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ORDINARICE
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29/06/2021
XXII - DITADORES
6- LEOPOLDO II
REI DOS BELGAS
UM DOS MAIS SANGUINÁRIOS
DA EUROPA
* A História belga esforçou-se para encobrir os crimes hediondos que este bárbaro rei cometeu com o objectivo de fornecer borracha aos mercados internacionais. Supõe-se que mandou assassinar mais de 10 milhões de congoleses.
FONTE: 
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JOSÉ MANUEL PUREZA
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Resiliências
Está a chegar dinheiro a rodos da União Europeia, dizem que para
garantir a nossa resiliência. Pois bem, tanto dinheiro é uma
oportunidade única para mudar as vidas destes grupos e de todas as
pessoas que têm estado a vida inteira a recuperar de adversidades.
𝖵𝗈𝗎 𝖺𝗈 𝖽𝗂𝖼𝗂𝗈𝗇𝖺́𝗋𝗂𝗈 𝖾 𝖾𝗇𝖼𝗈𝗇𝗍𝗋𝗈: “𝖱𝖾𝗌𝗂𝗅𝗂𝖾̂𝗇𝖼𝗂𝖺 (𝗌𝗎𝖻𝗌𝗍. 𝖿𝖾𝗆.): 𝗉𝗋𝗈𝗉𝗋𝗂𝖾𝖽𝖺𝖽𝖾 𝖽𝖾 𝗎𝗆 𝖼𝗈𝗋𝗉𝗈 𝗋𝖾𝖼𝗎𝗉𝖾𝗋𝖺𝗋 𝖺 𝗌𝗎𝖺 𝖿𝗈𝗋𝗆𝖺 𝗈𝗋𝗂𝗀𝗂𝗇𝖺𝗅 𝖺𝗉𝗈́𝗌 𝗌𝗈𝖿𝗋𝖾𝗋 𝖼𝗁𝗈𝗊𝗎𝖾 𝗈𝗎 𝖽𝖾𝖿𝗈𝗋𝗆𝖺𝖼̧𝖺̃𝗈; 𝖼𝖺𝗉𝖺𝖼𝗂𝖽𝖺𝖽𝖾 𝖽𝖾 𝗌𝗎𝗉𝖾𝗋𝖺𝗋, 𝖽𝖾 𝗋𝖾𝖼𝗎𝗉𝖾𝗋𝖺𝗋 𝖽𝖾 𝖺𝖽𝗏𝖾𝗋𝗌𝗂𝖽𝖺𝖽𝖾𝗌.”
𝖢𝗈𝗆𝗈 𝖾𝗆 𝗍𝖺𝗇𝗍𝖺𝗌 𝗈𝗎𝗍𝗋𝖺𝗌 𝗉𝖺𝗅𝖺𝗏𝗋𝖺𝗌 𝖽𝖺 𝗆𝗈𝖽𝖺, 𝗇𝖺 𝗋𝖾𝗌𝗂𝗅𝗂𝖾̂𝗇𝖼𝗂𝖺 𝖼𝖺𝖻𝖾 𝗍𝗎𝖽𝗈 𝖾 𝗈 𝗌𝖾𝗎 𝖼𝗈𝗇𝗍𝗋𝖺́𝗋𝗂𝗈. 𝖯𝗈𝗂𝗌 𝖾́: 𝗈 𝗉𝗋𝗈𝖻𝗅𝖾𝗆𝖺 𝖽𝖺 𝗋𝖾𝗌𝗂𝗅𝗂𝖾̂𝗇𝖼𝗂𝖺 𝖾́ 𝗊𝗎𝖾 𝗇𝖺̃𝗈 𝗁𝖺́ 𝖼𝗁𝗈𝗊𝗎𝖾𝗌 𝖾 𝖺𝖽𝗏𝖾𝗋𝗌𝗂𝖽𝖺𝖽𝖾𝗌 𝖾𝗆 𝖺𝖻𝗌𝗍𝗋𝖺𝗍𝗈, 𝗇𝖾𝗆 𝗁𝖺́ 𝗉𝗋𝗈𝗉𝗋𝗂𝖾𝖽𝖺𝖽𝖾𝗌 𝖾 𝖼𝖺𝗉𝖺𝖼𝗂𝖽𝖺𝖽𝖾𝗌 𝗀𝖾𝗋𝖺𝗂𝗌. 𝖯𝗈𝗋 𝗂𝗌𝗌𝗈, 𝖿𝖺𝗅𝖺𝗋 𝖽𝖾 𝗋𝖾𝗌𝗂𝗅𝗂𝖾̂𝗇𝖼𝗂𝖺 𝗀𝖾𝗋𝖺𝗅 𝖽𝗈 𝗉𝖺𝗂́𝗌 𝖾́ 𝗎𝗌𝖺𝗋 𝗎𝗆 𝖻𝗂𝗈𝗆𝖻𝗈 𝗉𝖺𝗋𝖺 𝖾𝗌𝖼𝗈𝗇𝖽𝖾𝗋 𝖺𝗌 𝖽𝗂𝖿𝖾𝗋𝖾𝗇𝖼̧𝖺𝗌 𝖾𝗇𝗍𝗋𝖾 𝗈𝗌/𝖺𝗌 𝗋𝖾𝗌𝗂𝗅𝗂𝖾𝗇𝗍𝖾𝗌. 𝖯𝖺𝗋𝖺 𝗉𝖾𝗇𝗌𝖺𝗋 𝖾 𝖿𝖺𝗅𝖺𝗋 𝖼𝗈𝗆 𝗋𝗂𝗀𝗈𝗋, 𝗍𝖾𝗆 𝖽𝖾 𝗌𝖾 𝖺𝗌𝗌𝗎𝗆𝗂𝗋 𝗊𝗎𝖾 𝖺 𝗋𝖾𝗌𝗂𝗅𝗂𝖾̂𝗇𝖼𝗂𝖺 𝖽𝖾 𝗎𝗆 𝗉𝖺𝗂́𝗌 𝗌𝖺̃𝗈 𝖺𝗌 𝗋𝖾𝗌𝗂𝗅𝗂𝖾̂𝗇𝖼𝗂𝖺𝗌 𝖽𝗂𝖿𝖾𝗋𝖾𝗇𝖼𝗂𝖺𝖽𝖺𝗌 𝖽𝗈𝗌 𝗁𝗈𝗆𝖾𝗇𝗌 𝖾 𝗆𝗎𝗅𝗁𝖾𝗋𝖾𝗌 𝖼𝗈𝗇𝖼𝗋𝖾𝗍𝗈𝗌 𝗊𝗎𝖾 𝗈 𝖼𝗈𝗇𝗌𝗍𝗂𝗍𝗎𝖾𝗆.
𝖧𝖺́ 𝖺 𝗋𝖾𝗌𝗂𝗅𝗂𝖾̂𝗇𝖼𝗂𝖺 𝖽𝗈𝗌 𝖽𝖾 𝖻𝖺𝗂𝗑𝗈 𝖾 𝖺 𝗋𝖾𝗌𝗂𝗅𝗂𝖾̂𝗇𝖼𝗂𝖺 𝖽𝗈𝗌 𝖽𝖾 𝖼𝗂𝗆𝖺. 𝖯𝖺𝗋𝖺 𝗈𝗌 𝖽𝖾 𝖻𝖺𝗂𝗑𝗈, 𝗋𝖾𝗌𝗂𝗅𝗂𝖾̂𝗇𝖼𝗂𝖺 𝖾́ 𝗎𝗆𝖺 𝗉𝖺𝗅𝖺𝗏𝗋𝖺 𝗉𝖾𝗋𝖿𝗎𝗆𝖺𝖽𝖺 𝖾 𝗍𝖾𝖼𝗇𝗈𝖼𝗋𝖺́𝗍𝗂𝖼𝖺 𝗎𝗌𝖺𝖽𝖺 𝖾𝗆 𝗏𝖾𝗓 𝖽𝗈 𝗀𝗋𝗈𝗌𝗌𝖾𝗂𝗋𝗈 “𝖺𝗂 𝖺𝗀𝗎𝖾𝗇𝗍𝖺, 𝖺𝗀𝗎𝖾𝗇𝗍𝖺” 𝖽𝗈 𝖻𝖺𝗇𝗊𝗎𝖾𝗂𝗋𝗈. 𝖦𝖾𝗇𝗍𝖾 𝖼𝗎𝗃𝖺 𝗏𝗂𝖽𝖺 𝖾́ 𝗎𝗆 𝗊𝗎𝗈𝗍𝗂𝖽𝗂𝖺𝗇𝗈 𝖿𝖾𝗂𝗍𝗈 𝖽𝖾 𝖼𝗁𝗈𝗊𝗎𝖾, 𝖽𝖾𝖿𝗈𝗋𝗆𝖺𝖼̧𝖺̃𝗈 𝖾 𝖺𝖽𝗏𝖾𝗋𝗌𝗂𝖽𝖺𝖽𝖾 – 𝗀𝖾𝗇𝗍𝖾 𝗉𝖺𝗋𝖺 𝗊𝗎𝖾𝗆 𝖺 𝗋𝖾𝗌𝗂𝗅𝗂𝖾̂𝗇𝖼𝗂𝖺 𝖼𝗈𝗆𝗈 “𝗉𝗋𝗈𝗉𝗋𝗂𝖾𝖽𝖺𝖽𝖾 𝖽𝖾 𝗋𝖾𝖼𝗎𝗉𝖾𝗋𝖺𝗋 𝖺 𝖿𝗈𝗋𝗆𝖺 𝗈𝗋𝗂𝗀𝗂𝗇𝖺𝗅” 𝖾́ 𝗏𝗈𝗅𝗍𝖺𝗋 𝗌𝖾𝗆𝗉𝗋𝖾 𝖺̀ 𝖼𝖺𝗌𝖺 𝖽𝖾 𝗉𝖺𝗋𝗍𝗂𝖽𝖺 𝗊𝗎𝖾 𝖾́ 𝖽𝖾 𝖺𝗀𝗋𝗎𝗋𝖺 𝖾 𝖽𝗂𝖿𝗂𝖼𝗎𝗅𝖽𝖺𝖽𝖾. 𝖧𝖺́ 𝗈𝗎𝗍𝗋𝖺 𝗋𝖾𝗌𝗂𝗅𝗂𝖾̂𝗇𝖼𝗂𝖺, 𝖺 𝖽𝗈𝗌 𝖽𝖾 𝖼𝗂𝗆𝖺, 𝖺 𝗊𝗎𝖾 𝗌𝖾 𝖼𝗈𝗇𝖼𝗋𝖾𝗍𝗂𝗓𝖺 𝖾𝗆 𝖼𝖺́𝗅𝖼𝗎𝗅𝗈𝗌 𝖽𝖾 𝖾𝗑𝖼𝖾𝗅 𝖽𝗈 𝖺𝗃𝗎𝗌𝗍𝖺𝗆𝖾𝗇𝗍𝗈 𝖽𝗈 𝗇𝗎́𝗆𝖾𝗋𝗈 𝖽𝖾 “𝖼𝗈𝗅𝖺𝖻𝗈𝗋𝖺𝖽𝗈𝗋𝖾𝗌” 𝗊𝗎𝖾 𝖺 𝖾𝗆𝗉𝗋𝖾𝗌𝖺 “𝗍𝖾𝗆 𝖽𝖾 𝖽𝗂𝗌𝗉𝖾𝗇𝗌𝖺𝗋” 𝗉𝖺𝗋𝖺 𝗌𝖾 𝖺𝖽𝖺𝗉𝗍𝖺𝗋 𝖺̀𝗌 𝖾𝗑𝗂𝗀𝖾̂𝗇𝖼𝗂𝖺𝗌 𝖽𝖺 𝖼𝗋𝗂𝗌𝖾, 𝗈𝗎 𝗌𝖾𝗃𝖺, 𝗉𝖺𝗋𝖺 𝗊𝗎𝖾 𝖺 𝗆𝖺𝗋𝗀𝖾𝗆 𝖽𝖾 𝗅𝗎𝖼𝗋𝗈 𝖾 𝖽𝖾 𝖺𝖼𝗎𝗆𝗎𝗅𝖺𝖼̧𝖺̃𝗈 𝗇𝖺̃𝗈 𝖽𝗂𝗆𝗂𝗇𝗎𝖺𝗆.
𝖮 𝖮𝖻𝗌𝖾𝗋𝗏𝖺𝗍𝗈́𝗋𝗂𝗈 𝖯𝖾𝗋𝗆𝖺𝗇𝖾𝗇𝗍𝖾 𝖽𝖺 𝖩𝗎𝗌𝗍𝗂𝖼̧𝖺 (𝖮𝖯𝖩), 𝖽𝗈 𝖢𝖾𝗇𝗍𝗋𝗈 𝖽𝖾 𝖤𝗌𝗍𝗎𝖽𝗈𝗌 𝖲𝗈𝖼𝗂𝖺𝗂𝗌, 𝖾𝗅𝖺𝖻𝗈𝗋𝗈𝗎 𝗎𝗆 𝖾𝗌𝗍𝗎𝖽𝗈 𝖽𝖾𝗍𝖺𝗅𝗁𝖺𝖽𝗈, 𝗉𝖺𝗋𝖺 𝗂𝗇𝗍𝖾𝗀𝗋𝖺𝗋 𝗈 𝖱𝖾𝗅𝖺𝗍𝗈́𝗋𝗂𝗈 𝖽𝗈𝗌 𝖣𝗂𝗋𝖾𝗂𝗍𝗈𝗌 𝖥𝗎𝗇𝖽𝖺𝗆𝖾𝗇𝗍𝖺𝗂𝗌 𝖽𝖾 𝟤𝟢𝟤𝟣” 𝖽𝖺 𝖠𝗀𝖾̂𝗇𝖼𝗂𝖺 𝖽𝗈𝗌 𝖣𝗂𝗋𝖾𝗂𝗍𝗈𝗌 𝖥𝗎𝗇𝖽𝖺𝗆𝖾𝗇𝗍𝖺𝗂𝗌 𝖽𝖺 𝖴𝗇𝗂𝖺̃𝗈 𝖤𝗎𝗋𝗈𝗉𝖾𝗂𝖺, 𝗌𝗈𝖻𝗋𝖾 𝗈𝗌 𝗂𝗆𝗉𝖺𝖼𝗍𝗈𝗌 𝖽𝖺 𝗉𝖺𝗇𝖽𝖾𝗆𝗂𝖺 𝖽𝖾 𝖢𝖮𝖵𝖨𝖣-𝟣𝟫 𝗇𝗈 𝖼𝗎𝗆𝗉𝗋𝗂𝗆𝖾𝗇𝗍𝗈 𝖽𝗈𝗌 𝖽𝗂𝗋𝖾𝗂𝗍𝗈𝗌 𝖿𝗎𝗇𝖽𝖺𝗆𝖾𝗇𝗍𝖺𝗂𝗌. 𝖭𝖾𝗌𝗌𝖾 𝖾𝗌𝗍𝗎𝖽𝗈 𝗌𝗈𝖻𝗋𝖾 𝖺 𝗋𝖾𝖺𝗅𝗂𝖽𝖺𝖽𝖾 𝗉𝗈𝗋𝗍𝗎𝗀𝗎𝖾𝗌𝖺, 𝗈 𝖮𝖯𝖩 𝖺𝗏𝖺𝗅𝗂𝖺 𝗈𝗌 𝗂𝗆𝗉𝖺𝖼𝗍𝗈𝗌 𝖽𝖺 𝗉𝖺𝗇𝖽𝖾𝗆𝗂𝖺 𝗇𝗈𝗌 𝖽𝗂𝗋𝖾𝗂𝗍𝗈𝗌 𝖿𝗎𝗇𝖽𝖺𝗆𝖾𝗇𝗍𝖺𝗂𝗌 𝖽𝖾 𝗀𝗋𝗎𝗉𝗈𝗌 𝗌𝗈𝖼𝗂𝖺𝗂𝗌 𝖾𝗌𝗉𝖾𝖼𝗂𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝗏𝗎𝗅𝗇𝖾𝗋𝖺́𝗏𝖾𝗂𝗌. 𝖤 𝗆𝗈𝗌𝗍𝗋𝖺 𝗊𝗎𝖾 𝖺𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝗆𝖺𝗂𝗌 𝗏𝖾𝗅𝗁𝖺𝗌, 𝖺𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝖼𝗂𝗀𝖺𝗇𝖺𝗌 𝖾 𝖽𝖾 𝗈𝗎𝗍𝗋𝖺𝗌 𝗆𝗂𝗇𝗈𝗋𝗂𝖺𝗌 𝖾́𝗍𝗇𝗂𝖼𝖺𝗌, 𝖺𝗌 𝖼𝗋𝗂𝖺𝗇𝖼̧𝖺𝗌 𝖾 𝗃𝗈𝗏𝖾𝗇𝗌 𝗏𝗂́𝗍𝗂𝗆𝖺𝗌 𝖽𝖾 𝗏𝗂𝗈𝗅𝖾̂𝗇𝖼𝗂𝖺, 𝗇𝖾𝗀𝗅𝗂𝗀𝖾̂𝗇𝖼𝗂𝖺 𝖾 𝖺𝖻𝖺𝗇𝖽𝗈𝗇𝗈 𝖾 𝖺𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝖼𝗈𝗆 𝖽𝖾𝖿𝗂𝖼𝗂𝖾̂𝗇𝖼𝗂𝖺 𝗏𝗂𝗋𝖺𝗆 𝗈𝗌 𝗌𝖾𝗎𝗌 𝖽𝗂𝗋𝖾𝗂𝗍𝗈𝗌, 𝗃𝖺́ 𝖽𝖾 𝗌𝗂 𝖿𝗋𝖺́𝗀𝖾𝗂𝗌 𝗇𝖺 𝗇𝗈𝗌𝗌𝖺 𝗋𝖾𝖺𝗅𝗂𝖽𝖺𝖽𝖾 𝖼𝗈𝗆𝗎𝗆, 𝗌𝖾𝗋 𝗌𝖾𝗋𝗂𝖺𝗆𝖾𝗇𝗍𝖾 𝖿𝗋𝖺𝗀𝗂𝗅𝗂𝗓𝖺𝖽𝗈𝗌 𝗇𝗎𝗆 𝗊𝗎𝖺𝖽𝗋𝗈 𝗀𝖾𝗋𝖺𝗅 𝖽𝖾 𝗋𝖾𝗌𝗍𝗋𝗂𝖼̧𝖺̃𝗈 𝖽𝖾 𝖽𝗂𝗋𝖾𝗂𝗍𝗈𝗌 𝖿𝗎𝗇𝖽𝖺𝗆𝖾𝗇𝗍𝖺𝗂𝗌.
𝖤𝗌𝗌𝖾𝗌 𝗌𝖺̃𝗈 𝗈𝗌 𝗀𝗋𝗎𝗉𝗈𝗌 𝗌𝗈𝖼𝗂𝖺𝗂𝗌 𝖾𝗆 𝗊𝗎𝖾 𝖺 𝖿𝗋𝖺𝗀𝗂𝗅𝗂𝖽𝖺𝖽𝖾 𝖽𝗈𝗌 𝖽𝗂𝗋𝖾𝗂𝗍𝗈𝗌 𝖺𝗍𝗂𝗇𝗀𝖾 𝗆𝖺𝗂𝗈𝗋 𝖾𝗑𝗉𝗋𝖾𝗌𝗌𝖺̃𝗈. 𝖬𝖺𝗌, 𝗌𝖾𝗆𝗉𝗋𝖾 𝗊𝗎𝖾 𝗁𝖺́ 𝗎𝗆𝖺 𝖼𝗋𝗂𝗌𝖾 – 𝖿𝗂𝗇𝖺𝗇𝖼𝖾𝗂𝗋𝖺, 𝖺𝗆𝖻𝗂𝖾𝗇𝗍𝖺𝗅, 𝗌𝖺𝗇𝗂𝗍𝖺́𝗋𝗂𝖺 – 𝖺 𝗉𝖾𝗋𝖽𝖺 𝖽𝖾 𝖾𝗌𝗉𝖾𝗌𝗌𝗎𝗋𝖺 𝖽𝗈𝗌 𝖽𝗂𝗋𝖾𝗂𝗍𝗈𝗌 𝖾́ 𝖺 𝗋𝖾𝖺𝗅𝗂𝖽𝖺𝖽𝖾 𝖽𝖾 𝗍𝗈𝖽𝗈𝗌 𝖽𝖾 𝖻𝖺𝗂𝗑𝗈. 𝖤𝗂𝗌 𝗈 𝗋𝖾𝗍𝗋𝖺𝗍𝗈 𝖽𝖺 𝗋𝖾𝗌𝗂𝗅𝗂𝖾̂𝗇𝖼𝗂𝖺 𝖿𝗈𝗋𝖼̧𝖺𝖽𝖺 𝗊𝗎𝖾 𝖾́ 𝖺 𝖼𝗈𝗇𝗌𝗍𝖺𝗇𝗍𝖾 𝗁𝗂𝗌𝗍𝗈́𝗋𝗂𝖼𝖺 𝖽𝖺 𝗌𝗈𝖼𝗂𝖾𝖽𝖺𝖽𝖾 𝗉𝗈𝗋𝗍𝗎𝗀𝗎𝖾𝗌𝖺.
𝖤𝗌𝗍𝖺́ 𝖺 𝖼𝗁𝖾𝗀𝖺𝗋 𝖽𝗂𝗇𝗁𝖾𝗂𝗋𝗈 𝖺 𝗋𝗈𝖽𝗈𝗌 𝖽𝖺 𝖴𝗇𝗂𝖺̃𝗈 𝖤𝗎𝗋𝗈𝗉𝖾𝗂𝖺, 𝖽𝗂𝗓𝖾𝗆 𝗊𝗎𝖾 𝗉𝖺𝗋𝖺 𝗀𝖺𝗋𝖺𝗇𝗍𝗂𝗋 𝖺 𝗇𝗈𝗌𝗌𝖺 𝗋𝖾𝗌𝗂𝗅𝗂𝖾̂𝗇𝖼𝗂𝖺. 𝖯𝗈𝗂𝗌 𝖻𝖾𝗆, 𝗍𝖺𝗇𝗍𝗈 𝖽𝗂𝗇𝗁𝖾𝗂𝗋𝗈 𝖾́ 𝗎𝗆𝖺 𝗈𝗉𝗈𝗋𝗍𝗎𝗇𝗂𝖽𝖺𝖽𝖾 𝗎́𝗇𝗂𝖼𝖺 𝗉𝖺𝗋𝖺 𝗆𝗎𝖽𝖺𝗋 𝖺𝗌 𝗏𝗂𝖽𝖺𝗌 𝖽𝖾𝗌𝗍𝖾𝗌 𝗀𝗋𝗎𝗉𝗈𝗌 𝖾 𝖽𝖾 𝗍𝗈𝖽𝖺𝗌 𝖺𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝗊𝗎𝖾 𝗍𝖾̂𝗆 𝖾𝗌𝗍𝖺𝖽𝗈 𝖺 𝗏𝗂𝖽𝖺 𝗂𝗇𝗍𝖾𝗂𝗋𝖺 𝖺 𝗋𝖾𝖼𝗎𝗉𝖾𝗋𝖺𝗋 𝖽𝖾 𝖺𝖽𝗏𝖾𝗋𝗌𝗂𝖽𝖺𝖽𝖾𝗌. 𝖲𝖾 𝗇𝖺̃𝗈 𝖼𝗋𝗂𝖺𝗋 𝖼𝗈𝗇𝖽𝗂𝖼̧𝗈̃𝖾𝗌 𝖾𝗌𝗍𝗋𝗎𝗍𝗎𝗋𝖺𝗂𝗌 𝗉𝖺𝗋𝖺 𝗍𝖾𝗋𝗆𝗂𝗇𝖺𝗋 𝖼𝗈𝗆 𝖾𝗌𝗌𝖺 𝖼𝗈𝗇𝖽𝗂𝖼̧𝖺̃𝗈 𝖽𝖾 𝖺𝖽𝗏𝖾𝗋𝗌𝗂𝖽𝖺𝖽𝖾 𝗉𝖾𝗋𝗆𝖺𝗇𝖾𝗇𝗍𝖾, 𝖺 𝖻𝖺𝗓𝗎𝖼𝖺 𝗌𝖾𝗋𝖺́ 𝗎𝗆𝖺 𝗌𝗂𝗆𝗉𝗅𝖾𝗌 𝗉𝗋𝖾𝗌𝗌𝖺̃𝗈 𝖽𝖾 𝖺𝗋. 𝖤 𝖺 𝗋𝖾𝗌𝗂𝗅𝗂𝖾̂𝗇𝖼𝗂𝖺 𝖼𝗈𝗇𝗍𝗂𝗇𝗎𝖺𝗋𝖺́ 𝖺 𝗌𝖾𝗋 𝖺 𝗉𝖺𝗅𝖺𝗏𝗋𝖺 𝖼𝗁𝗂𝗊𝗎𝖾 𝗉𝖺𝗋𝖺 𝖽𝖾𝗌𝗂𝗀𝗇𝖺𝗋 𝖺 𝗅𝗎𝗍𝖺 𝖽𝗂𝖺́𝗋𝗂𝖺 𝗉𝖾𝗅𝖺 𝗌𝗈𝖻𝗋𝖾𝗏𝗂𝗏𝖾̂𝗇𝖼𝗂𝖺 𝖽𝖺 𝗀𝗋𝖺𝗇𝖽𝖾 𝗆𝖺𝗂𝗈𝗋𝗂𝖺.
* Deputado e Vice-Presidente da Assembleia da República. Dirigente do Bloco de Esquerda, professor universitário.
IN "AS BEIRAS" - 22/06/21
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29-TEATRO
FORA "D'ORAS"
𝐼𝒱-𝑪𝒂𝒃𝒂𝒓𝒆𝒕
𝑆𝑖𝑛𝑜𝑝𝑠𝑒:
𝐶𝑎𝑏𝑎𝑟𝑒𝑡, 𝑐𝑜𝑚 𝑡𝑒𝑥𝑡𝑜 𝑑𝑒 𝐽𝑜𝑒 𝑀𝑎𝑠𝑡𝑒𝑟𝑜𝑓𝑓, 𝑚𝑢́𝑠𝑖𝑐𝑎 𝑑𝑒 𝐽𝑜𝘩𝑛 𝐾𝑎𝑛𝑑𝑒𝑟 𝑒 𝑙𝑒𝑡𝑟𝑎 𝑑𝑒 𝐹𝑟𝑒𝑑 𝐸𝑏𝑏, 𝑓𝑜𝑖 𝑒𝑛𝑐𝑒𝑛𝑎𝑑𝑜 𝑝𝑒𝑙𝑎 𝑝𝑟𝑖𝑚𝑒𝑖𝑟𝑎 𝑣𝑒𝑧 𝘩𝑎́ 𝟺𝟻 𝑎𝑛𝑜𝑠. 𝐽𝑎́ 𝑒𝑠𝑡𝑎 𝑣𝑒𝑟𝑠𝑎̃𝑜 𝑏𝑟𝑎𝑠𝑖𝑙𝑒𝑖𝑟𝑎 𝑒́ 𝑎𝑠𝑠𝑖𝑛𝑎𝑑𝑎 𝑝𝑜𝑟 𝑀𝑖𝑔𝑢𝑒𝑙 𝐹𝑎𝑙𝑎𝑏𝑒𝑙𝑙𝑎 𝑒 𝑒́ 𝑑𝑖𝑟𝑖𝑔𝑖𝑑𝑎 𝑝𝑜𝑟 𝐽𝑜𝑠𝑒́ 𝑃𝑜𝑠𝑠𝑖 𝑁𝑒𝑡𝑜.
𝐴 𝘩𝑖𝑠𝑡𝑜́𝑟𝑖𝑎, 𝑏𝑎𝑠𝑒𝑎𝑑𝑎 𝑛𝑜 𝑙𝑖𝑣𝑟𝑜 𝑑𝑒 𝐶𝘩𝑟𝑖𝑠𝑡𝑜𝑝𝘩𝑒𝑟 𝐼𝑠𝘩𝑒𝑟𝑤𝑜𝑜𝑑, 𝑠𝑒 𝑝𝑎𝑠𝑠𝑎 𝑒𝑚 𝟷𝟿𝟹𝟷, 𝑛𝑎 𝑑𝑒𝑐𝑎𝑑𝑒𝑛𝑡𝑒 𝑐𝑎𝑠𝑎 𝑛𝑜𝑡𝑢𝑟𝑛𝑎 𝑏𝑒𝑟𝑙𝑖𝑛𝑒𝑛𝑠𝑒 𝐾𝑖𝑡 𝐾𝑎𝑡 𝐶𝑙𝑢𝑏 𝑒 𝑐𝑜𝑛𝑡𝑎 𝑜 𝑒𝑛𝑣𝑜𝑙𝑣𝑖𝑚𝑒𝑛𝑡𝑜 𝑒𝑚𝑜𝑐𝑖𝑜𝑛𝑎𝑙 𝑒𝑛𝑡𝑟𝑒 𝑎 𝑖𝑛𝑔𝑙𝑒𝑠𝑎 𝑆𝑎𝑙𝑙𝑦 𝑒 𝑜 𝑒𝑠𝑐𝑟𝑖𝑡𝑜𝑟 𝑎𝑚𝑒𝑟𝑖𝑐𝑎𝑛𝑜 𝐶𝑙𝑖𝑓𝑓 𝐵𝑟𝑎𝑑𝑠𝘩𝑎𝑤 (𝐺𝑢𝑖𝑙𝘩𝑒𝑟𝑚𝑒 𝑀𝑎𝑔𝑜𝑛). 𝐸𝑙𝑒 𝑐𝘩𝑒𝑔𝑎 𝑎̀ 𝑐𝑖𝑑𝑎𝑑𝑒, 𝑣𝑖𝑛𝑑𝑜 𝑑𝑒 𝑃𝑎𝑟𝑖𝑠, 𝑝𝑎𝑟𝑎 𝑒𝑠𝑐𝑟𝑒𝑣𝑒𝑟 𝑠𝑒𝑢 𝑟𝑜𝑚𝑎𝑛𝑐𝑒 𝑒 𝑒𝑚 𝑠𝑢𝑎 𝑝𝑟𝑖𝑚𝑒𝑖𝑟𝑎 𝑛𝑜𝑖𝑡𝑒 𝑝𝑎𝑠𝑠𝑎 𝑎 𝑣𝑖𝑟𝑎𝑑𝑎 𝑑𝑒 𝑎𝑛𝑜 𝑑𝑜 𝑐𝑎𝑏𝑎𝑟𝑒́ 𝑜𝑛𝑑𝑒 𝑆𝑎𝑙𝑙𝑦 𝑡𝑟𝑎𝑏𝑎𝑙𝘩𝑎. 𝐴 𝑏𝑎𝑖𝑙𝑎𝑟𝑖𝑛𝑎 𝑠𝑎𝑙𝑡𝑎 𝑑𝑒 𝑠𝑒𝑢 𝑐𝑎𝑚𝑎𝑟𝑖𝑚 𝑝𝑎𝑟𝑎 𝑜 𝑚𝑜𝑑𝑒𝑠𝑡𝑜 𝑞𝑢𝑎𝑟𝑡𝑜 𝑑𝑒 𝑝𝑒𝑛𝑠𝑎̃𝑜 𝑑𝑜 𝑒𝑠𝑐𝑟𝑖𝑡𝑜𝑟 𝑛𝑢𝑚 𝑒𝑠𝑡𝑎𝑙𝑎𝑟 𝑑𝑒 𝑑𝑒𝑑𝑜𝑠.
𝐴 𝑞𝑢𝑖́𝑚𝑖𝑐𝑎 𝑒𝑛𝑡𝑟𝑒 𝑒𝑙𝑒𝑠 𝑒́ 𝑖𝑚𝑒𝑑𝑖𝑎𝑡𝑎, 𝑚𝑒𝑠𝑚𝑜 𝑒𝑙𝑎 𝑛𝑎̃𝑜 𝑖𝑛𝑡𝑒𝑟𝑟𝑜𝑚𝑝𝑒𝑛𝑑𝑜 𝑠𝑢𝑎 𝑓𝑜𝑔𝑜𝑠𝑎 𝑣𝑖𝑑𝑎 𝑠𝑒𝑥𝑢𝑎𝑙 𝑒 𝑒𝑙𝑒 𝑚𝑎𝑛𝑡𝑒𝑛𝑑𝑜 𝑐𝑎𝑠𝑜𝑠 𝑓𝑜𝑟𝑡𝑢𝑖𝑡𝑜𝑠 𝑐𝑜𝑚 𝑟𝑎𝑝𝑎𝑧𝑒𝑠. 𝐴𝑠𝑠𝑖𝑚 𝑐𝑜𝑚𝑜 𝑎 𝑒𝑐𝑜𝑛𝑜𝑚𝑖𝑎 𝑑𝑎 𝐴𝑙𝑒𝑚𝑎𝑛𝘩𝑎 𝑑𝑜𝑠 𝑎𝑛𝑜𝑠 𝟷𝟿𝟹𝟶, 𝑜 𝑐𝑎𝑠𝑎𝑙 𝑣𝑖𝑣𝑖𝑎 𝑒𝑚 𝑝𝑟𝑒𝑐𝑎́𝑟𝑖𝑎 𝑠𝑖𝑡𝑢𝑎𝑐̧𝑎̃𝑜: 𝑒𝑙𝑒 𝑑𝑒 𝑎𝑙𝑔𝑢𝑚𝑎𝑠 𝑎𝑢𝑙𝑎𝑠 𝑑𝑒 𝑖𝑛𝑔𝑙𝑒̂𝑠 𝑒 𝑒𝑙𝑎 𝑑𝑜 𝑚𝑖́𝑠𝑒𝑟𝑜 𝑐𝑎𝑐𝘩𝑒̂ 𝑎𝑡𝑒́ 𝑠𝑒𝑟 𝑑𝑒𝑚𝑖𝑡𝑖𝑑𝑎 𝑑𝑜 𝑐𝑎𝑏𝑎𝑟𝑒́. 𝐶𝑙𝑖𝑓𝑓, 𝑐𝑜𝑜𝑝𝑡𝑎𝑑𝑜 𝑝𝑜𝑟 𝑢𝑚 𝑎𝑔𝑒𝑛𝑡𝑒 𝑑𝑜 𝑝𝑎𝑟𝑡𝑖𝑑𝑜 𝑑𝑒 𝐻𝑖𝑡𝑙𝑒𝑟, 𝑓𝑎𝑧 𝑢𝑛𝑠 𝑐𝑜𝑛𝑡𝑟𝑎𝑏𝑎𝑛𝑑𝑜𝑠, 𝑚𝑎𝑠 𝑎𝑜 𝑠𝑎𝑏𝑒𝑟 𝑑𝑜𝑠 𝑜𝑏𝑗𝑒𝑡𝑖𝑣𝑜𝑠 𝑑𝑎 𝑎𝑔𝑟𝑒𝑚𝑖𝑎𝑐̧𝑎̃𝑜 𝑠𝑒 𝑟𝑒𝑐𝑢𝑠𝑎 𝑎 𝑐𝑜𝑛𝑡𝑖𝑛𝑢𝑎𝑟 𝑒𝑠𝑡𝑎 𝑎𝑡𝑖𝑣𝑖𝑑𝑎𝑑𝑒 𝑐𝑙𝑎𝑛𝑑𝑒𝑠𝑡𝑖𝑛𝑎. 𝑇𝑢𝑑𝑜 𝑝𝑖𝑜𝑟𝑎 𝑐𝑜𝑚 𝑎 𝑔𝑟𝑎𝑣𝑖𝑑𝑒𝑧 𝑑𝑒 𝑆𝑎𝑙𝑙𝑦 𝑒 𝑎 𝑎𝑠𝑐𝑒𝑛𝑠𝑎̃𝑜 𝑑𝑜 𝑝𝑎𝑟𝑡𝑖𝑑𝑜 𝑛𝑎𝑧𝑖𝑠𝑡𝑎.
𝐴 𝑡𝑟𝑎𝑚𝑎 𝑓𝑎𝑧 𝑢𝑚 𝑐𝑜𝑛𝑡𝑟𝑎𝑝𝑜𝑛𝑡𝑜 𝑒𝑛𝑡𝑟𝑒 𝑎 𝑐𝑜𝑛𝑡𝑢𝑟𝑏𝑎𝑑𝑎 𝑢𝑛𝑖𝑎̃𝑜 𝑑𝑒 𝑆𝑎𝑙𝑙𝑦 𝑒 𝐶𝑙𝑖𝑓𝑓 𝑒 𝑎 𝑟𝑒𝑣𝑜𝑙𝑢𝑐̧𝑎̃𝑜 𝑠𝑜𝑐𝑖𝑎𝑙 𝑛𝑎 𝐴𝑙𝑒𝑚𝑎𝑛𝘩𝑎 (𝑒 𝑝𝑜𝑠𝑡𝑒𝑟𝑖𝑜𝑟𝑚𝑒𝑛𝑡𝑒 𝑛𝑎 𝐸𝑢𝑟𝑜𝑝𝑎 𝑒 𝑛𝑜 𝑚𝑢𝑛𝑑𝑜 𝑐𝑜𝑚 𝑎 𝑑𝑒𝑓𝑙𝑎𝑔𝑟𝑎𝑐̧𝑎̃𝑜 𝑑𝑎 𝟸ª 𝐺𝑟𝑎𝑛𝑑𝑒 𝐺𝑢𝑒𝑟𝑟𝑎).
𝐸𝑙𝑒𝑛𝑐𝑜:
𝐶𝑙𝑎𝑢𝑑𝑖𝑎 𝑅𝑎𝑖𝑎,
𝐽𝑎𝑟𝑏𝑎𝑠 𝐻𝑜𝑚𝑒𝑚 𝑑𝑒 𝑀𝑒𝑙𝑜,
𝐺𝑢𝑖𝑙𝘩𝑒𝑟𝑚𝑒 𝑀𝑎𝑔𝑜𝑛,
𝐽𝑢𝑙𝑖𝑜 𝑀𝑎𝑛𝑐𝑖𝑛𝑖,
𝐾𝑎𝑡𝑖𝑎 𝐵𝑎𝑟𝑟𝑜𝑠,
𝑀𝑎𝑟𝑐𝑜𝑠 𝑇𝑢𝑚𝑢𝑟𝑎,
𝐿𝑖𝑎𝑛𝑒 𝑀𝑎𝑦𝑎,
𝐴𝑙𝑏𝑒𝑟𝑡𝑜 𝐺𝑜𝑦𝑎,
𝐴𝑙𝑒𝑠𝑠𝑎𝑛𝑑𝑟𝑎 𝐷𝑖𝑚𝑖𝑡𝑟𝑖𝑜𝑢,
𝐶𝑎𝑟𝑜𝑙 𝐶𝑜𝑠𝑡𝑎,
𝐷𝑎𝑛𝑖𝑒𝑙 𝑀𝑜𝑛𝑡𝑒𝑖𝑟𝑜,
𝐹𝑎𝑏𝑖𝑎𝑛𝑒 𝐵𝑎𝑛𝑔,
𝐻𝑒𝑙𝑙𝑒𝑛 𝑑𝑒 𝐶𝑎𝑠𝑡𝑟𝑜,
𝐾𝑒𝑘𝑎 𝑆𝑎𝑛𝑡𝑜𝑠,
𝐿𝑒𝑜 𝑊𝑎𝑔𝑛𝑒𝑟,
𝐿𝑢𝑎𝑛𝑎 𝑍𝑒𝑛𝑢𝑛,
𝐿𝑢𝑐𝑖𝑎𝑛𝑎 𝑀𝑖𝑙𝑎𝑛𝑜,
𝑀𝑎𝑟𝑐𝑒𝑙𝑜 𝑉𝑎𝑠𝑞𝑢𝑒𝑧,
𝑀𝑎𝑡𝑒𝑢𝑠 𝑅𝑖𝑏𝑒𝑖𝑟𝑜,
𝑅𝑜𝑑𝑟𝑖𝑔𝑜 𝑁𝑒𝑔𝑟𝑖𝑛𝑖
𝑇𝑜𝑚𝑎𝑠 𝑄𝑢𝑎𝑟𝑒𝑠𝑚𝑎.
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Jaffer Soares
Jaffer Soares
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Mensagens (Atom)