.
“Que força é essa amiga”
𝖤𝗎 𝗇𝖺̃𝗈 𝗌𝗈𝗎 𝗂𝗇𝗍𝖾́𝗋𝗉𝗋𝖾𝗍𝖾. 𝖥𝖺𝗓𝖾𝗋 𝗏𝖾𝗋𝗌𝗈̃𝖾𝗌 𝖽𝖾 𝖼𝖺𝗇𝖼̧𝗈̃𝖾𝗌 𝖺𝗅𝗁𝖾𝗂𝖺𝗌 𝗌𝖾𝗆𝗉𝗋𝖾 𝗆𝖾 𝗉𝖺𝗋𝖾𝖼𝖾𝗎 𝖾𝗌𝗍𝗋𝖺𝗇𝗁𝗈. 𝖲𝖾 𝗃𝖺́ 𝖾𝗌𝗍𝖺́ 𝖾𝗌𝖼𝗋𝗂𝗍𝗈, 𝗉𝖾𝗋𝖽𝖾-𝗌𝖾 𝗈 𝗌𝖾𝗇𝗍𝗂𝖽𝗈. 𝖠𝖼𝗈𝗇𝗍𝖾𝖼𝖾 𝗊𝗎𝖾 𝗁𝖺́ 𝖾𝗑𝖼𝖾𝖼̧𝗈̃𝖾𝗌, 𝗉𝖺𝗋𝖺 𝖺𝗌 𝗏𝗈𝗇𝗍𝖺𝖽𝖾𝗌 𝖾 𝗉𝖺𝗋𝖺 𝖺𝗌 𝗏𝖾𝗋𝗌𝗈̃𝖾𝗌. 𝖯𝗋𝗂𝗆𝖾𝗂𝗋𝗈, 𝗉𝗈𝗋𝗊𝗎𝖾 𝖺𝗌 𝗉𝖺𝗅𝖺𝗏𝗋𝖺𝗌 𝖽𝖾 𝖲𝖾́𝗋𝗀𝗂𝗈 𝖦𝗈𝖽𝗂𝗇𝗁𝗈 𝖾𝗌𝗍𝖺̃𝗈 𝗌𝖾𝗆𝗉𝗋𝖾 𝗉𝗋𝗈́𝗑𝗂𝗆𝖺𝗌, 𝖾𝖼𝗈𝖺𝗆 𝗇𝖺𝗌 𝗉𝖺𝗋𝖾𝖽𝖾𝗌 𝖽𝖺 𝖼𝖺𝗌𝖺 𝗆𝖺̃𝖾, 𝖾𝗌𝗍𝖺̃𝗈 𝗇𝗈 𝖽𝗈𝗆𝗂́𝗇𝗂𝗈 𝖽𝖺 𝗆𝖾𝗆𝗈́𝗋𝗂𝖺 𝗆𝖺𝗂𝗌 𝗉𝗋𝗈𝖿𝗎𝗇𝖽𝖺 𝖾, 𝗍𝖺𝗅𝗏𝖾𝗓 𝗉𝗈𝗋 𝗂𝗌𝗌𝗈, 𝗌𝖺̃𝗈 𝖿𝖺𝗆𝗂𝗅𝗂𝖺𝗋𝖾𝗌 𝖽𝖾𝗆𝖺𝗂𝗌 𝗉𝖺𝗋𝖺 𝗌𝖾𝗋𝖾𝗆 𝖾𝗌𝗍𝗋𝖺𝗇𝗀𝖾𝗂𝗋𝖺𝗌. 𝖲𝖾𝗀𝗎𝗇𝖽𝗈, 𝗉𝗈𝗋𝗊𝗎𝖾 𝗃𝖺́ 𝖺𝗌 𝗍𝖾𝗇𝗁𝗈 𝗏𝗂𝗌𝗂𝗍𝖺𝖽𝗈 𝖽𝖾 𝗍𝖾𝗆𝗉𝗈𝗌 𝖺 𝗍𝖾𝗆𝗉𝗈𝗌, 𝗍𝗈𝖼𝖺𝗇𝖽𝗈 𝖼𝗈𝗆 𝖾𝗅𝖾 𝖾𝗆 𝗉𝖺𝗅𝖼𝗈 𝗈𝗎 𝗌𝖺𝗆𝗉𝗅𝖾𝖺𝗇𝖽𝗈 𝖾 𝖼𝗂𝗍𝖺𝗇𝖽𝗈-𝖺𝗌 𝗇𝖺𝗌 𝗆𝗂𝗇𝗁𝖺𝗌 𝗉𝗋𝗈́𝗉𝗋𝗂𝖺𝗌 𝖼𝖺𝗇𝖼̧𝗈̃𝖾𝗌. 𝖤 𝖽𝖾𝗉𝗈𝗂𝗌, 𝗉𝗈𝗋𝗊𝗎𝖾 𝖺 𝗀𝖾𝗇𝖾𝗋𝗈𝗌𝗂𝖽𝖺𝖽𝖾 𝗂𝗇𝖿𝗂𝗇𝗂𝗍𝖺 𝖽𝗈 𝖲𝖾́𝗋𝗀𝗂𝗈 𝖾 𝗈 𝗌𝖾𝗎 𝖽𝖾𝗌𝗉𝗋𝖾𝗇𝖽𝗂𝗆𝖾𝗇𝗍𝗈 𝗉𝖾𝗋𝗆𝗂𝗍𝖾𝗆 𝗊𝗎𝖾 𝖺 𝗏𝖾𝗋𝗌𝖺̃𝗈 𝗌𝖾 𝖿𝖺𝖼̧𝖺 𝗇𝖺 (𝗋𝖾)𝖾𝗌𝖼𝗋𝗂𝗍𝖺 (𝖾 𝖺𝗌𝗌𝗂𝗆 𝖺𝗂𝗇𝖽𝖺 𝖾𝗇𝗍𝗎𝗌𝗂𝖺𝗌𝗆𝖺 𝗆𝖺𝗂𝗌).
“𝖰𝗎𝖾 𝖿𝗈𝗋𝖼̧𝖺 𝖾́ 𝖾𝗌𝗌𝖺” 𝖾́ 𝖺 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖽𝗈 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖽𝗈 𝖲𝖾́𝗋𝗀𝗂𝗈, 𝗊𝗎𝖾 𝖾́ 𝗍𝖺𝗆𝖻𝖾́𝗆 𝗈 𝗆𝖾𝗎 𝖿𝖺𝗏𝗈𝗋𝗂𝗍𝗈. 𝖢𝖺𝗇𝗍𝗈-𝖺 𝗍𝖺𝗇𝗍𝖺𝗌 𝗏𝖾𝗓𝖾𝗌 𝗉𝖾𝗅𝖺 𝖼𝖺𝗌𝖺, 𝗊𝗎𝖾 𝗈 𝗆𝖾𝗎 𝖿𝗂𝗅𝗁𝗈, 𝗊𝗎𝖺𝗇𝖽𝗈 𝗎𝗆 𝖽𝗂𝖺 𝗆𝖾 𝗈𝗎𝗏𝗂𝗎 𝖽𝖾𝗌𝖺𝖻𝖺𝖿𝖺𝗋 𝖽𝖾 𝖼𝖺𝗇𝗌𝖺𝖼̧𝗈 𝗉𝗈𝗋 “𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝖺𝗋 𝗈 𝖽𝗂𝖺 𝗂𝗇𝗍𝖾𝗂𝗋𝗈” 𝖼𝗈𝗆𝗉𝗅𝖾𝗍𝗈𝗎 𝖺 𝗆𝗂𝗇𝗁𝖺 𝖿𝗋𝖺𝗌𝖾 𝖼𝖺𝗇𝗍𝖺𝗋𝗈𝗅𝖺𝗇𝖽𝗈 “𝖺 𝖼𝗈𝗇𝗌𝗍𝗋𝗎𝗂𝗋 𝖺𝗌 𝖼𝗂𝖽𝖺𝖽𝖾𝗌 𝗉𝖺𝗋𝖺 𝗈𝗌 𝗈𝗎𝗍𝗋𝗈𝗌”. 𝖭𝖾𝗌𝗌𝖾 𝗆𝗈𝗆𝖾𝗇𝗍𝗈, 𝖺𝗉𝖾𝗋𝖼𝖾𝖻𝗂-𝗆𝖾 (𝖾𝗇𝗍𝗋𝖾 𝗋𝗂𝗌𝗈𝗌) 𝗈 𝗊𝗎𝖺𝗇𝗍𝗈 𝖺𝗌 𝗂𝗇𝖿𝖺̂𝗇𝖼𝗂𝖺𝗌 𝖾 𝖺𝗌 𝗀𝖾𝗋𝖺𝖼̧𝗈̃𝖾𝗌 𝗌𝖾 𝖼𝗋𝗎𝗓𝖺𝗆 𝗉𝖾𝗅𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖾 𝖿𝗂𝗊𝗎𝖾𝗂 𝖼𝗈𝗆 𝗏𝗈𝗇𝗍𝖺𝖽𝖾 𝖽𝖾, 𝗎𝗆 𝖽𝗂𝖺, 𝖿𝖺𝗓𝖾𝗋 𝖺 𝗆𝗂𝗇𝗁𝖺 𝗏𝖾𝗋𝗌𝖺̃𝗈 𝖽𝗈 𝗍𝖾𝗆𝖺.
𝖠 𝗈𝖼𝖺𝗌𝗂𝖺̃𝗈 𝖼𝗁𝖾𝗀𝗈𝗎 𝖾𝗆 𝗃𝖺𝗇𝖾𝗂𝗋𝗈, 𝗉𝖺𝗋𝖺 𝗈 𝖼𝗈𝗇𝖼𝖾𝗋𝗍𝗈 “𝖢𝗈𝗇𝗍𝖺-𝗆𝖾 𝗎𝗆𝖺 𝖼𝖺𝗇𝖼̧𝖺̃𝗈” 𝗇𝗈 𝖬𝖺𝗋𝗂𝖺 𝖬𝖺𝗍𝗈𝗌, 𝖾𝗆 𝗊𝗎𝖾 𝗉𝖺𝗋𝗍𝗂𝗅𝗁𝖾𝗂 𝗈 𝗉𝖺𝗅𝖼𝗈 𝖼𝗈𝗆 𝗈 𝖲𝖾́𝗋𝗀𝗂𝗈, 𝖼𝗈𝗆 𝗈 𝖽𝖾𝗌𝖺𝖿𝗂𝗈 𝖽𝖾 𝗍𝗋𝗈𝖼𝖺𝗋𝗆𝗈𝗌 𝖾 𝗉𝖺𝗋𝗍𝗂𝗅𝗁𝖺𝗋𝗆𝗈𝗌 𝗆𝗎́𝗌𝗂𝖼𝖺𝗌. 𝖬𝖺𝗌 𝖼𝗈𝗆𝗈 𝗆𝖾𝗑𝖾𝗋 𝗇𝖺𝗊𝗎𝖾𝗅𝖺 𝖼𝖺𝗇𝖼̧𝖺̃𝗈-𝗆𝗈𝗇𝗎𝗆𝖾𝗇𝗍𝗈? 𝖮 𝗈𝗋𝗂𝗀𝗂𝗇𝖺𝗅 𝗍𝖾𝗆 𝗍𝗎𝖽𝗈! 𝖵𝗂𝗏𝖾 𝗇𝗈 𝖾𝗊𝗎𝗂𝗅𝗂́𝖻𝗋𝗂𝗈 𝖾𝗇𝗍𝗋𝖾 𝖺 𝗉𝗈𝖾𝗌𝗂𝖺 𝖾 𝖺 𝖽𝖾𝗇𝗎́𝗇𝖼𝗂𝖺, 𝖿𝖺𝗅𝖺𝗇𝖽𝗈 𝖽𝖾 𝖾𝗑𝗉𝗅𝗈𝗋𝖺𝖼̧𝖺̃𝗈, 𝗌𝖾𝗆𝖾𝖺𝗇𝖽𝗈 𝖺 𝗌𝗎𝖻𝗏𝖾𝗋𝗌𝖺̃𝗈, 𝗌𝖾𝗆 𝗇𝗎𝗇𝖼𝖺 𝗌𝖾𝗋 𝗉𝖺𝗇𝖿𝗅𝖾𝗍𝖺́𝗋𝗂𝗈.
𝖱𝖺𝗉𝗂𝖽𝖺𝗆𝖾𝗇𝗍𝖾 𝗉𝖾𝗋𝖼𝖾𝖻𝗂 𝗊𝗎𝖾 𝖺 𝗋𝖾𝗌𝗉𝗈𝗌𝗍𝖺 𝖾𝗌𝗍𝖺𝗏𝖺 𝗇𝖺 𝗉𝖾𝗋𝗌𝗉𝖾𝗍𝗂𝗏𝖺. 𝖬𝖺𝗇𝗍𝖾𝗋𝗂𝖺 𝗈 𝗋𝖾𝗀𝗂𝗌𝗍𝗈 𝖾 𝖺 𝖾𝗆𝗈𝖼̧𝖺̃𝗈, 𝗆𝖺𝗌 𝖿𝖺𝗅𝖺𝗋𝗂𝖺 𝖽𝖺𝗌 𝗆𝗎𝗅𝗁𝖾𝗋𝖾𝗌 𝖾 𝖽𝖺 𝖾𝗑𝗉𝗅𝗈𝗋𝖺𝖼̧𝖺̃𝗈 𝖽𝗈 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝗈 𝖽𝗈𝗆𝖾́𝗌𝗍𝗂𝖼𝗈 𝖾 𝗋𝖾𝗉𝗋𝗈𝖽𝗎𝗍𝗂𝗏𝗈, 𝗁𝗂𝗌𝗍𝗈𝗋𝗂𝖼𝖺𝗆𝖾𝗇𝗍𝖾 𝖽𝖾𝗌𝗏𝖺𝗅𝗈𝗋𝗂𝗓𝖺𝖽𝗈 𝖾 𝗂𝗇𝗏𝗂𝗌𝗂𝖻𝗂𝗅𝗂𝗓𝖺𝖽𝗈. 𝖠 𝗆𝗂𝗇𝗁𝖺 𝗏𝖾𝗋𝗌𝖺̃𝗈 𝗌𝖾𝗋𝗂𝖺 𝗇𝗈 𝖿𝖾𝗆𝗂𝗇𝗂𝗇𝗈 𝖾, 𝗆𝖺𝗇𝗍𝖾𝗇𝖽𝗈 𝖺 𝖾𝗌𝗍𝗋𝗎𝗍𝗎𝗋𝖺 𝖽𝗈𝗌 𝗏𝖾𝗋𝗌𝗈𝗌, 𝗉𝗋𝖾𝗌𝖾𝗋𝗏𝖺𝗇𝖽𝗈 𝗈 𝖼𝗈𝗋𝗉𝗈 𝖽𝗈 𝗋𝖾𝖿𝗋𝖺̃𝗈, 𝗉𝖾𝗋𝗀𝗎𝗇𝗍𝖺𝗋𝗂𝖺 𝖺𝗀𝗈𝗋𝖺 “𝗊𝗎𝖾 𝖿𝗈𝗋𝖼̧𝖺 𝖾́ 𝖾𝗌𝗌𝖺 𝖺𝗆𝗂𝗀𝖺?”
𝖠 𝖼𝖺𝗇𝖼̧𝖺̃𝗈 𝗌𝖺𝗂𝗎 𝖺 𝟪 𝖽𝖾 𝗆𝖺𝗋𝖼̧𝗈, 𝗈 𝖽𝗂𝖺 𝖽𝖺 𝗅𝗎𝗍𝖺 𝗉𝖾𝗅𝗈𝗌 𝖽𝗂𝗋𝖾𝗂𝗍𝗈𝗌 𝖽𝖺𝗌 𝗆𝗎𝗅𝗁𝖾𝗋𝖾𝗌. 𝖤𝗆 𝖿𝗂𝗆 𝖽𝖾 𝗌𝖾𝗆𝖺𝗇𝖺 𝖽𝖾 𝖾𝗅𝖾𝗂𝖼̧𝗈̃𝖾𝗌. 𝖭𝗈 𝖺𝗇𝗈 𝖾𝗆 𝗊𝗎𝖾 𝖼𝖾𝗅𝖾𝖻𝗋𝖺𝗆𝗈𝗌 𝗈𝗌 𝟧𝟢 𝖺𝗇𝗈𝗌 𝖽𝖺 𝖱𝖾𝗏𝗈𝗅𝗎𝖼̧𝖺̃𝗈 𝖽𝗈𝗌 𝖢𝗋𝖺𝗏𝗈𝗌. 𝖤 𝗌𝖾 𝗈 𝟤𝟧 𝖽𝖾 𝖠𝖻𝗋𝗂𝗅 𝖿𝗈𝗂 𝗉𝗋𝗈𝗏𝗂𝖽𝖾𝗇𝖼𝗂𝖺𝗅 𝗉𝖺𝗋𝖺 𝖺 𝗅𝗂𝖻𝖾𝗋𝗍𝖺𝖼̧𝖺̃𝗈 𝖽𝖺𝗌 𝗆𝗎𝗅𝗁𝖾𝗋𝖾𝗌 𝗇𝗈 𝗇𝗈𝗌𝗌𝗈 𝗉𝖺𝗂́𝗌, 𝗉𝖾𝗋𝗆𝗂𝗍𝗂𝗇𝖽𝗈 𝖾𝗇𝗈𝗋𝗆𝖾𝗌 𝖼𝗈𝗇𝗊𝗎𝗂𝗌𝗍𝖺𝗌 𝗇𝗈 𝗊𝗎𝖾 𝖽𝗂𝗓 𝗋𝖾𝗌𝗉𝖾𝗂𝗍𝗈 𝖺̀ 𝗂𝗀𝗎𝖺𝗅𝖽𝖺𝖽𝖾 𝖽𝖾 𝗀𝖾́𝗇𝖾𝗋𝗈, 𝗂𝗆𝗉𝗈𝗋𝗍𝖺 𝗍𝖺𝗆𝖻𝖾́𝗆 𝗋𝖾𝗅𝖾𝗆𝖻𝗋𝖺𝗋 𝗊𝗎𝖾 𝗇𝗎𝗇𝖼𝖺 𝗉𝗈𝖽𝖾𝗆𝗈𝗌 𝖽𝖺𝗋 𝖾𝗌𝗌𝖺𝗌 𝖼𝗈𝗇𝗊𝗎𝗂𝗌𝗍𝖺𝗌 𝖼𝗈𝗆𝗈 𝗀𝖺𝗋𝖺𝗇𝗍𝗂𝖽𝖺𝗌 (𝗌𝗈𝖻𝗋𝖾𝗍𝗎𝖽𝗈 𝗉𝖾𝗋𝖺𝗇𝗍𝖾 𝗈 𝗋𝖾𝗌𝗎𝗅𝗍𝖺𝖽𝗈 𝖾𝗅𝖾𝗂𝗍𝗈𝗋𝖺𝗅) 𝖾 𝗊𝗎𝖾 𝗍𝖾𝗆𝗈𝗌 𝖺𝗂𝗇𝖽𝖺 𝗆𝗎𝗂𝗍𝗈 𝖺 𝖿𝖺𝗓𝖾𝗋 𝗉𝖺𝗋𝖺 𝗊𝗎𝖾 𝖺 𝗂𝗀𝗎𝖺𝗅𝖽𝖺𝖽𝖾 𝗌𝖾𝗃𝖺 𝗉𝗅𝖾𝗇𝖺 𝖾 𝗉𝖺𝗋𝖺 𝗍𝗈𝖽𝖺𝗌. (𝖲𝗈𝖻𝗋𝖾𝗍𝗎𝖽𝗈 𝖽𝖾𝗇𝗍𝗋𝗈 𝖽𝖾 𝖼𝖺𝗌𝖺).
𝖤𝗌𝗍𝖺 𝖼𝖺𝗇𝖼̧𝖺̃𝗈, 𝖺𝗀𝗈𝗋𝖺 𝗇𝖺 𝗋𝗎𝖺, 𝖾́ 𝖺 𝗆𝗂𝗇𝗁𝖺 𝖿𝗈𝗋𝗆𝖺 𝖽𝖾 𝖼𝖾𝗅𝖾𝖻𝗋𝖺𝗋 𝖠𝖻𝗋𝗂𝗅, 𝗁𝗈𝗆𝖾𝗇𝖺𝗀𝖾𝖺𝗋 𝗎𝗆 𝖽𝗈𝗌 𝗌𝖾𝗎𝗌 𝗆𝖺𝗂𝗈𝗋𝖾𝗌 𝗂́𝖼𝗈𝗇𝖾𝗌 𝗆𝗎𝗌𝗂𝖼𝖺𝗂𝗌 (𝖲𝖾́𝗋𝗀𝗂𝗈 𝖦𝗈𝖽𝗂𝗇𝗁𝗈) 𝖾 𝖽𝖾 𝗌𝖾𝗆𝖾𝖺𝗋, 𝖼𝗈𝗆𝗈 𝖾𝗅𝖾, 𝖺 𝗌𝖾𝗆𝖾𝗇𝗍𝖾 𝖽𝗈 𝗂𝗇𝖼𝗈𝗇𝖿𝗈𝗋𝗆𝗂𝗌𝗆𝗈, 𝗇𝗈 𝖼𝗈𝗋𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝗍𝗈𝖽𝖺𝗌 𝖺𝗌 𝗆𝗎𝗅𝗁𝖾𝗋𝖾𝗌 𝗊𝗎𝖾 𝖽𝖺̃𝗈 𝗈 𝗍𝖾𝗆𝗉𝗈 𝖾 𝗈 𝗌𝖺𝗇𝗀𝗎𝖾 𝗉𝖺𝗋𝖺 𝗀𝖺𝗋𝖺𝗇𝗍𝗂𝗋 𝖺 𝖾𝖼𝗈𝗇𝗈𝗆𝗂𝖺 𝖽𝗈 𝖼𝗎𝗂𝖽𝖺𝖽𝗈 𝖾 𝖺 𝗆𝖺̃𝗈 𝖽𝖾 𝗈𝖻𝗋𝖺 𝖽𝗈 𝖿𝗎𝗍𝗎𝗋𝗈.
IN "JORNAL DE NOTÍCIAS" - 12/03/24 .
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