒆𝒔𝒕𝒆𝒔 𝒏𝒐𝒗𝒐𝒔-𝒊𝒏𝒒𝒖𝒊𝒔𝒊𝒅𝒐𝒓𝒆𝒔 𝒅𝒐 𝒓𝒆𝒊𝒏𝒐 𝒅𝒐𝒔 𝒑𝒂𝒓𝒐𝒍𝒐𝒔, 𝒐 𝒎𝒆𝒓𝒆𝒄𝒊𝒅𝒊́𝒔𝒔𝒊𝒎𝒐 𝒕𝒊́𝒕𝒖𝒍𝒐 𝒅𝒆 𝑷𝒂𝒕𝒓𝒊𝒎𝒐́𝒏𝒊𝒐 𝒅𝒂 𝑯𝒖𝒎𝒂𝒏𝒊𝒅𝒂𝒅𝒆 𝒆́, 𝒂𝒇𝒊𝒏𝒂𝒍, 𝒖𝒎 𝒆𝒔𝒕𝒐𝒓𝒗𝒐. 𝑪𝒐𝒎 𝒆𝒔𝒕𝒆 𝒕𝒊𝒑𝒐 𝒅𝒆 ‘𝒅𝒆𝒇𝒆𝒏𝒔𝒐𝒓𝒆𝒔’ 𝒐 𝑪𝒂𝒏𝒕𝒆 𝒏𝒂̃𝒐 𝒑𝒓𝒆𝒄𝒊𝒔𝒂 𝒅𝒆 𝒊𝒏𝒊𝒎𝒊𝒈𝒐𝒔..
𝑼𝒎 𝒈𝒂𝒋𝒐 𝒅𝒐 𝑷𝒐𝒓𝒕𝒐 𝒓𝒊-𝒔𝒆 𝒅𝒊𝒔𝒕𝒐. 𝑬 𝒑𝒓𝒐𝒗𝒂𝒗𝒆𝒍𝒎𝒆𝒏𝒕𝒆 𝒐 𝑨𝒍𝒆𝒏𝒕𝒆𝒋𝒐 𝒆 𝒐𝒔 𝒎𝒆𝒖𝒔 𝒒𝒖𝒆𝒓𝒊𝒅𝒐𝒔 𝒄𝒐𝒎𝒑𝒂𝒏𝒉𝒆𝒊𝒓𝒐𝒔 𝑨𝒍𝒆𝒏𝒕𝒆𝒋𝒂𝒏𝒐𝒔, 𝒓𝒊𝒓-𝒔𝒆-𝒂̃𝒐 𝒕𝒂𝒎𝒃𝒆́𝒎. 𝑼𝒎𝒂 𝒅𝒂𝒔 𝒓𝒂𝒛𝒐̃𝒆𝒔 𝒑𝒆𝒍𝒂𝒔 𝒒𝒖𝒂𝒊𝒔 𝒆𝒔𝒕𝒆 𝒑𝒂𝒊́𝒔 𝒕𝒆𝒎 𝒑𝒆𝒓𝒅𝒊𝒅𝒐 𝒐𝒑𝒐𝒓𝒕𝒖𝒏𝒊𝒅𝒂𝒅𝒆𝒔 𝒔𝒐𝒃𝒆𝒓𝒂𝒏𝒂𝒔 𝒅𝒆 𝒔𝒂𝒊𝒓 𝒅𝒐 𝒑𝒓𝒐𝒗𝒊𝒏𝒄𝒊𝒂𝒏𝒊𝒔𝒎𝒐 𝒆́ 𝒆𝒔𝒕𝒂: 𝒐𝒔 𝒒𝒖𝒆 𝒗𝒊𝒗𝒆𝒎 𝒔𝒆𝒏𝒕𝒂𝒅𝒐𝒔, 𝒆𝒏𝒄𝒐𝒔𝒕𝒂𝒅𝒐𝒔 𝒂𝒐 ‘𝒐𝒑𝒊𝒏𝒊𝒔𝒎𝒐’ 𝒅𝒆 𝒕𝒆𝒄𝒍𝒂𝒅𝒐, 𝒊𝒏𝒄𝒂𝒑𝒂𝒛𝒆𝒔 𝒅𝒆 𝒔𝒆 𝒎𝒆𝒙𝒆𝒓𝒆𝒎 𝒑𝒂𝒓𝒂 𝒄𝒐𝒏𝒄𝒓𝒆𝒕𝒊𝒛𝒂𝒓 𝒂𝒍𝒈𝒐 𝒒𝒖𝒆 𝒔𝒆𝒋𝒂 𝒑𝒆𝒍𝒐 𝒔𝒆𝒖 𝒑𝒂𝒊́𝒔, 𝒂𝒇𝒂𝒔𝒕𝒂𝒎 𝒂𝒒𝒖𝒆𝒍𝒆𝒔 𝒒𝒖𝒆 𝒄𝒐𝒏𝒄𝒓𝒆𝒕𝒊𝒛𝒂𝒎, 𝒐𝒔 𝒒𝒖𝒆 𝒕𝒆𝒎 𝒔𝒂𝒏𝒈𝒖𝒆 𝒏𝒂 𝒈𝒖𝒆𝒍𝒓𝒂 𝒆 𝒏𝒂̃𝒐 𝒔𝒆 𝒄𝒐𝒏𝒕𝒆𝒏𝒕𝒂𝒎 𝒄𝒐𝒎 𝒐 𝒎𝒆𝒅𝒊́𝒐𝒄𝒓𝒆 𝒒𝒖𝒂𝒏𝒅𝒐 𝒑𝒐𝒅𝒆𝒎 𝒄𝒓𝒊𝒂𝒓 𝒐 𝒆𝒙𝒄𝒆𝒍𝒆𝒏𝒕𝒆.
𝑵𝒂̃𝒐 𝒔𝒆𝒊 𝒆𝒎 𝒒𝒖𝒆 𝒆́ 𝒒𝒖𝒆 𝒊𝒔𝒕𝒐 𝒗𝒂𝒊 𝒇𝒊𝒄𝒂𝒓. 𝑺𝒆 𝒅𝒆𝒔𝒊𝒔𝒕𝒂 𝒅𝒆 𝒍𝒆𝒗𝒂𝒓 𝒐 𝒆𝒏𝒄𝒂𝒏𝒕𝒂𝒎𝒆𝒏𝒕𝒐 𝒔𝒆𝒄𝒖𝒍𝒂𝒓 𝒅𝒐 𝑪𝒂𝒏𝒕𝒆 𝑨𝒍𝒆𝒏𝒕𝒆𝒋𝒂𝒏𝒐 𝒂𝒐 𝒑𝒖́𝒃𝒍𝒊𝒄𝒐 𝒒𝒖𝒆, 𝒑𝒆𝒍𝒐 𝒎𝒖𝒏𝒅𝒐, 𝒕𝒆𝒎 𝒂𝒄𝒐𝒎𝒑𝒂𝒏𝒉𝒂𝒅𝒐 𝒈𝒆𝒏𝒆𝒓𝒐𝒔𝒂𝒎𝒆𝒏𝒕𝒆 𝒂𝒔 𝒎𝒊𝒏𝒉𝒂𝒔 𝒂𝒗𝒆𝒏𝒕𝒖𝒓𝒂𝒔 𝒂𝒓𝒕𝒊́𝒔𝒕𝒊𝒄𝒂𝒔 𝒂𝒐 𝒍𝒐𝒏𝒈𝒐 𝒅𝒆 𝒕𝒓𝒆̂𝒔 𝒅𝒆́𝒄𝒂𝒅𝒂𝒔. 𝑨 𝒗𝒆𝒓 𝒗𝒂𝒎𝒐𝒔.
𝑼𝒎𝒂 𝒑𝒂𝒍𝒂𝒗𝒓𝒂 𝒇𝒊𝒏𝒂𝒍: 𝒂𝒐 𝑨𝒍𝒆𝒏𝒕𝒆𝒋𝒐 𝒆 𝒂𝒐𝒔 𝑨𝒍𝒆𝒏𝒕𝒆𝒋𝒂𝒏𝒐𝒔, 𝒐 𝒎𝒆𝒖 𝒔𝒆𝒏𝒕𝒊𝒅𝒐, 𝒄𝒐𝒎𝒐𝒗𝒊𝒅𝒐 𝒂𝒈𝒓𝒂𝒅𝒆𝒄𝒊𝒎𝒆𝒏𝒕𝒐 𝒑𝒆𝒍𝒂 𝑳𝒖𝒛 𝒒𝒖𝒆 𝒕𝒆𝒎 𝒕𝒓𝒂𝒏𝒔𝒎𝒊𝒕𝒊𝒅𝒐 𝒂 𝒕𝒐𝒅𝒐 𝒐 𝒑𝒂𝒊́𝒔 𝒂𝒕𝒓𝒂𝒗𝒆́𝒔 𝒅𝒂 𝒗𝒐𝒔𝒔𝒂 𝒊𝒏𝒄𝒓𝒊́𝒗𝒆𝒍 𝑴𝒖́𝒔𝒊𝒄𝒂.
𝑸𝒖𝒆 𝒎𝒆𝒍𝒉𝒐𝒓 𝒎𝒂𝒏𝒆𝒊𝒓𝒂 𝒉𝒂́ 𝒑𝒂𝒓𝒂 𝒆𝒙𝒑𝒍𝒊𝒄𝒂𝒓, 𝒂 𝒒𝒖𝒆𝒎 𝒏𝒂̃𝒐 𝒄𝒐𝒏𝒉𝒆𝒄𝒆, 𝒅𝒆 𝒒𝒖𝒆 𝒆́ 𝒇𝒆𝒊𝒕𝒐 𝒐 𝑪𝒉𝒂̃𝒐 𝒅𝒆 𝑷𝒐𝒓𝒕𝒖𝒈𝒂𝒍? 𝑽𝒊𝒗𝒂 𝒐 𝑨𝒍𝒆𝒏𝒕𝒆𝒋𝒐!
𝑷𝒆𝒅𝒓𝒐 𝑨𝒃𝒓𝒖𝒏𝒉𝒐𝒔𝒂
𝑷𝒐𝒓𝒕𝒐, 𝟏𝟒, 𝑱𝒂𝒏𝒆𝒊𝒓𝒐, 𝟐𝟎𝟐𝟑 .
1 comentário:
Já tinha ouvido mas, tal como diz o Pedro Abrunhosa, a notícia era do deita abaixo gerada sabe-se lá por quem e com cheiro a dor de cotovelo.
Mas porque é que as pessoas inventam tanto para desprestigiar tudo aquilo que gostariam de ter feito mas nunca tiveram 🍅🍅
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