𝖠𝗌 𝗍𝗋𝖺𝗇𝗌𝖿𝗈𝗋𝗆𝖺𝖼̧𝗈̃𝖾𝗌 𝗎𝗋𝖻𝖺𝗇𝖺𝗌 𝖺𝖼𝗈𝗆𝗉𝖺𝗇𝗁𝖺𝗆 𝖺𝗌 𝗍𝗋𝖺𝗇𝗌𝖿𝗈𝗋𝗆𝖺𝖼̧𝗈̃𝖾𝗌 𝗌𝗈𝖼𝗂𝖺𝗂𝗌 𝖾 𝗉𝗈𝗅𝗂́𝗍𝗂𝖼𝖺𝗌 𝗊𝗎𝖾 𝖺𝗈 𝗅𝗈𝗇𝗀𝗈 𝖽𝖺 𝗁𝗂𝗌𝗍𝗈́𝗋𝗂𝖺 𝖿𝗈𝗋𝖼̧𝖺𝗆 𝖺 𝗀𝖾𝗈𝗀𝗋𝖺𝖿𝗂𝖺 𝖽𝖺𝗌 𝖼𝗂𝖽𝖺𝖽𝖾𝗌 𝖺 𝗍𝗋𝖺𝗇𝗌𝖿𝗂𝗀𝗎𝗋𝖺𝗋-𝗌𝖾. 𝖮𝗌 𝖼𝖺𝖼𝗂𝗊𝗎𝖾𝗌 𝖽𝖾𝗌𝗌𝖺𝗌 𝗍𝗋𝖺𝗇𝗌𝖿𝗈𝗋𝗆𝖺𝖼̧𝗈̃𝖾𝗌 𝗌𝖺̃𝗈, 𝖼𝗈𝗆𝗈 𝖾𝗆 𝗍𝗈𝖽𝗈𝗌 𝗈𝗌 𝗅𝗎𝗀𝖺𝗋𝖾𝗌 𝖽𝗈 𝗆𝗎𝗇𝖽𝗈, 𝖺𝗊𝗎𝖾𝗅𝖾𝗌 𝗊𝗎𝖾 𝖽𝖾𝗍𝖾̂𝗆 𝗈 𝗉𝗈𝖽𝖾𝗋 𝖾𝖼𝗈𝗇𝗈́𝗆𝗂𝖼𝗈 𝗉𝖺𝗋𝖺 𝗉𝗈𝖽𝖾𝗋 𝖼𝗋𝗂𝖺𝗋 𝗎𝗆𝖺 𝖼𝗂𝖽𝖺𝖽𝖾 𝖾 𝗎𝗆𝖺 𝗌𝗈𝖼𝗂𝖾𝖽𝖺𝖽𝖾 𝖺𝗈𝗌 𝗈𝗅𝗁𝗈𝗌 𝖽𝗈𝗌 𝗌𝖾𝗎𝗌 𝗂𝗇𝗍𝖾𝗋𝖾𝗌𝗌𝖾𝗌. 𝖱𝗎𝗂 𝖬𝗈𝗋𝖾𝗂𝗋𝖺, 𝗊𝗎𝖺𝗇𝖽𝗈 𝖾𝗆 𝟤𝟢𝟣𝟥 𝖺𝗌𝖼𝖾𝗇𝖽𝖾𝗎 𝖺 𝖯𝗋𝖾𝗌𝗂𝖽𝖾𝗇𝗍𝖾 𝖽𝖺 𝖢𝖺̂𝗆𝖺𝗋𝖺 𝖬𝗎𝗇𝗂𝖼𝗂𝗉𝖺𝗅 𝖽𝗈 𝖯𝗈𝗋𝗍𝗈 (𝖢𝖬𝖯), 𝖺𝗌𝗌𝗎𝗆𝗂𝗎 𝖻𝖾𝗆 𝖼𝖾𝖽𝗈 𝗊𝗎𝖺𝗂𝗌 𝗈𝗌 𝗌𝖾𝗎𝗌 𝗈𝖻𝗃𝖾𝗍𝗂𝗏𝗈𝗌 𝗀𝗈𝗏𝖾𝗋𝗇𝖺𝗍𝗂𝗏𝗈𝗌, 𝗉𝗈𝗂𝗌 𝗌𝖺𝖻𝗂𝖺 𝖻𝖾𝗆 𝗊𝗎𝖾 𝗂𝗇𝗍𝖾𝗋𝖾𝗌𝗌𝖾𝗌 𝗍𝗂𝗇𝗁𝖺 𝖽𝖾 𝗉𝗋𝖾𝗌𝖾𝗋𝗏𝖺𝗋. 𝖱𝗎𝗂 𝖬𝗈𝗋𝖾𝗂𝗋𝖺 𝗆𝗈𝗌𝗍𝗋𝗈𝗎-𝗌𝖾 𝖼𝗈𝗆𝗈 𝗎𝗆 𝗏𝖾𝗋𝖽𝖺𝖽𝖾𝗂𝗋𝗈 𝖢𝖤𝖮 𝖽𝖺 𝖢𝖬𝖯 𝖾 𝗌𝖺𝖻𝗂𝖺 𝖽𝖾 𝗍𝗈𝖽𝖺𝗌 𝖺𝗌 𝗉𝗈𝗍𝖾𝗇𝖼𝗂𝖺𝗅𝗂𝖽𝖺𝖽𝖾𝗌 𝗊𝗎𝖾 𝖺 𝖼𝗂𝖽𝖺𝖽𝖾 𝖽𝗈 𝖯𝗈𝗋𝗍𝗈 𝗍𝗂𝗇𝗁𝖺 𝗉𝖺𝗋𝖺 𝖺𝗍𝗋𝖺𝗂𝗋 𝗆𝖺𝗂𝗌 𝗂𝗇𝗏𝖾𝗌𝗍𝗂𝖽𝗈𝗋𝖾𝗌. 𝖮𝗌 𝗌𝖾𝗎𝗌 𝖾𝗑𝖾𝖼𝗎𝗍𝗂𝗏𝗈𝗌 𝖺𝖼𝖾𝖽𝗂𝖺𝗆 𝖾 𝖺𝖼𝖾𝖽𝖾𝗆 𝖼𝗈𝗆 𝖿𝖺𝖼𝗂𝗅𝗂𝖽𝖺𝖽𝖾 𝖺𝗈𝗌 𝗉𝖾𝖽𝗂𝖽𝗈𝗌 𝖽𝗈𝗌 𝖿𝗂𝖽𝖺𝗅𝗀𝗈𝗌, 𝗊𝗎𝖾 𝗌𝖾 𝖾𝗌𝖿𝗈𝗋𝖼̧𝖺𝗆 𝗉𝗈𝗋 𝗍𝗋𝖺𝗇𝗌𝖿𝗈𝗋𝗆𝖺𝗋 𝗈 𝗍𝖾𝗋𝗋𝗂𝗍𝗈́𝗋𝗂𝗈 𝗉𝗈𝗋𝗍𝗎𝖾𝗇𝗌𝖾 𝗇𝗎𝗆 𝖽𝗈𝗌 𝗆𝖺𝗂𝗌 𝗏𝖺𝗅𝗂𝗈𝗌𝗈𝗌 𝖺𝗍𝗂𝗏𝗈𝗌 𝖽𝗈 𝗆𝖾𝗋𝖼𝖺𝖽𝗈 𝗂𝗆𝗈𝖻𝗂𝗅𝗂𝖺́𝗋𝗂𝗈 𝖾 𝖽𝖺 𝖾𝗌𝗉𝖾𝖼𝗎𝗅𝖺𝖼̧𝖺̃𝗈 𝖿𝗂𝗇𝖺𝗇𝖼𝖾𝗂𝗋𝖺 𝖺𝗅𝖺𝗏𝖺𝗇𝖼𝖺𝖽𝖺 𝗉𝖾𝗅𝗈 𝗍𝗎𝗋𝗂𝗌𝗆𝗈. 𝖯𝗈𝗋𝖾́𝗆, 𝖾 𝖽𝖾 𝗆𝖺𝗇𝖾𝗂𝗋𝖺 𝖺 𝖿𝗂𝖼𝖺𝗋 𝗆𝖺𝗂𝗌 𝗈𝗋𝗀𝖺𝗇𝗂𝗓𝖺𝖽𝗈, 𝖽𝖾𝖼𝗂𝖽𝗂 𝖽𝗂𝗏𝗂𝖽𝗂𝗋 𝖾𝗌𝗍𝖾 𝖺𝗋𝗍𝗂𝗀𝗈 𝖾𝗆 𝗍𝗋𝖾̂𝗌 𝗉𝖺𝗋𝗍𝖾𝗌, 𝗊𝗎𝖾 𝗉𝗋𝖾𝗍𝖾𝗇𝖽𝖾𝗆 𝖺𝗇𝖺𝗅𝗂𝗌𝖺𝗋 𝖽𝗂𝖿𝖾𝗋𝖾𝗇𝗍𝖾𝗌 𝖾𝗍𝖺𝗉𝖺𝗌 𝖽𝗈 𝗉𝗋𝗈𝗃𝖾𝗍𝗈 “𝖼𝗂𝖽𝖺𝖽𝖾-𝗇𝖾𝗀𝗈́𝖼𝗂𝗈” 𝗊𝗎𝖾 𝖱𝗎𝗂 𝖬𝗈𝗋𝖾𝗂𝗋𝖺 𝖺𝗇𝗌𝖾𝗂𝖺 𝖽𝖾𝗌𝖾𝗇𝗏𝗈𝗅𝗏𝖾𝗋 𝗇𝖺 𝖼𝗂𝖽𝖺𝖽𝖾 𝖽𝗈 𝖯𝗈𝗋𝗍𝗈.
𝖯𝗈𝖻𝗋𝖾𝗌? ”𝖭𝗈𝗍 𝖨𝗇 𝖬𝗒 𝖡𝖺𝖼𝗄 𝖸𝖺𝗋𝖽”
𝖭𝖺̃𝗈 𝖾́ 𝖽𝖾 𝖺𝗀𝗈𝗋𝖺, 𝖱𝗎𝗂 𝖬𝗈𝗋𝖾𝗂𝗋𝖺 𝗀𝗈𝗏𝖾𝗋𝗇𝖺 𝗁𝖺́ 𝗍𝗋𝖾̂𝗌 𝗆𝖺𝗇𝖽𝖺𝗍𝗈𝗌 𝖾 𝖺𝗌 𝗌𝗎𝖺𝗌 𝗉𝗈𝗅𝗂́𝗍𝗂𝖼𝖺𝗌 𝖽𝖾 𝗉𝖾𝗋𝗌𝖾𝗀𝗎𝗂𝖼̧𝖺̃𝗈 𝖺̀𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝖾𝗆 𝗌𝗂𝗍𝗎𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝗌𝖾𝗆-𝖺𝖻𝗋𝗂𝗀𝗈 𝗈𝗎 𝖺 𝖾𝗑𝗉𝗎𝗅𝗌𝖺̃𝗈 𝖽𝖾 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝖽𝖺 𝖼𝗂𝖽𝖺𝖽𝖾 𝗇𝗎𝗆𝖺 𝗌𝗎𝖻𝗌𝗍𝗂𝗍𝗎𝗂𝖼̧𝖺̃𝗈 𝖽𝖾𝗅𝗂𝖻𝖾𝗋𝖺𝖽𝖺 𝖽𝖺 𝗉𝗈𝗉𝗎𝗅𝖺𝖼̧𝖺̃𝗈 𝗋𝖾𝗌𝗂𝖽𝖾𝗇𝗍𝖾 𝗉𝗈𝗋 𝗉𝗈𝗉𝗎𝗅𝖺𝖼̧𝖺̃𝗈 𝖿𝗅𝗎𝗍𝗎𝖺𝗇𝗍𝖾, 𝗌𝖺̃𝗈 𝖺𝗉𝖺𝗇𝖺́𝗀𝗂𝗈 𝖽𝗈𝗌 𝗌𝖾𝗎𝗌 𝖾𝗑𝖾𝖼𝗎𝗍𝗂𝗏𝗈𝗌. 𝖤𝗑𝗂𝗌𝗍𝖾 𝗎𝗆 𝗈𝖻𝗃𝖾𝗍𝗂𝗏𝗈 𝗂𝗇𝗍𝖾𝗇𝖼𝗂𝗈𝗇𝖺𝖽𝗈 𝖽𝗈 𝖾𝗑𝖾𝖼𝗎𝗍𝗂𝗏𝗈 𝖼𝗈𝗇𝗌𝖾𝗋𝗏𝖺𝖽𝗈𝗋, 𝖽𝖾 𝗅𝗂𝗆𝗉𝖺𝗋 𝖽𝖺 𝖼𝗂𝖽𝖺𝖽𝖾 𝗈𝗌 𝗍𝗈𝗑𝗂𝖼𝗈𝖽𝖾𝗉𝖾𝗇𝖽𝖾𝗇𝗍𝖾𝗌 𝖾 𝗈𝗌 𝗌𝖾𝗆-𝖺𝖻𝗋𝗂𝗀𝗈𝗌, 𝗌𝖾𝗆 𝗊𝗎𝖺𝗅𝗊𝗎𝖾𝗋 𝗀𝖺𝗋𝖺𝗇𝗍𝗂𝖺 𝖽𝖾 𝗂𝗇𝖼𝗅𝗎𝗌𝖺̃𝗈 𝖾 𝗂𝗇𝗍𝖾𝗀𝗋𝖺𝖼̧𝖺̃𝗈 𝖽𝖾𝗌𝗌𝖺𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝗇𝖺 𝗌𝗈𝖼𝗂𝖾𝖽𝖺𝖽𝖾. 𝖤𝗌𝗍𝖾 𝖺𝗇𝗈, 𝖺 𝖢𝖬𝖯, 𝖾𝗆 𝗆𝖺𝗂𝗌 𝗎𝗆𝖺 𝖽𝖾𝗆𝗈𝗇𝗌𝗍𝗋𝖺𝖼̧𝖺̃𝗈 𝖽𝖺 𝖽𝖾𝗌𝗎𝗆𝖺𝗇𝗂𝗓𝖺𝖼̧𝖺̃𝗈 𝖽𝖺𝗌 𝗌𝗎𝖺𝗌 𝖺𝖼̧𝗈̃𝖾𝗌, 𝖽𝖾𝗎 𝗂𝗇𝗂́𝖼𝗂𝗈 𝖺 𝗎𝗆𝖺 “𝗅𝗂𝗆𝗉𝖾𝗓𝖺” 𝗇𝗈 𝖺𝖼𝖺𝗆𝗉𝖺𝗆𝖾𝗇𝗍𝗈 𝗇𝖺 𝗓𝗈𝗇𝖺 𝖽𝖺 𝖯𝖺𝗌𝗍𝖾𝗅𝖾𝗂𝗋𝖺, 𝗅𝗂𝗀𝖺𝖽𝗈 𝖺𝗈 𝖼𝗈𝗇𝗌𝗎𝗆𝗈 𝖾 𝗍𝗋𝖺́𝖿𝗂𝖼𝗈 𝖽𝖾 𝖽𝗋𝗈𝗀𝖺. 𝖤𝗌𝗍𝖺 𝖺𝖼̧𝖺̃𝗈 𝗌𝖾𝗋𝗏𝗂𝗎 𝗉𝖺𝗋𝖺 𝗈 𝖾𝗑𝖾𝖼𝗎𝗍𝗂𝗏𝗈 𝖽𝖾 𝖱𝗎𝗂 𝖬𝗈𝗋𝖾𝗂𝗋𝖺 𝗅𝖺𝗇𝖼̧𝖺𝗋 𝖺 𝗌𝗎𝖺 𝖼𝖺𝗆𝗉𝖺𝗇𝗁𝖺 𝗉𝗈𝗉𝗎𝗅𝗂𝗌𝗍𝖺 𝗉𝖺𝗋𝖺 𝖺 𝖼𝗋𝗂𝗆𝗂𝗇𝖺𝗅𝗂𝗓𝖺𝖼̧𝖺̃𝗈 𝖽𝗈𝗌 𝖼𝗈𝗇𝗌𝗎𝗆𝗂𝖽𝗈𝗋𝖾𝗌, 𝗇𝗎𝗆 𝖼𝗅𝖺𝗋𝗈 𝗋𝖾𝗍𝗋𝗈𝖼𝖾𝗌𝗌𝗈 𝖼𝗂𝗏𝗂𝗅𝗂𝗓𝖺𝖼𝗂𝗈𝗇𝖺𝗅, 𝗊𝗎𝖺𝗇𝖽𝗈 𝗁𝖺́ 𝗆𝖺𝗂𝗌 𝖽𝖾 𝟤𝟢 𝖺𝗇𝗈𝗌, 𝖯𝗈𝗋𝗍𝗎𝗀𝖺𝗅 𝗈𝗅𝗁𝖺 𝗉𝖺𝗋𝖺 𝖺 𝗍𝗈𝗑𝗂𝖼𝗈𝖽𝖾𝗉𝖾𝗇𝖽𝖾̂𝗇𝖼𝗂𝖺 𝖼𝗈𝗆𝗈 𝗎𝗆 𝗉𝗋𝗈𝖻𝗅𝖾𝗆𝖺 𝖽𝖾 𝗌𝖺𝗎́𝖽𝖾 𝖾 𝗇𝖺̃𝗈 𝖼𝗋𝗂𝗆𝗂𝗇𝖺𝗅. 𝖠 𝖾𝗌𝗍𝗋𝖺𝗍𝖾́𝗀𝗂𝖺 𝖽𝖾 𝖱𝗎𝗂 𝖬𝗈𝗋𝖾𝗂𝗋𝖺 𝖾́ 𝗎𝗆𝖺 𝖽𝖺𝗌 𝗆𝖺𝗂𝗌 𝗈𝖻𝗃𝖾𝗍𝗂𝗏𝖺𝗌 𝖾 𝖾𝖿𝗂𝖼𝖺𝗓𝖾𝗌, 𝖽𝗂𝗀𝗇𝗈 𝖽𝖾 𝗎𝗆 𝖻𝗈𝗆 𝗅𝗂𝖻𝖾𝗋𝖺𝗅-𝖼𝗈𝗇𝗌𝖾𝗋𝗏𝖺𝖽𝗈𝗋, 𝗊𝗎𝖾 𝗉𝗋𝖾𝗍𝖾𝗇𝖽𝖾 𝖼𝗎𝗅𝗉𝖺𝖻𝗂𝗅𝗂𝗓𝖺𝗋 𝖺𝗌 𝖼𝗅𝖺𝗌𝗌𝖾𝗌 𝗌𝗈𝖼𝗂𝖺𝗂𝗌 𝗆𝖺𝗂𝗌 𝗏𝗎𝗅𝗇𝖾𝗋𝖺́𝗏𝖾𝗂𝗌 𝗉𝖾𝗅𝖺 𝗌𝗎𝖺 𝖽𝖾𝗌𝗀𝗋𝖺𝖼̧𝖺. 𝖤́ 𝗎𝗆 𝗈𝖻𝗃𝖾𝗍𝗂𝗏𝗈 𝖾𝗏𝗂𝖽𝖾𝗇𝗍𝖾 𝗊𝗎𝖾 𝗍𝖾𝗇𝖼𝗂𝗈𝗇𝖺 𝖾𝗇𝗋𝗈𝗅𝖺𝗋 𝖺𝗌 𝖼𝗅𝖺𝗌𝗌𝖾𝗌 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝖺𝖽𝗈𝗋𝖺𝗌 𝗎𝗆𝖺𝗌 𝖼𝗈𝗇𝗍𝗋𝖺 𝖺𝗌 𝗈𝗎𝗍𝗋𝖺𝗌, 𝖽𝖾𝗌𝗏𝗂𝖺𝗇𝖽𝗈-𝖺𝗌 𝖽𝗈 𝗂𝗇𝗂𝗆𝗂𝗀𝗈 𝖼𝗈𝗆𝗈, 𝗈 𝗌𝗂𝗌𝗍𝖾𝗆𝖺 𝖼𝖺𝗉𝗂𝗍𝖺𝗅𝗂𝗌𝗍𝖺.
𝖯𝗈𝗋 𝗉𝗋𝗈𝗉𝗈𝗌𝗍𝖺 𝖽𝗈 𝖡𝗅𝗈𝖼𝗈 𝖽𝖾 𝖤𝗌𝗊𝗎𝖾𝗋𝖽𝖺 𝗇𝗈 𝖯𝗈𝗋𝗍𝗈, 𝖺𝗍𝗎𝖺𝗅𝗆𝖾𝗇𝗍𝖾, 𝖾𝗑𝗂𝗌𝗍𝖾 𝗎𝗆 𝗉𝗋𝗈𝗃𝖾𝗍𝗈 𝗉𝗂𝗅𝗈𝗍𝗈 𝖽𝖾 𝗌𝖺𝗅𝖺 𝖽𝖾 𝖼𝗈𝗇𝗌𝗎𝗆𝗈 𝖺𝗌𝗌𝗂𝗌𝗍𝗂𝖽𝗈 𝖺𝗈 𝖼𝗈𝗇𝗌𝗎𝗆𝗈 𝖽𝖾 𝖽𝗋𝗈𝗀𝖺𝗌, 𝗃𝗎𝗇𝗍𝗈 𝖺𝗈 𝖡𝖺𝗂𝗋𝗋𝗈 𝖽𝖺 𝖯𝖺𝗌𝗍𝖾𝗅𝖾𝗂𝗋𝖺. 𝖭𝗈𝗌 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈𝗌 𝗆𝖾𝗌𝖾𝗌 𝖽𝖾𝗌𝗍𝖺 𝗌𝖺𝗅𝖺, 𝗆𝖺𝗂𝗌 𝖽𝖾 𝟨𝟢𝟢 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝗋𝖾𝖼𝗈𝗋𝗋𝖾𝗋𝖺𝗆 𝖺𝗈 𝖾𝗌𝗉𝖺𝖼̧𝗈 𝗉𝖺𝗋𝖺 𝗈 𝖼𝗈𝗇𝗌𝗎𝗆𝗈 𝖺𝖼𝗈𝗆𝗉𝖺𝗇𝗁𝖺𝖽𝗈 𝖾 𝗌𝖾𝗀𝗎𝗋𝗈, 𝖼𝗈𝗆 𝗎𝗆𝖺 𝗆𝖾́𝖽𝗂𝖺 𝖽𝖾 𝟪𝟥 𝖼𝗈𝗇𝗌𝗎𝗆𝗈𝗌 𝗉𝗈𝗋 𝖽𝗂𝖺 𝗇𝗈𝗌 𝗍𝗋𝖾̂𝗌 𝗆𝖾𝗌𝖾𝗌 (𝖩𝗈𝗋𝗇𝖺𝗅 𝖯𝗎́𝖻𝗅𝗂𝖼𝗈, 𝗃𝖺𝗇𝖾𝗂𝗋𝗈 𝖽𝖾 𝟤𝟢𝟤𝟥). 𝖢𝗈𝗇𝗍𝗎𝖽𝗈, 𝖾𝗌𝗍𝖺 𝗌𝖺𝗅𝖺 𝖺𝗉𝖾𝗇𝖺𝗌 𝖾𝗌𝗍𝖺́ 𝖼𝖺𝗉𝖺𝖼𝗂𝗍𝖺𝖽𝖺 𝗉𝖺𝗋𝖺 𝗋𝖾𝖼𝖾𝖻𝖾𝗋 𝟣𝟧 𝗎𝗍𝖾𝗇𝗍𝖾𝗌 𝖽𝖾 𝖼𝖺𝖽𝖺 𝗏𝖾𝗓, 𝗂𝗆𝗉𝗈𝗌𝗌𝗂𝖻𝗂𝗅𝗂𝗍𝖺𝗇𝖽𝗈 𝗎𝗆𝖺 𝗋𝖾𝗌𝗉𝗈𝗌𝗍𝖺 𝗋𝖺́𝗉𝗂𝖽𝖺 𝖺𝗈 𝗏𝗈𝗅𝗎𝗆𝖾 𝖽𝖾 𝗉𝗋𝗈𝖼𝗎𝗋𝖺 𝗊𝗎𝖾 𝖾𝗑𝗂𝗀𝗂𝗋𝗂𝖺 𝗎𝗆𝖺 𝖾𝗑𝗉𝖺𝗇𝗌𝖺̃𝗈 𝖽𝖺 𝗌𝖺𝗅𝖺 𝖾 𝖽𝗈𝗌 𝗍𝖾́𝖼𝗇𝗂𝖼𝗈𝗌 𝗊𝗎𝖾 𝖺𝖼𝗈𝗆𝗉𝖺𝗇𝗁𝖺𝗆 𝗈𝗌 𝗎𝗍𝖾𝗇𝗍𝖾𝗌. 𝖤𝗌𝗍𝖾 𝖾́ 𝗈 𝗍𝗂𝗉𝗈 𝖽𝖾 𝗋𝖾𝗌𝗉𝗈𝗌𝗍𝖺 𝗊𝗎𝖾 𝗉𝗈𝖽𝖾 𝗌𝗈𝗅𝗎𝖼𝗂𝗈𝗇𝖺𝗋 𝖽𝖾 𝖿𝗈𝗋𝗆𝖺 𝖾𝖿𝗂𝖼𝗂𝖾𝗇𝗍𝖾 𝖾 𝗃𝗎𝗌𝗍𝖺 𝖺 𝗊𝗎𝖾𝗌𝗍𝖺̃𝗈 𝖽𝗈 𝖺𝗎𝗆𝖾𝗇𝗍𝗈 𝖽𝗈 𝖼𝗈𝗇𝗌𝗎𝗆𝗈 𝖽𝖾 𝖽𝗋𝗈𝗀𝖺 𝗇𝖺 𝖼𝗂𝖽𝖺𝖽𝖾. 𝖣𝖾𝗏𝖾 𝗌𝖾𝗋 𝗍𝗋𝖺𝗍𝖺𝖽𝗈 𝖼𝗈𝗆𝗈 𝗎𝗆𝖺 𝗊𝗎𝖾𝗌𝗍𝖺̃𝗈 𝖽𝖾 𝗌𝖺𝗎́𝖽𝖾 𝗉𝗎𝖻𝗅𝗂𝖼𝖺, 𝖺𝗉𝗈𝗂𝖺𝖽𝖺 𝗇𝖺 𝗂𝗇𝗍𝖾𝗀𝗋𝖺𝖼̧𝖺̃𝗈 𝖾 𝗇𝖺̃𝗈 𝗇𝗎𝗆𝖺 𝗆𝖺𝗂𝗈𝗋 𝖾𝗑𝖼𝗅𝗎𝗌𝖺̃𝗈 𝗉𝗋𝗈𝗍𝖺𝗀𝗈𝗇𝗂𝗓𝖺𝖽𝖺 𝗉𝖾𝗅𝗈 𝖽𝗂𝗌𝖼𝗎𝗋𝗌𝗈 𝗉𝗈𝗉𝗎𝗅𝗂𝗌𝗍𝖺 𝖽𝗈 𝗉𝗋𝖾𝗌𝗂𝖽𝖾𝗇𝗍𝖾 𝖽𝖺 𝖼𝖺̂𝗆𝖺𝗋𝖺.
𝖭𝗈 𝖿𝗎𝗇𝖽𝗈, 𝖺 𝗉𝖾𝗋𝗌𝖾𝗀𝗎𝗂𝖼̧𝖺̃𝗈 𝖽𝖾𝗌𝖾𝗇𝖿𝗋𝖾𝖺𝖽𝖺 𝖺𝗈𝗌 𝗆𝖺𝗂𝗌 𝗉𝗈𝖻𝗋𝖾𝗌 𝖾́ 𝖺 𝗏𝖾𝗋𝗌𝖺̃𝗈 𝗉𝗈𝗋𝗍𝗎𝖾𝗇𝗌𝖾 𝖽𝗈 𝖭𝖨𝖬𝖡𝖸 (“𝖭𝗈𝗍 𝖨𝗇 𝖬𝗒 𝖡𝖺𝖼𝗄 𝖸𝖺𝗋𝖽”), 𝖽𝖾𝗌𝗍𝖺 𝖿𝖾𝗂𝗍𝖺, 𝖽𝗂𝗋𝖾𝖼𝗂𝗈𝗇𝖺𝖽𝖺 𝗉𝖺𝗋𝖺 𝖺 𝗉𝗈𝖻𝗋𝖾𝗓𝖺. 𝖲𝖾 𝗇𝗂𝗇𝗀𝗎𝖾́𝗆 𝗈𝗌 𝗏𝗂𝗋, 𝖾́ 𝗉𝗈𝗋𝗊𝗎𝖾 𝗇𝖺̃𝗈 𝖾𝗑𝗂𝗌𝗍𝖾𝗆, 𝗇𝖺̃𝗈 𝗁𝖺́ 𝗉𝗈𝖻𝗋𝖾𝗓𝖺 𝗇𝖺 𝖼𝗂𝖽𝖺𝖽𝖾 𝖽𝗈 𝖯𝗈𝗋𝗍𝗈.
𝖬𝖺𝗂𝗌 𝖯𝗈𝗋𝗍𝗈. 𝖬𝖾𝗇𝗈𝗌 𝖮𝗉𝗈𝗋𝗍𝗈
𝖠𝗌𝗌𝗂𝗌𝗍𝗂𝗆𝗈𝗌 𝗇𝗈𝗌 𝗎́𝗅𝗍𝗂𝗆𝗈𝗌 𝖽𝗂𝖺𝗌 𝖺𝗈 𝖾𝗇𝖼𝖾𝗋𝗋𝖺𝗆𝖾𝗇𝗍𝗈 𝖽𝗈 𝖢𝖾𝗇𝗍𝗋𝗈 𝖢𝗈𝗆𝖾𝗋𝖼𝗂𝖺𝗅 𝖲𝖳𝖮𝖯, 𝗈𝗎 𝖼𝗈𝗆𝗈 𝗈𝗌 𝖺𝗋𝗍𝗂𝗌𝗍𝖺𝗌 𝗊𝗎𝖾 𝗅𝖺́ 𝗉𝗋𝗈𝖽𝗎𝗓𝖾𝗆 𝖺𝗋𝗍𝖾 𝗅𝗁𝖾𝗌 𝖼𝗁𝖺𝗆𝖺, 𝖢𝖾𝗇𝗍𝗋𝗈 𝖢𝗎𝗅𝗍𝗎𝗋𝖺𝗅 𝖲𝖳𝖮𝖯. 𝖮 𝖲𝖳𝖮𝖯 𝖾́ 𝗎𝗆 𝗏𝖾𝗅𝗁𝗈 𝖼𝖾𝗇𝗍𝗋𝗈 𝖼𝗈𝗆𝖾𝗋𝖼𝗂𝖺𝗅 𝖽𝖺 𝖽𝖾́𝖼𝖺𝖽𝖺 𝖽𝖾 𝗌𝖾𝗍𝖾𝗇𝗍𝖺 𝗊𝗎𝖾 𝗃𝖺́ 𝗌𝖾𝗋𝗏𝗂𝗎 𝖽𝖾 𝖾𝗌𝗉𝖺𝖼̧𝗈 𝗉𝖺𝗋𝖺, 𝗊𝗎𝖾 𝗃𝖺́ 𝗉𝖺𝗌𝗌𝗈𝗎 𝗉𝗈𝗋 𝗈𝗎𝗍𝗋𝗈𝗌 𝗎𝗌𝗈𝗌, 𝗆𝖺𝗌 𝗁𝗈𝗃𝖾 𝗋𝖾𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺 𝗎𝗆 𝖽𝗈𝗌 𝗆𝖺𝗂𝗌 𝗂𝗆𝗉𝗈𝗋𝗍𝖺𝗇𝗍𝖾𝗌 𝖾𝗌𝗉𝖺𝖼̧𝗈𝗌 𝖽𝖾 𝗉𝗋𝗈𝖽𝗎𝖼̧𝖺̃𝗈 𝖼𝗎𝗅𝗍𝗎𝗋𝖺𝗅 𝖽𝖺 𝖼𝗂𝖽𝖺𝖽𝖾 𝖽𝗈 𝖯𝗈𝗋𝗍𝗈. 𝖱𝖾𝖿𝖾𝗋𝗂𝖽𝗈 𝖼𝗈𝗆𝗈 “𝖺 𝖢𝖺𝗌𝖺 𝖽𝖺 𝖬𝗎́𝗌𝗂𝖼𝖺 𝖽𝗈 𝖯𝗈𝗋𝗍𝗈”, 𝖿𝗈𝗂 𝗌𝖾𝗇𝖽𝗈, 𝖺𝗈 𝗅𝗈𝗇𝗀𝗈 𝖽𝗈𝗌 𝖺𝗇𝗈𝗌, 𝖺𝗉𝗋𝗈𝗏𝖾𝗂𝗍𝖺𝖽𝗈 𝗉𝗈𝗋 𝖻𝖺𝗇𝖽𝖺𝗌 𝖾 𝗆𝗎́𝗌𝗂𝖼𝗈𝗌, 𝗊𝗎𝖾 𝗈𝖼𝗎𝗉𝖺𝗏𝖺𝗆 𝗈 𝖾𝗌𝗉𝖺𝖼̧𝗈, 𝗆𝖺𝗂𝗌 𝖺𝖼𝖾𝗌𝗌𝗂́𝗏𝖾𝗅 𝖾𝖼𝗈𝗇𝗈𝗆𝗂𝖼𝖺𝗆𝖾𝗇𝗍𝖾, 𝖼𝗈𝗇𝗍𝗋𝗂𝖻𝗎𝗂𝗇𝖽𝗈 𝗉𝖺𝗋𝖺 𝗈 𝗌𝗎𝗋𝗀𝗂𝗆𝖾𝗇𝗍𝗈 𝖽𝖾 𝖾𝗌𝗍𝗎́𝖽𝗂𝗈𝗌 𝖾 𝗌𝖺𝗅𝖺𝗌 𝖽𝖾 𝖾𝗇𝗌𝖺𝗂𝗈𝗌.
𝖯𝗈𝗋𝖾́𝗆, 𝗇𝗈 𝗉𝖺𝗌𝗌𝖺𝖽𝗈 𝖽𝗂𝖺 𝟣𝟪 𝖽𝖾 𝗃𝗎𝗅𝗁𝗈, 𝗈𝗌 𝖺𝗋𝗍𝗂𝗌𝗍𝖺𝗌 𝗊𝗎𝖾 𝗎𝗍𝗂𝗅𝗂𝗓𝖺𝗏𝖺𝗆 𝖾𝗌𝗍𝖾 𝖾𝗌𝗉𝖺𝖼̧𝗈 𝖽𝖾 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝗈, 𝖿𝗈𝗋𝖺𝗆 𝗂𝗆𝗉𝖾𝖽𝗂𝖽𝗈𝗌 𝖽𝖾 𝗅𝖺́ 𝖾𝗇𝗍𝗋𝖺𝗋 𝗉𝖾𝗅𝖺𝗌 𝖺𝗎𝗍𝗈𝗋𝗂𝖽𝖺𝖽𝖾𝗌. 𝖮 𝖽𝖾𝗌𝗉𝖺𝖼𝗁𝗈 𝖽𝖺 𝖢𝖬𝖯 𝖿𝗈𝗂 𝗈 𝗆𝗈𝗍𝖾 𝗉𝖺𝗋𝖺 𝗈 𝖾𝗇𝖼𝖾𝗋𝗋𝖺𝗆𝖾𝗇𝗍𝗈, 𝖺𝗅𝖾𝗀𝖺𝗇𝖽𝗈 𝖿𝖺𝗅𝗍𝖺 𝖽𝖾 𝗌𝖾𝗀𝗎𝗋𝖺𝗇𝖼̧𝖺 𝗇𝗈 𝖾𝗌𝗉𝖺𝖼̧𝗈 𝖾 𝖺𝗍𝖾́ 𝖻𝖺𝗋𝗎𝗅𝗁𝗈 𝗉𝖺𝗋𝖺 𝖺 𝗏𝗂𝗓𝗂𝗇𝗁𝖺𝗇𝖼̧𝖺, 𝗋𝖺𝗉𝗂𝖽𝖺𝗆𝖾𝗇𝗍𝖾 𝖽𝖾𝗌𝗆𝖾𝗇𝗍𝗂𝖽𝗈 𝗉𝖾𝗅𝗈𝗌 𝗆𝗈𝗋𝖺𝖽𝗈𝗋𝖾𝗌 𝗏𝗂𝗓𝗂𝗇𝗁𝗈𝗌. 𝖭𝖺𝗌 𝗍𝗋𝖺𝗌𝖾𝗂𝗋𝖺𝗌 𝖽𝗈 𝖲𝖳𝖮𝖯, 𝖾𝗇𝖼𝗈𝗇𝗍𝗋𝖺𝗆-𝗌𝖾 𝗎𝗇𝗌 𝗍𝖾𝗋𝗋𝖾𝗇𝗈𝗌 𝖽𝖺 𝖾𝗆𝗉𝗋𝖾𝗌𝖺 𝗁𝗈𝗍𝖾𝗅𝖾𝗂𝗋𝖺 – 𝖨𝗆𝗈́𝗏𝖾𝗂𝗌 𝖾 𝖤𝗆𝗉𝗋𝖾𝖾𝗇𝖽𝗂𝗆𝖾𝗇𝗍𝗈𝗌 𝖧𝗈𝗍𝖾𝗅𝖾𝗂𝗋𝗈𝗌, 𝗀𝖾𝗌𝗍𝗈𝗋𝖺 𝖽𝗈 𝖤𝗎𝗋𝗈𝗌𝗍𝖺𝗋𝗌 𝖧𝖾𝗋𝗈𝗂́𝗌𝗆𝗈. 𝖮 𝖺𝖽𝗆𝗂𝗇𝗂𝗌𝗍𝗋𝖺𝖽𝗈𝗋 𝖽𝗈 𝖼𝗈𝗇𝖽𝗈𝗆𝗂́𝗇𝗂𝗈 𝖽𝗈 𝖢𝖢 𝖲𝖳𝖮𝖯 𝖺𝖽𝗆𝗂𝗍𝗂𝗎 𝖺̀ 𝖫𝗎𝗌𝖺 𝗊𝗎𝖾 𝖺 𝗆𝖾𝗌𝗆𝖺 𝖾𝗆𝗉𝗋𝖾𝗌𝖺 𝖽𝖾𝗆𝗈𝗇𝗌𝗍𝗋𝗈𝗎 𝗂𝗇𝗍𝖾𝗋𝖾𝗌𝗌𝖾 𝗇𝗈 𝖾𝗌𝗉𝖺𝖼̧𝗈.
𝖠 “𝖳𝗈𝗋𝗋𝖾 𝖽𝗈 𝖩𝖭” 𝖾́ 𝗆𝖺𝗂𝗌 𝗎𝗆𝖺 𝖽𝖾𝗆𝗈𝗇𝗌𝗍𝗋𝖺𝖼̧𝖺̃𝗈 𝖽𝖺 𝗏𝖾𝗇𝖽𝖺 𝖽𝗈 𝗉𝖺𝗍𝗋𝗂𝗆𝗈́𝗇𝗂𝗈 𝖽𝖺 𝖼𝗂𝖽𝖺𝖽𝖾 𝖺 𝗆𝖺𝗂𝗌 𝗎𝗆 𝗂𝗇𝗏𝖾𝗌𝗍𝗂𝖽𝗈𝗋 𝗉𝗋𝗂𝗏𝖺𝖽𝗈”. 𝖠 𝗌𝖾𝖽𝖾 𝖽𝗈 𝖩𝗈𝗋𝗇𝖺𝗅 𝖽𝖾 𝖭𝗈𝗍𝗂́𝖼𝗂𝖺𝗌, 𝗊𝗎𝖾 𝗌𝖾 𝗆𝗎𝖽𝖺𝗋𝖺́ 𝗉𝖺𝗋𝖺 𝖺 𝗉𝗋𝖾𝗅𝖺𝖽𝖺 𝗇𝗈 𝖿𝗂𝗇𝖺𝗅 𝖽𝖾 𝗃𝗎𝗅𝗁𝗈, 𝗏𝖺𝗂 𝖽𝖺𝗋 𝗅𝗎𝗀𝖺𝗋 𝖺 𝗎𝗆 𝖧𝗈𝗍𝖾𝗅. 𝖤́ 𝗈 𝗋𝖾𝖿𝗅𝖾𝗑𝗈 𝖽𝗈 𝖺𝗇𝖺𝗋𝖼𝗈𝖼𝖺𝗉𝗂𝗍𝖺𝗅𝗂𝗌𝗆𝗈, 𝗉𝖺𝗍𝗋𝗈𝖼𝗂𝗇𝖺𝖽𝗈 𝗉𝖾𝗅𝗈 𝖾𝗑𝖾𝖼𝗎𝗍𝗂𝗏𝗈 𝖽𝖾 𝖱𝗎𝗂 𝖬𝗈𝗋𝖾𝗂𝗋𝖺.
𝖤𝗌𝗍𝖾𝗌 𝗌𝖺̃𝗈 𝖽𝗈𝗂𝗌 𝖾𝗑𝖾𝗆𝗉𝗅𝗈𝗌 𝗋𝖾𝖼𝖾𝗇𝗍𝖾𝗌 𝖽𝗈 𝖽𝖾𝗌𝖼𝖺𝗋𝖺𝖼𝗍𝖾𝗋𝗂𝗓𝖺𝗋 𝗀𝖾𝗈𝗀𝗋𝖺́𝖿𝗂𝖼𝗈 𝖽𝖺 𝖼𝗂𝖽𝖺𝖽𝖾, 𝗈 𝗉𝖺𝗍𝗋𝗂𝗆𝗈́𝗇𝗂𝗈 𝗊𝗎𝖾 𝗈𝗎𝗍𝗋𝗈𝗋𝖺 𝗉𝖺𝗋𝖾𝖼𝗂𝖺 𝗂𝗇𝗍𝗈𝖼𝖺́𝗏𝖾𝗅 𝖾́ 𝗋𝖺𝗉𝗂𝖽𝖺𝗆𝖾𝗇𝗍𝖾 𝗌𝗎𝖻𝗌𝗍𝗂𝗍𝗎𝗂́𝖽𝗈 𝗉𝗈𝗋 𝗅𝖾𝗍𝗋𝖾𝗂𝗋𝗈𝗌 𝖽𝖾 𝗁𝗈𝗍𝖾𝗅 𝖾 𝗉𝗈𝗋 𝗌𝗅𝗈𝗀𝖺𝗇𝗌 𝖾𝗆 𝗂𝗇𝗀𝗅𝖾̂𝗌. 𝖭𝖺𝗌 𝗓𝗈𝗇𝖺𝗌 𝗆𝖺𝗂𝗌 𝗍𝗂́𝗉𝗂𝖼𝖺𝗌 𝖽𝖺 𝖼𝗂𝖽𝖺𝖽𝖾, 𝖼𝗈𝗆𝗈 𝖾́ 𝗈 𝖾𝗑𝖾𝗆𝗉𝗅𝗈 𝖽𝖾 𝖲𝖺̃𝗈 𝖵𝗂𝖼𝗍𝗈𝗋, 𝗇𝖺 𝖿𝗋𝖾𝗀𝗎𝖾𝗌𝗂𝖺 𝖽𝗈 𝖡𝗈𝗇𝖿𝗂𝗆, 𝖺 𝖿𝗈𝗋𝗍𝖾 𝖽𝖾𝗇𝗌𝗂𝖽𝖺𝖽𝖾 𝖽𝖾 “𝗂𝗅𝗁𝖺𝗌” 𝗆𝗂𝗌𝗍𝗎𝗋𝖺𝗆-𝗌𝖾 𝖼𝗈𝗆 𝗈𝗌 𝗋𝖾𝗇𝗈𝗏𝖺𝖽𝗈𝗌 𝖺𝗅𝗈𝗃𝖺𝗆𝖾𝗇𝗍𝗈𝗌 𝗉𝖺𝗋𝖺 𝗍𝗎𝗋𝗂𝗌𝗍𝖺𝗌, 𝗊𝗎𝖾 𝗏𝖾𝗇𝖽𝖾𝗆 𝖺 𝗂𝗆𝖺𝗀𝖾𝗆 𝖽𝖾 𝗎𝗆 𝗉𝗈𝗋𝗍𝗈 𝗍𝗋𝖺𝖽𝗂𝖼𝗂𝗈𝗇𝖺𝗅, 𝗌𝖾𝗇𝖽𝗈 𝗊𝗎𝖾 𝗇𝖺 𝗏𝖾𝗋𝖽𝖺𝖽𝖾 𝖾́ 𝖺 𝖺𝖽𝗎𝗅𝗍𝖾𝗋𝖺𝖼̧𝖺̃𝗈 𝖽𝗈 𝗍𝗂́𝗉𝗂𝖼𝗈 𝖾 𝖺 𝖽𝖾𝗌𝗍𝗋𝗎𝗂𝖼̧𝖺̃𝗈 𝖽𝖺𝗌 𝖼𝗈𝗆𝗎𝗇𝗂𝖽𝖺𝖽𝖾𝗌 𝗅𝗈𝖼𝖺𝗂𝗌. 𝖤𝗌𝗍𝖾 𝖾́ 𝗈 𝗋𝖾𝗌𝗎𝗅𝗍𝖺𝖽𝗈 𝖽𝖺𝗌 𝗉𝗈𝗅𝗂́𝗍𝗂𝖼𝖺𝗌 𝖾𝗅𝗂𝗍𝗂𝗌𝗍𝖺𝗌 𝖽𝗈 𝖾𝗑𝖾𝖼𝗎𝗍𝗂𝗏𝗈 𝖼𝖺𝗆𝖺𝗋𝖺́𝗋𝗂𝗈, 𝗉𝗈𝗅𝗂́𝗍𝗂𝖼𝖺𝗌 𝖼𝗈𝗆𝗈 𝖺𝗌 𝖽𝗈 𝗅𝖾𝗏𝖺𝗇𝗍𝖺𝗆𝖾𝗇𝗍𝗈 𝖽𝖺 𝗉𝗋𝗈𝗂𝖻𝗂𝖼̧𝖺̃𝗈 𝖽𝖾 𝗇𝗈𝗏𝖺𝗌 𝗅𝗂𝖼𝖾𝗇𝖼̧𝖺𝗌 𝖽𝖾 𝖺𝗅𝗈𝗃𝖺𝗆𝖾𝗇𝗍𝗈 𝗅𝗈𝖼𝖺𝗅 𝗇𝗈 𝖡𝗈𝗇𝖿𝗂𝗆 𝖾 𝖾𝗆 𝖢𝖾𝖽𝗈𝖿𝖾𝗂𝗍𝖺, 𝗊𝗎𝖾 𝗋𝖾𝗌𝗎𝗅𝗍𝖺𝗆 𝗇𝗈 𝖺𝗎𝗆𝖾𝗇𝗍𝗈 𝖽𝖺𝗌 𝗋𝖾𝗇𝖽𝖺𝗌 𝖽𝖺 𝖼𝗂𝖽𝖺𝖽𝖾, 𝗈𝗎 𝗈𝗌 𝖽𝖾𝗌𝗉𝖾𝗃𝗈𝗌 𝗇𝖺 𝖱𝗂𝖻𝖾𝗂𝗋𝖺, 𝖽𝖺𝗌 𝗓𝗈𝗇𝖺𝗌 𝗆𝖺𝗂𝗌 𝗌𝗈𝖻𝗋𝖾𝖼𝖺𝗋𝗋𝖾𝗀𝖺𝖽𝖺𝗌 𝗉𝖾𝗅𝗈 𝗍𝗎𝗋𝗂𝗌𝗆𝗈. 𝖨𝗌𝗍𝗈 𝖾́ 𝖺 𝗍𝗋𝖺𝗇𝗌𝖿𝗈𝗋𝗆𝖺𝖼̧𝖺̃𝗈 𝗎𝗋𝖻𝖺𝗇𝖺 𝗆𝗈𝗍𝗂𝗏𝖺𝖽𝖺 𝗉𝖾𝗅𝖺 𝗀𝖺𝗇𝖺̂𝗇𝖼𝗂𝖺 𝖼𝖺𝗉𝗂𝗍𝖺𝗅𝗂𝗌𝗍𝖺.
𝖲𝖺̃𝗈 𝗉𝗈𝗎𝖼𝗈𝗌 𝖺𝗊𝗎𝖾𝗅𝖾𝗌 𝗊𝗎𝖾 𝗋𝖾𝗌𝗂𝗌𝗍𝖾𝗆 𝖺̀ 𝗀𝖾𝗇𝗍𝗋𝗂𝖿𝗂𝖼𝖺𝖼̧𝖺̃𝗈 𝖾 𝖺̀ 𝗍𝗎𝗋𝗂𝗌𝗍𝗂𝖿𝗂𝖼𝖺𝖼̧𝖺̃𝗈 𝖾 𝗈𝗌 𝗆𝖺𝗂𝗌 𝗉𝗈𝖻𝗋𝖾𝗌 𝗌𝖺̃𝗈 𝗈𝗌 𝗊𝗎𝖾 𝗆𝖺𝗂𝗌 𝗌𝗈𝖿𝗋𝖾𝗆 𝖼𝗈𝗆 𝖺𝗌 𝗌𝗎𝖺𝗌 𝖼𝗈𝗇𝗌𝖾𝗊𝗎𝖾̂𝗇𝖼𝗂𝖺𝗌. 𝖠𝗌 𝖽𝖾𝗌𝗂𝗀𝗎𝖺𝗅𝖽𝖺𝖽𝖾𝗌 𝖾𝗇𝗍𝗋𝖾 𝖼𝗅𝖺𝗌𝗌𝖾𝗌 𝗌𝖺̃𝗈 𝖼𝖺𝖽𝖺 𝗏𝖾𝗓 𝗆𝖺𝗂𝗌 𝗏𝗂𝗇𝖼𝖺𝖽𝖺𝗌, 𝗁𝖺́ 𝖺𝗍𝖾́ 𝗊𝗎𝖾𝗆 𝖼𝗁𝖺𝗆𝖾 𝖺 𝖾𝗌𝗍𝖾 𝖿𝖾𝗇𝗈́𝗆𝖾𝗇𝗈 𝖽𝖾 𝖾𝗑𝖼𝗅𝗎𝗌𝖺̃𝗈 𝗀𝖾𝗈𝗀𝗋𝖺́𝖿𝗂𝖼𝖺 𝖾 𝗌𝗈𝖼𝗂𝖺𝗅 𝖽𝖺𝗌 𝖼𝗅𝖺𝗌𝗌𝖾𝗌 𝗆𝖺𝗂𝗌 𝗏𝗎𝗅𝗇𝖾𝗋𝖺́𝗏𝖾𝗂𝗌 𝖽𝗈 𝖼𝖾𝗇𝗍𝗋𝗈 𝖽𝖺 𝖼𝗂𝖽𝖺𝖽𝖾, 𝖽𝖾 “𝖺𝗉𝖺𝗋𝗍𝗁𝖾𝗂𝖽 𝗎𝗋𝖻𝖺𝗇𝗈” (𝖡𝗂𝗇𝖽𝖾́, 𝟤𝟢𝟢𝟢). 𝖤́ 𝗈 𝖼𝖺𝗉𝗂𝗍𝖺𝗅𝗂𝗌𝗆𝗈 𝖾𝗆 𝖾𝗑𝗉𝖺𝗇𝗌𝖺̃𝗈, 𝗊𝗎𝖾 𝗏𝖾̂ 𝗇𝗈 𝖾𝗌𝗉𝖺𝖼̧𝗈 𝗉𝗎́𝖻𝗅𝗂𝖼𝗈 𝗆𝖺𝗂𝗌 𝗎𝗆𝖺 𝖿𝗈𝗋𝗆𝖺 𝖽𝖾 𝖼𝖺𝗉𝗂𝗍𝖺𝗅𝗂𝗓𝖺𝗋 𝖾 𝖺𝖼𝗎𝗆𝗎𝗅𝖺𝗋 𝖼𝗈𝗇𝗍𝗂𝗇𝗎𝖺𝗆𝖾𝗇𝗍𝖾 𝖺 𝗋𝗂𝗊𝗎𝖾𝗓𝖺 𝗇𝗈𝗌 𝖻𝗈𝗅𝗌𝗈𝗌 𝖽𝗈𝗌 𝖼𝖺𝖼𝗂𝗊𝗎𝖾𝗌. 𝖤́ 𝖺 𝗉𝗈𝗅𝗂́𝗍𝗂𝖼𝖺 𝗊𝗎𝖾 𝗏𝖾𝗆 𝗂𝗇𝗏𝗂𝗌𝗂𝖻𝗂𝗅𝗂𝗓𝖺𝗋 𝗈𝗌 𝗃𝖺́ 𝗂𝗇𝗏𝗂𝗌𝗂́𝗏𝖾𝗂𝗌, 𝖼𝗈𝗆𝗈 𝗌𝖾 𝗋𝖾𝖿𝗅𝖾𝗍𝗂𝗎 𝗍𝖺𝗆𝖻𝖾́𝗆 𝗇𝖺 𝖿𝖺𝖼̧𝖺𝗇𝗁𝖺 𝖽𝖺 𝖢𝖬𝖯 𝖼𝗈𝗇𝗍𝗋𝖺 𝖺 𝖬𝖺𝗋𝖼𝗁𝖺 𝖽𝗈 𝖮𝗋𝗀𝗎𝗅𝗁𝗈 𝖽𝗈 𝖯𝗈𝗋𝗍𝗈, 𝖾𝗆 𝟤𝟢𝟤𝟥. 𝖤́ 𝖺 𝖾𝗅𝗂𝗍𝗂𝗓𝖺𝖼̧𝖺̃𝗈 𝖽𝖺 𝖼𝗂𝖽𝖺𝖽𝖾, 𝗉𝗈𝗂𝗌 𝖺𝗌 𝖿𝗈𝗋𝗆𝖺𝗌 𝖽𝖾 𝗉𝗋𝗈𝖽𝗎𝖼̧𝖺̃𝗈 𝖾 𝖾𝗑𝗉𝗅𝗈𝗋𝖺𝖼̧𝖺̃𝗈 𝗆𝗎𝖽𝖺𝗋𝖺𝗆, 𝗃𝖺́ 𝗇𝖺̃𝗈 𝗂𝗇𝗍𝖾𝗋𝖾𝗌𝗌𝖺 𝗆𝖺𝗇𝗍𝖾𝗋 𝗈𝗌 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝖺𝖽𝗈𝗋𝖾𝗌 𝗇𝖺𝗌 𝗍𝗋𝖺𝗌𝖾𝗂𝗋𝖺𝗌 𝖽𝗈𝗌 𝗌𝖾𝗇𝗁𝗈𝗋𝖾𝗌, 𝗂𝗆𝗉𝗈𝗋𝗍𝖺 𝖺𝗀𝗈𝗋𝖺 𝖾́ 𝖾𝗆𝗉𝗎𝗋𝗋𝖺́-𝗅𝗈𝗌 𝗉𝖺𝗋𝖺 𝖿𝗈𝗋𝖺 𝖽𝖺 𝖼𝗂𝖽𝖺𝖽𝖾-𝗇𝖾𝗀𝗈́𝖼𝗂𝗈 𝖾 𝖾𝗇𝖿𝖾𝗂𝗍𝖺𝗋 𝗆𝖺𝗂𝗌 𝖾𝗌𝗍𝖾 𝖼𝖾𝗇𝖺́𝗋𝗂𝗈, 𝖼𝖺𝖽𝖺 𝗏𝖾𝗓 𝗆𝖺𝗂𝗌 𝖽𝖾𝗌𝖼𝖺𝗋𝖺𝖼𝗍𝖾𝗋𝗂𝗓𝖺𝖽𝗈 𝖾 𝗆𝖺𝗂𝗌 𝗉𝗋𝗈́𝗑𝗂𝗆𝗈 𝖽𝖾 𝗌𝖾 𝗍𝗋𝖺𝗇𝗌𝖿𝗈𝗋𝗆𝖺𝗋 𝗇𝗎𝗆 𝖾𝗇𝗈𝗋𝗆𝖾 𝗁𝗈𝗍𝖾𝗅.
𝖮 𝗅𝖺́𝗉𝗂𝗌 𝖺𝗓𝗎𝗅 𝖽𝖾 𝖱𝗎𝗂 𝖬𝗈𝗋𝖾𝗂𝗋𝖺
𝖱𝗎𝗂 𝖬𝗈𝗋𝖾𝗂𝗋𝖺 𝖾 𝖺𝗌 𝗌𝗎𝖺𝗌 𝗉𝗈𝗅𝗂́𝗍𝗂𝖼𝖺𝗌 𝖽𝖾 𝖽𝖾𝗌𝗍𝗋𝗎𝗂𝖼̧𝖺̃𝗈 𝖽𝖺 𝗂𝖽𝖾𝗇𝗍𝗂𝖽𝖺𝖽𝖾 𝖽𝖺 𝖼𝗂𝖽𝖺𝖽𝖾 𝖾 𝖽𝖾 𝗅𝗂𝖻𝖾𝗋𝖺𝗅𝗂𝗓𝖺𝖼̧𝖺̃𝗈 𝖽𝖺 𝖾𝖼𝗈𝗇𝗈𝗆𝗂𝖺 𝖺𝖿𝖾𝗍𝖺𝗆 𝖽𝗂𝗋𝖾𝗍𝖺𝗆𝖾𝗇𝗍𝖾 𝖺 𝗏𝗂𝖽𝖺 𝖽𝖺 𝗉𝗈𝗉𝗎𝗅𝖺𝖼̧𝖺̃𝗈. 𝖠𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝗌𝖾𝗇𝗍𝖾𝗆 𝗈 𝗋𝖾𝖿𝗅𝖾𝗑𝗈 𝖽𝖺𝗌 𝗉𝗈𝗅𝗂́𝗍𝗂𝖼𝖺𝗌 𝖽𝖺 𝖢𝖬𝖯 𝗊𝗎𝖺𝗇𝖽𝗈 𝖺𝗈 𝖿𝗂𝗆 𝖽𝗈 𝗆𝖾̂𝗌 𝗈 𝗌𝖺𝗅𝖺́𝗋𝗂𝗈 𝗇𝖺̃𝗈 𝖾𝗌𝗍𝗂𝗏𝖺 𝗉𝖺𝗋𝖺 𝗉𝖺𝗀𝖺𝗋 𝖺 𝗋𝖾𝗇𝖽𝖺 𝖽𝖺 𝖼𝖺𝗌𝖺. 𝖠𝗉𝖾𝗋𝖼𝖾𝖻𝖾𝗆-𝗌𝖾 𝖽𝖺 𝖼𝖺𝗅𝖺𝗆𝗂𝖽𝖺𝖽𝖾 𝗊𝗎𝖾 𝖾́ 𝗈 𝗅𝗂𝖻𝖾𝗋𝖺𝗅𝗂𝗌𝗆𝗈 𝖾𝖼𝗈𝗇𝗈́𝗆𝗂𝖼𝗈 𝗊𝗎𝖺𝗇𝖽𝗈 𝗍𝖾̂𝗆 𝖽𝖾 𝗈𝗉𝗍𝖺𝗋 𝗉𝗈𝗋 𝖿𝗂𝖼𝖺𝗋 𝖾𝗆 𝖼𝖺𝗌𝖺 𝖾 𝗍𝖾𝗋 𝖽𝗂𝗇𝗁𝖾𝗂𝗋𝗈 𝗉𝖺𝗋𝖺 𝖼𝗈𝗆𝖾𝗋 𝖾𝗆 𝖽𝖾𝗍𝗋𝗂𝗆𝖾𝗇𝗍𝗈 𝖽𝖺 𝖿𝗋𝗎𝗂𝖼̧𝖺̃𝗈 𝖼𝗎𝗅𝗍𝗎𝗋𝖺𝗅. 𝖠. 𝖠𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝖼𝗈𝗇𝗌𝗍𝖺𝗍𝖺𝗆 𝗈𝗌 𝗋𝖾𝗌𝗎𝗅𝗍𝖺𝖽𝗈𝗌 𝖽𝗈 𝗍𝗎𝗋𝗂𝗌𝗆𝗈 𝗆𝖺𝗌𝗌𝗂𝖿𝗂𝖼𝖺𝖽𝗈 𝗊𝗎𝖺𝗇𝖽𝗈 𝖺 𝗌𝖺𝖾𝗆 𝖺̀ 𝗋𝗎𝖺 𝖾 𝗋𝖾𝗉𝖺𝗋𝖺𝗆 𝗊𝗎𝖾 𝖺 𝖼𝗂𝖽𝖺𝖽𝖾 𝗇𝖺̃𝗈 𝖾́ 𝗆𝖺𝗂𝗌 𝗉𝖺𝗋𝖺 𝖾𝗅𝖺𝗌. 𝖲𝖾𝗇𝗍𝖾𝗆 𝖾 𝖾𝗇𝖼𝗁𝖾𝗆-𝗌𝖾 𝖽𝖾 𝗋𝖾𝗏𝗈𝗅𝗍𝖺 𝖼𝗈𝗇𝗍𝗋𝖺 𝗈𝗌 𝖽𝖾𝗌𝗉𝖾𝗃𝗈𝗌, 𝖼𝗈𝗇𝗍𝗋𝖺 𝖺 𝗉𝗋𝖾𝖼𝖺𝗋𝗂𝗓𝖺𝖼̧𝖺̃𝗈 𝖽𝖺 𝗏𝗂𝖽𝖺 𝗎𝗋𝖻𝖺𝗇𝖺, 𝖼𝗈𝗇𝗍𝗋𝖺 𝗌𝗍𝖺𝗇𝖽𝖺𝗋𝖽𝗂𝗓𝖺𝖼̧𝖺̃𝗈 𝖽𝖺 𝖼𝗂𝖽𝖺𝖽𝖾 𝖾 𝖾́ 𝗇𝖺𝗌 𝗌𝗎𝖺𝗌 𝗉𝖺𝗋𝖾𝖽𝖾𝗌 𝗊𝗎𝖾 𝗌𝖾 𝖾𝗌𝗉𝖾𝗅𝗁𝖺 𝖾𝗌𝗌𝖺 𝖿𝗎́𝗋𝗂𝖺. 𝖳𝗈𝖽𝖺𝗏𝗂𝖺, 𝗇𝖺̃𝗈 𝗉𝗈𝗋 𝗆𝗎𝗂𝗍𝗈 𝗍𝖾𝗆𝗉𝗈. 𝖮 𝗇𝖺𝗋𝖼𝗂𝗌𝗂𝗌𝗆𝗈 𝖽𝖾 𝖱𝗎𝗂 𝖬𝗈𝗋𝖾𝗂𝗋𝖺 𝖾́ 𝖺 𝖺𝗅𝖺𝗏𝖺𝗇𝖼𝖺 𝗉𝖺𝗋𝖺 𝗈 𝗌𝖾𝗎 𝖺𝗎𝗍𝗈𝗋𝗂𝗍𝖺𝗋𝗂𝗌𝗆𝗈, 𝗈𝗋𝖽𝖾𝗇𝖺𝗇𝖽𝗈 𝖺𝗈𝗌 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝖺𝖽𝗈𝗋𝖾𝗌 𝖽𝖺 𝖢𝖬𝖯 𝗊𝗎𝖾 𝗅𝗂𝗆𝗉𝖾𝗆 𝗋𝖺𝗉𝗂𝖽𝖺𝗆𝖾𝗇𝗍𝖾 𝗍𝗈𝖽𝗈𝗌 𝗈𝗌 𝗋𝖾𝗌𝗊𝗎𝗂́𝖼𝗂𝗈𝗌 𝖽𝗈 𝖽𝖾𝗌𝖼𝗈𝗇𝗍𝖾𝗇𝗍𝖺𝗆𝖾𝗇𝗍𝗈. 𝖯𝖺𝗋𝖺 𝖺𝗌 𝖾𝗅𝗂𝗍𝖾𝗌 𝗌𝖺̃𝗈 𝖺𝗉𝖾𝗅𝗂𝖽𝖺𝖽𝗈𝗌 𝖽𝖾 𝗆𝖺𝗋𝗀𝗂𝗇𝖺𝗂𝗌, 𝗇𝖺 𝗏𝖾𝗋𝖽𝖺𝖽𝖾, 𝗌𝖺̃𝗈 𝗈𝗌 𝗋𝖾𝖺𝗂𝗌 𝗋𝖾𝗌𝗂𝗌𝗍𝖾𝗇𝗍𝖾𝗌. 𝖠𝗌 𝗆𝖾𝗇𝗌𝖺𝗀𝖾𝗇𝗌 𝗊𝗎𝖾 𝗇𝗈𝗌 𝗆𝗎𝗋𝗈𝗌, 𝗇𝗈𝗌 𝖼𝖺𝗋𝗍𝖺𝗓𝖾𝗌 𝖾 𝗇𝗈𝗌 𝖺𝗎𝗍𝗈𝖼𝗈𝗅𝖺𝗇𝗍𝖾𝗌 𝗌𝖾 𝖾𝗌𝗉𝖺𝗅𝗁𝖺𝗆 𝗍𝖾̂𝗆 𝗎𝗆 𝗂𝗇𝗂𝗆𝗂𝗀𝗈 𝖼𝗈𝗆𝗎𝗆, 𝗈 “𝖢𝖤𝖮 𝖱𝗎𝗂 𝖬𝗈𝗋𝖾𝗂𝗋𝖺”, 𝗊𝗎𝖾 𝗎𝗆𝖺 𝗏𝖾𝗓 𝗆𝖺𝗂𝗌 𝗂𝗇𝗏𝗂𝗌𝗂𝖻𝗂𝗅𝗂𝗓𝖺 𝗍𝗎𝖽𝗈 𝖼𝗈𝗆 𝗈 𝗌𝖾𝗎 𝗅𝖺́𝗉𝗂𝗌 𝖺𝗓𝗎𝗅. 𝖤́ 𝗎𝗆 𝗆𝗈𝗇𝖺́𝗋𝗊𝗎𝗂𝖼𝗈 𝗊𝗎𝖾 𝗇𝖺̃𝗈 𝖺𝖽𝗆𝗂𝗍𝖾 𝗊𝗎𝖾 𝗌𝖾 𝖺𝖻𝗋𝖺𝗆 𝖻𝗋𝖾𝖼𝗁𝖺𝗌 𝖽𝖾 𝗋𝖾𝗏𝗈𝗅𝗍𝖺 𝗇𝗈 𝗌𝖾𝗎 𝗋𝖾𝗂𝗇𝗈, 𝗎𝗆 𝗍𝗂𝗋𝖺𝗇𝗈 𝗊𝗎𝖾 𝗏𝖾̂ 𝗏𝖺𝗅𝗂𝖽𝖺𝖽𝗈 𝗉𝖾𝗅𝖺𝗌 𝖾𝗅𝗂𝗍𝖾𝗌 𝖾𝖼𝗈𝗇𝗈́𝗆𝗂𝖼𝖺𝗌 𝗈 𝗉𝗈𝖽𝖾𝗋 𝖺𝖻𝗌𝗈𝗅𝗎𝗍𝗈. 𝖯𝗈𝗋 𝗂𝗌𝗌𝗈, 𝗊𝗎𝖺𝗇𝖽𝗈 𝖺 𝖼𝖾𝗇𝗌𝗎𝗋𝖺 𝖾́ 𝗉𝗋𝖺𝗍𝗂𝖼𝖺 𝖼𝗈𝗆𝗎𝗆, 𝖺 𝗇𝗈𝗌𝗌𝖺 𝗋𝖾𝗌𝗂𝗌𝗍𝖾̂𝗇𝖼𝗂𝖺 𝗍𝖾𝗆 𝖽𝖾 𝗌𝖾𝗋 𝗈𝗋𝖽𝖾𝗆. 𝖯𝖾𝗅𝖺𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝖽𝗈 𝖠𝗅𝖾𝗂𝗑𝗈, 𝗉𝖾𝗅𝗈𝗌 𝗍𝗈𝗑𝗂𝖼𝗈𝖽𝖾𝗉𝖾𝗇𝖽𝖾𝗇𝗍𝖾𝗌 𝗆𝖺𝗋𝗀𝗂𝗇𝖺𝗅𝗂𝗓𝖺𝖽𝗈𝗌, 𝗉𝖾𝗅𝗈𝗌 𝗃𝗈𝗏𝖾𝗇𝗌 𝗊𝗎𝖾 𝗉𝖾𝗋𝖽𝖾𝗋𝖺𝗆 𝗈 𝖽𝗂𝗋𝖾𝗂𝗍𝗈 𝖺̀ 𝖼𝗂𝖽𝖺𝖽𝖾, 𝗉𝖾𝗅𝗈𝗌 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝖺𝖽𝗈𝗋𝖾𝗌 𝗉𝗋𝖾𝖼𝖺́𝗋𝗂𝗈𝗌 𝖽𝗈 𝗌𝖾𝗍𝗈𝗋 𝖽𝗈 𝗍𝗎𝗋𝗂𝗌𝗆𝗈, 𝗉𝖾𝗅𝗈𝗌 𝖺𝗋𝗍𝗂𝗌𝗍𝖺𝗌 𝖽𝗈 𝖲𝖳𝖮𝖯, 𝗉𝖾𝗅𝗈𝗌 𝗃𝗈𝗋𝗇𝖺𝗅𝗂𝗌𝗍𝖺𝗌 𝖽𝗈 𝖩𝖭, 𝗉𝗈𝗋 𝗍𝗈𝖽𝗈𝗌 𝗈𝗌 𝗉𝗈𝗋𝗍𝗎𝖾𝗇𝗌𝖾𝗌 𝗊𝗎𝖾 𝖺𝗂𝗇𝖽𝖺 𝖺𝖼𝗋𝖾𝖽𝗂𝗍𝖺𝗆 𝗊𝗎𝖾 𝗈 “𝖯𝗈𝗋𝗍𝗈 𝗇𝖺̃𝗈 𝖾𝗌𝗍𝖺́ 𝗆𝗈𝗋𝗍𝗈”. 𝖲𝗈𝗆𝗈𝗌 𝖺 𝗏𝗈𝗓 𝖽𝖺 𝗋𝖾𝗏𝗈𝗅𝗍𝖺.