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𝟷 𝙽𝚎𝚜𝚝𝚎 𝚍𝚒𝚊 𝚍𝚊 𝚁𝚎𝚙𝚞́𝚋𝚕𝚒𝚌𝚊 𝚚𝚞𝚎𝚛𝚘 𝚊𝚋𝚛𝚊𝚌̧𝚊𝚛 𝚞𝚖 𝚙𝚘𝚛𝚝𝚞𝚐𝚞𝚎̂𝚜 𝚖𝚊𝚒𝚘𝚛.

𝚄𝚖 𝚑𝚘𝚖𝚎𝚖 𝚚𝚞𝚎 𝚗𝚊 𝚟𝚒𝚛𝚊𝚐𝚎𝚖 𝚍𝚘 𝚜𝚎́𝚌𝚞𝚕𝚘, 𝚑𝚊́ 𝚟𝚒𝚗𝚝𝚎 𝚎 𝚍𝚘𝚒𝚜 𝚊𝚗𝚘𝚜, 𝚝𝚒𝚗𝚑𝚊 𝚞𝚖𝚊 𝚟𝚒𝚍𝚊 𝚒𝚗𝚟𝚎𝚓𝚊́𝚟𝚎𝚕.

𝙷𝚘𝚗𝚛𝚊𝚛𝚒𝚊𝚜 𝚎 𝚙𝚛𝚎́𝚖𝚒𝚘𝚜. 𝚄𝚖𝚊 𝚌𝚊𝚛𝚛𝚎𝚒𝚛𝚊 𝚍𝚎 𝚌𝚘𝚛𝚎𝚘́𝚐𝚛𝚊𝚏𝚘 𝚎 𝚋𝚊𝚒𝚕𝚊𝚛𝚒𝚗𝚘 𝚍𝚎 𝚗𝚒́𝚟𝚎𝚕 𝚒𝚗𝚝𝚎𝚛𝚗𝚊𝚌𝚒𝚘𝚗𝚊𝚕. 𝙲𝚛𝚒́𝚝𝚒𝚌𝚊𝚜 𝚎 𝚎𝚗𝚝𝚛𝚎𝚟𝚒𝚜𝚝𝚊𝚜 𝚛𝚎𝚐𝚞𝚕𝚊𝚛𝚎𝚜 𝚗𝚘 "𝙻𝚎 𝙼𝚘𝚗𝚍𝚎", 𝚗𝚘 "𝙽𝚎𝚠 𝚈𝚘𝚛𝚔 𝚃𝚒𝚖𝚎𝚜", 𝚗𝚘 "𝙳𝚎𝚛 𝚂𝚙𝚒𝚎𝚐𝚎𝚕", 𝚗𝚘 "𝙴𝚕 𝙿𝚊𝚒𝚜". 𝚄𝚖𝚊 𝚟𝚒𝚍𝚊 𝚙𝚎𝚜𝚜𝚘𝚊𝚕 𝚎 𝚊𝚛𝚝𝚒́𝚜𝚝𝚒𝚌𝚊 𝚌𝚘𝚗𝚜𝚝𝚛𝚞𝚒́𝚍𝚊 𝚎𝚖 𝙽𝚘𝚟𝚊 𝙸𝚘𝚛𝚚𝚞𝚎, 𝙿𝚊𝚛𝚒𝚜, 𝙵𝚛𝚊𝚗𝚔𝚏𝚞𝚛𝚝 𝚎 𝙼𝚞𝚗𝚒𝚚𝚞𝚎.

𝚄𝚖𝚊 𝚌𝚊𝚛𝚛𝚎𝚒𝚛𝚊 𝚒𝚗𝚊𝚝𝚊𝚌𝚊́𝚟𝚎𝚕, 𝚞𝚖 𝚙𝚎𝚛𝚌𝚞𝚛𝚜𝚘 𝚏𝚞𝚕𝚐𝚞𝚛𝚊𝚗𝚝𝚎.

𝟸. 𝙷𝚘𝚓𝚎, 𝚍𝚒𝚊 𝚍𝚊 𝚁𝚎𝚙𝚞́𝚋𝚕𝚒𝚌𝚊 𝚚𝚞𝚎𝚛𝚘 𝚌𝚎𝚕𝚎𝚋𝚛𝚊𝚛 𝚞𝚖 𝚑𝚘𝚖𝚎𝚖 𝚚𝚞𝚎 𝚑𝚊́ 𝟸𝟸 𝚊𝚗𝚘𝚜 𝚝𝚛𝚘𝚌𝚘𝚞 𝚝𝚞𝚍𝚘 𝚒𝚜𝚜𝚘 𝚙𝚘𝚛 𝚞𝚖𝚊 𝚗𝚘𝚟𝚊 𝚟𝚒𝚍𝚊.

𝙻𝚘𝚗𝚐𝚎 𝚍𝚊𝚜 𝚐𝚛𝚊𝚗𝚍𝚎𝚜 𝚌𝚒𝚍𝚊𝚍𝚎𝚜. 𝙻𝚘𝚗𝚐𝚎 𝚍𝚘 𝚛𝚞𝚒́𝚍𝚘 𝚍𝚊𝚜 𝚕𝚞𝚣𝚎𝚜.

𝙽𝚞𝚖 𝙰𝚕𝚎𝚗𝚝𝚎𝚓𝚘 𝚎𝚖 𝚚𝚞𝚎 𝚙𝚘𝚞𝚌𝚘𝚜 𝚊𝚌𝚛𝚎𝚍𝚒𝚝𝚊𝚟𝚊𝚖.

𝙽𝚞𝚖𝚊 𝚙𝚎𝚚𝚞𝚎𝚗𝚊 𝚌𝚒𝚍𝚊𝚍𝚎 𝚍𝚘 𝚍𝚒𝚜𝚝𝚛𝚒𝚝𝚘 𝚍𝚎 𝙴́𝚟𝚘𝚛𝚊 𝚙𝚘𝚛 𝚚𝚞𝚎𝚖 𝚜𝚎 𝚊𝚙𝚊𝚒𝚡𝚘𝚗𝚘𝚞 𝚗𝚊 𝚙𝚛𝚒𝚖𝚎𝚒𝚛𝚊 𝚟𝚒𝚊𝚐𝚎𝚖 𝚚𝚞𝚎 𝚊𝚕𝚒 𝚏𝚎𝚣.

"𝚅𝚊𝚒𝚜 𝚝𝚛𝚘𝚌𝚊𝚛 𝙼𝚞𝚗𝚒𝚚𝚞𝚎, 𝙿𝚊𝚛𝚒𝚜, 𝙻𝚒𝚜𝚋𝚘𝚊 𝚙𝚘𝚛 𝙼𝚘𝚗𝚝𝚎𝚖𝚘𝚛-𝚘-𝙽𝚘𝚟𝚘?"

𝙿𝚎𝚛𝚐𝚞𝚗𝚝𝚊𝚛𝚊𝚖-𝚕𝚑𝚎 𝚒𝚜𝚜𝚘 𝚟𝚊́𝚛𝚒𝚊𝚜 𝚟𝚎𝚣𝚎𝚜.

𝙴 𝚎𝚕𝚎 𝚊 𝚝𝚘𝚍𝚘𝚜 𝚎 𝚊 𝚝𝚘𝚍𝚊𝚜 𝚍𝚒𝚜𝚜𝚎 𝚚𝚞𝚎 𝚜𝚒𝚖. 𝚀𝚞𝚎 𝚎𝚛𝚊 𝚎𝚡𝚊𝚝𝚊𝚖𝚎𝚗𝚝𝚎 𝚒𝚜𝚜𝚘 𝚚𝚞𝚎 𝚍𝚎𝚜𝚎𝚓𝚊𝚟𝚊.

𝟹. 𝙾 𝚑𝚘𝚖𝚎𝚖 𝚍𝚎 𝚚𝚞𝚎𝚖 𝚟𝚘𝚜 𝚝𝚎𝚗𝚑𝚘 𝚎𝚜𝚝𝚊𝚍𝚘 𝚊 𝚏𝚊𝚕𝚊𝚛 𝚌𝚑𝚊𝚖𝚊-𝚜𝚎 𝚁𝚞𝚒 𝙷𝚘𝚛𝚝𝚊.

𝙾 𝚚𝚞𝚎 𝚍𝚎𝚌𝚒𝚍𝚒𝚞 𝚖𝚞𝚍𝚊𝚛 𝚍𝚎 𝚟𝚒𝚍𝚊 𝚑𝚊́ 𝟸𝟸 𝚊𝚗𝚘𝚜. 𝙾 𝚌𝚘𝚛𝚎𝚘́𝚐𝚛𝚊𝚏𝚘 𝚎 𝚋𝚊𝚒𝚕𝚊𝚛𝚒𝚗𝚘 𝚚𝚞𝚎 𝚝𝚛𝚘𝚌𝚘𝚞 𝚘𝚜 𝚐𝚛𝚊𝚗𝚍𝚎𝚜 𝚙𝚊𝚕𝚌𝚘𝚜 𝚙𝚎𝚕𝚘 𝚝𝚛𝚊𝚋𝚊𝚕𝚑𝚘 𝚌𝚘𝚖 𝚞𝚖𝚊 𝚌𝚘𝚖𝚞𝚗𝚒𝚍𝚊𝚍𝚎 𝚍𝚎 𝚐𝚎𝚗𝚝𝚎 𝚜𝚎𝚍𝚎𝚗𝚝𝚊, 𝚖𝚊𝚜 𝚜𝚎𝚖 𝚎𝚡𝚙𝚎𝚛𝚒𝚎̂𝚗𝚌𝚒𝚊 𝚊𝚛𝚝𝚒́𝚜𝚝𝚒𝚌𝚊.

𝙵𝚞𝚗𝚍𝚘𝚞 𝚘 "𝙴𝚜𝚙𝚊𝚌̧𝚘 𝚍𝚘 𝚃𝚎𝚖𝚙𝚘" 𝚎 𝚝𝚛𝚊𝚗𝚜𝚏𝚘𝚛𝚖𝚘𝚞-𝚘 𝚗𝚞𝚖𝚊 𝚛𝚎𝚏𝚎𝚛𝚎̂𝚗𝚌𝚒𝚊 𝚌𝚞𝚕𝚝𝚞𝚛𝚊𝚕 𝚍𝚘 𝚙𝚊𝚒́𝚜.

𝙳𝚎𝚜𝚎𝚗𝚟𝚘𝚕𝚟𝚎𝚞 𝚘 𝚝𝚊𝚕𝚎𝚗𝚝𝚘 𝚍𝚎 𝚌𝚎𝚗𝚝𝚎𝚗𝚊𝚜 𝚍𝚎 𝚙𝚎𝚜𝚜𝚘𝚊𝚜 𝚍𝚎 𝚝𝚘𝚍𝚊𝚜 𝚊𝚜 𝚒𝚍𝚊𝚍𝚎𝚜. 𝙶𝚎𝚗𝚝𝚎 𝚍𝚘 𝚌𝚊𝚖𝚙𝚘, 𝚖𝚎́𝚍𝚒𝚌𝚊𝚜 𝚎 𝚊𝚍𝚟𝚘𝚐𝚊𝚍𝚘𝚜, 𝚌𝚒𝚎𝚗𝚝𝚒𝚜𝚝𝚊𝚜 𝚎 𝚙𝚊𝚍𝚎𝚒𝚛𝚘𝚜, 𝚊𝚐𝚛𝚒𝚌𝚞𝚕𝚝𝚘𝚛𝚎𝚜 𝚎 𝚙𝚛𝚘𝚏𝚎𝚜𝚜𝚘𝚛𝚊𝚜, 𝚊𝚜𝚙𝚒𝚛𝚊𝚗𝚝𝚎𝚜 𝚊 𝚋𝚊𝚒𝚕𝚊𝚛𝚒𝚗𝚘𝚜 𝚎 𝚛𝚎𝚏𝚘𝚛𝚖𝚊𝚍𝚊𝚜 𝚍𝚎 𝙼𝚘𝚗𝚝𝚎𝚖𝚘𝚛-𝚘-𝙽𝚘𝚟𝚘 𝚎 𝚍𝚎 𝚘𝚞𝚝𝚛𝚊𝚜 𝚌𝚒𝚍𝚊𝚍𝚎𝚜 𝚎 𝚟𝚒𝚕𝚊𝚜 𝚊𝚕𝚎𝚗𝚝𝚎𝚓𝚊𝚗𝚊𝚜.

𝙼𝚊𝚒𝚜 𝚍𝚎 𝚟𝚒𝚗𝚝𝚎 𝚊𝚗𝚘𝚜 𝚊 𝚒𝚖𝚊𝚐𝚒𝚗𝚊𝚛 𝚎𝚜𝚙𝚎𝚝𝚊́𝚌𝚞𝚕𝚘𝚜 𝚎 𝚊 𝚕𝚒𝚋𝚎𝚛𝚝𝚊𝚛 𝚘 𝚝𝚊𝚕𝚎𝚗𝚝𝚘 𝚎𝚜𝚌𝚘𝚗𝚍𝚒𝚍𝚘 𝚍𝚊𝚜 𝚙𝚎𝚜𝚜𝚘𝚊𝚜 𝚌𝚘𝚖𝚞𝚗𝚜.

𝙼𝚊𝚜 𝚊𝚘 𝚖𝚎𝚜𝚖𝚘 𝚝𝚎𝚖𝚙𝚘 𝚊 𝚜𝚎𝚛𝚟𝚒𝚛 𝚍𝚎 𝚊𝚕𝚋𝚎𝚛𝚐𝚞𝚎 𝚌𝚛𝚒𝚊𝚝𝚒𝚟𝚘 𝚊 𝚊𝚛𝚝𝚒𝚜𝚝𝚊𝚜 𝚚𝚞𝚎 𝚊𝚕𝚒 𝚎𝚗𝚌𝚘𝚗𝚝𝚛𝚊𝚛𝚊𝚖 𝚊 𝚒𝚗𝚜𝚙𝚒𝚛𝚊𝚌̧𝚊̃𝚘 𝚙𝚊𝚛𝚊 𝚜𝚎𝚛 𝚖𝚊𝚒𝚘𝚛𝚎𝚜.

𝙽𝚊𝚚𝚞𝚎𝚕𝚎 𝙲𝚘𝚗𝚟𝚎𝚗𝚝𝚘 𝚍𝚊 𝚂𝚊𝚞𝚍𝚊𝚌̧𝚊̃𝚘 𝚖𝚞𝚒𝚝𝚘𝚜 𝚍𝚎𝚟𝚎𝚖 𝚊 𝚁𝚞𝚒 𝙷𝚘𝚛𝚝𝚊 𝚞𝚖𝚊 𝚙𝚊𝚛𝚝𝚎 𝚍𝚘 𝚜𝚎𝚞 𝚙𝚎𝚛𝚌𝚞𝚛𝚜𝚘.

𝙾 𝚃𝚎𝚊𝚝𝚛𝚘 𝙿𝚛𝚊𝚐𝚊 𝚎 𝚘 𝙿𝚎𝚍𝚛𝚘 𝙿𝚎𝚗𝚒𝚖, 𝚑𝚘𝚓𝚎 𝚍𝚒𝚛𝚎𝚝𝚘𝚛 𝚍𝚘 𝚃𝚎𝚊𝚝𝚛𝚘 𝙽𝚊𝚌𝚒𝚘𝚗𝚊𝚕.

𝙾 𝚃𝚒𝚊𝚐𝚘 𝚁𝚘𝚍𝚛𝚒𝚐𝚞𝚎𝚜, 𝚜𝚎𝚖 𝚍𝚞́𝚟𝚒𝚍𝚊 𝚊 𝚏𝚒𝚐𝚞𝚛𝚊 𝚖𝚊𝚒𝚘𝚛 𝚍𝚘 𝚝𝚎𝚊𝚝𝚛𝚘 𝚙𝚘𝚛𝚝𝚞𝚐𝚞𝚎̂𝚜, 𝚚𝚞𝚎 𝚊𝚕𝚒 𝚎𝚜𝚌𝚛𝚎𝚟𝚎𝚞 𝚘 "𝙱𝚢 𝙷𝚎𝚊𝚛𝚝", 𝚙𝚘𝚛𝚟𝚎𝚗𝚝𝚞𝚛𝚊 𝚊 𝚜𝚞𝚊 𝚌𝚛𝚒𝚊𝚌̧𝚊̃𝚘 𝚖𝚊𝚒𝚜 𝚙𝚎𝚜𝚜𝚘𝚊𝚕.

𝙼𝚞𝚒𝚝𝚘𝚜 𝚊𝚛𝚝𝚒𝚜𝚝𝚊𝚜 𝚎 𝚊𝚜𝚙𝚒𝚛𝚊𝚗𝚝𝚎𝚜 𝚊 𝚊𝚛𝚝𝚒𝚜𝚝𝚊𝚜 𝚊𝚕𝚒 𝚎𝚗𝚌𝚘𝚗𝚝𝚛𝚊𝚛𝚊𝚖 𝚘 𝚜𝚎𝚞 𝚕𝚞𝚐𝚊𝚛.

𝙴 𝚖𝚞𝚒𝚝𝚘𝚜 𝚍𝚘𝚜 𝚚𝚞𝚎 𝚗𝚊̃𝚘 𝚎𝚗𝚌𝚘𝚗𝚝𝚛𝚊𝚛𝚊𝚖 𝚕𝚞𝚐𝚊𝚛 𝚎𝚖 𝚕𝚊𝚍𝚘 𝚊𝚕𝚐𝚞𝚖, 𝚊𝚕𝚒 𝚜𝚎 𝚊𝚙𝚊𝚣𝚒𝚐𝚞𝚊𝚛𝚊𝚖.

𝟺. 𝚂𝚎𝚒 𝚚𝚞𝚎 𝚎́ 𝙳𝚒𝚊 𝚍𝚊 𝚁𝚎𝚙𝚞́𝚋𝚕𝚒𝚌𝚊, 𝚖𝚊𝚜 𝚎́ 𝚑𝚘𝚓𝚎 𝚚𝚞𝚎 𝚚𝚞𝚎𝚛𝚘 𝚍𝚊𝚛 𝚞𝚖 𝚊𝚋𝚛𝚊𝚌̧𝚘 𝚊 𝚁𝚞𝚒 𝙷𝚘𝚛𝚝𝚊.

𝙿𝚘𝚛𝚚𝚞𝚎 𝚊 𝚜𝚎𝚖𝚊𝚗𝚊 𝚙𝚊𝚜𝚜𝚊𝚍𝚊, 𝚘 𝚁𝚞𝚒 𝚛𝚎𝚜𝚘𝚕𝚟𝚎𝚞 𝚍𝚎𝚜𝚙𝚎𝚍𝚒𝚛-𝚜𝚎 𝚍𝚘 𝚙𝚘𝚟𝚘 𝚚𝚞𝚎 𝚏𝚎𝚣 𝚜𝚎𝚞.

𝙲𝚘𝚖 𝚖𝚊𝚒𝚜 𝚍𝚎 𝟺𝟶 𝚙𝚎𝚜𝚜𝚘𝚊𝚜 𝚎𝚖 𝚙𝚊𝚕𝚌𝚘 - 𝚝𝚘𝚍𝚊𝚜 𝚊𝚖𝚊𝚍𝚘𝚛𝚊𝚜 𝚎 𝚝𝚘𝚍𝚊𝚜 𝚍𝚎 𝙼𝚘𝚗𝚝𝚎𝚖𝚘𝚛-𝚘-𝙽𝚘𝚟𝚘 𝚎 𝚍𝚎 𝚕𝚞𝚐𝚊𝚛𝚎𝚜 𝚙𝚛𝚘́𝚡𝚒𝚖𝚘𝚜, 𝚁𝚞𝚒 𝙷𝚘𝚛𝚝𝚊 𝚕𝚎𝚟𝚘𝚞 𝚊𝚘 𝚙𝚊𝚕𝚌𝚘 "𝙻𝚞́𝚖𝚎𝚗", 𝚘 𝚜𝚎𝚞 𝚎𝚜𝚙𝚎𝚝𝚊́𝚌𝚞𝚕𝚘 𝚍𝚎 𝚍𝚎𝚜𝚙𝚎𝚍𝚒𝚍𝚊.

𝙴𝚞 𝚎𝚜𝚝𝚒𝚟𝚎 𝚕𝚊́. 𝚃𝚎𝚜𝚝𝚎𝚖𝚞𝚗𝚑𝚎𝚒 𝚊 𝚏𝚘𝚛𝚌̧𝚊 𝚍𝚎 𝚞𝚖 𝚝𝚎𝚊𝚝𝚛𝚘 𝚎𝚜𝚐𝚘𝚝𝚊𝚍𝚘. 𝚄𝚖 𝚝𝚎𝚊𝚝𝚛𝚘 𝚚𝚞𝚎 𝚎𝚜𝚝𝚎𝚟𝚎 𝚌𝚑𝚎𝚒𝚘 𝚗𝚊 𝚜𝚎𝚡𝚝𝚊, 𝚗𝚘 𝚜𝚊́𝚋𝚊𝚍𝚘 𝚎 𝚗𝚘 𝚍𝚘𝚖𝚒𝚗𝚐𝚘. 𝙼𝚊𝚒𝚜 𝚍𝚎 𝚍𝚞𝚊𝚜 𝚖𝚒𝚕 𝚙𝚎𝚜𝚜𝚘𝚊𝚜 𝚗𝚘 𝚜𝚎𝚞 𝚌𝚘𝚗𝚓𝚞𝚗𝚝𝚘, 𝚞𝚖𝚊 𝚙𝚊𝚛𝚝𝚎 𝚒𝚖𝚙𝚘𝚛𝚝𝚊𝚗𝚝𝚎 𝚍𝚊 𝚙𝚘𝚙𝚞𝚕𝚊𝚌̧𝚊̃𝚘 𝚍𝚎 𝙼𝚘𝚗𝚝𝚎𝚖𝚘𝚛-𝚘-𝙽𝚘𝚟𝚘 𝚓𝚞𝚗𝚝𝚘𝚞-𝚜𝚎 𝚙𝚊𝚛𝚊 𝚘 𝚊𝚙𝚕𝚊𝚞𝚍𝚒𝚛 𝚌𝚘𝚖 𝚕𝚊́𝚐𝚛𝚒𝚖𝚊𝚜 𝚎 𝚏𝚎𝚕𝚒𝚌𝚒𝚍𝚊𝚍𝚎.

𝟻. 𝚅𝚎𝚛 𝚝𝚘𝚍𝚊 𝚊𝚚𝚞𝚎𝚕𝚊 𝚐𝚎𝚗𝚝𝚎 𝚗𝚘 𝚙𝚊𝚕𝚌𝚘. 𝚅𝚎𝚛 𝚘 𝚖𝚘𝚍𝚘 𝚌𝚘𝚖𝚘 𝚜𝚎 𝚕𝚒𝚋𝚎𝚛𝚝𝚊𝚛𝚊𝚖. 𝚅𝚎𝚛 𝚊 𝚏𝚘𝚛𝚖𝚊 𝚌𝚘𝚖𝚘 𝚐𝚛𝚒𝚝𝚊𝚛𝚊𝚖 𝚘 𝚚𝚞𝚎 𝚝𝚒𝚗𝚑𝚊𝚖 𝚗𝚘 𝚏𝚞𝚗𝚍𝚘 𝚍𝚘𝚜 𝚜𝚎𝚞𝚜 𝚏𝚞𝚗𝚍𝚘𝚜, 𝚌𝚘𝚖𝚘 𝚓𝚞𝚗𝚝𝚘𝚜 𝚌𝚘𝚗𝚜𝚎𝚐𝚞𝚒𝚛𝚊𝚖 𝚌𝚛𝚒𝚊𝚛 𝚞𝚖 𝚌𝚘𝚛𝚙𝚘 𝚞́𝚗𝚒𝚌𝚘, 𝚏𝚘𝚛𝚝𝚎, 𝚎𝚜𝚖𝚊𝚐𝚊𝚍𝚘𝚛.

𝚄𝚖 𝚌𝚘𝚕𝚎𝚝𝚒𝚟𝚘 𝚘𝚗𝚍𝚎 𝚌𝚊𝚍𝚊 𝚞𝚖 𝚍𝚘𝚜 𝚜𝚎𝚞𝚜 𝚝𝚊𝚕𝚎𝚗𝚝𝚘𝚜 𝚜𝚎 𝚝𝚘𝚛𝚗𝚘𝚞 𝚖𝚊𝚒𝚘𝚛.

𝙾 𝚁𝚞𝚒 𝙷𝚘𝚛𝚝𝚊 𝚎𝚜𝚝𝚊𝚟𝚊 𝚌𝚘𝚖𝚘𝚟𝚒𝚍𝚘 𝚎 𝚍𝚎 𝚌𝚘𝚗𝚜𝚌𝚒𝚎̂𝚗𝚌𝚒𝚊 𝚝𝚛𝚊𝚗𝚚𝚞𝚒𝚕𝚊.

𝚅𝚒𝚗𝚝𝚎 𝚎 𝚍𝚘𝚒𝚜 𝚊𝚗𝚘𝚜 𝚊𝚙𝚘́𝚜 𝚝𝚎𝚛 𝚌𝚑𝚎𝚐𝚊𝚍𝚘 𝚊𝚘 𝙰𝚕𝚎𝚗𝚝𝚎𝚓𝚘 𝚌𝚘𝚗𝚜𝚒𝚍𝚎𝚛𝚘𝚞 𝚜𝚎𝚛 𝚘 𝚝𝚎𝚖𝚙𝚘 𝚌𝚎𝚛𝚝𝚘 𝚙𝚊𝚛𝚊 𝚙𝚊𝚜𝚜𝚊𝚛 𝚘 𝚝𝚎𝚜𝚝𝚎𝚖𝚞𝚗𝚑𝚘 𝚊𝚘𝚜 𝚖𝚊𝚒𝚜 𝚗𝚘𝚟𝚘𝚜, 𝚊𝚘𝚜 𝚚𝚞𝚎 𝚏𝚘𝚛𝚖𝚘𝚞.

𝙽𝚞𝚖 𝚙𝚊𝚒́𝚜 𝚘𝚗𝚍𝚎 𝚎́ 𝚝𝚊̃𝚘 𝚍𝚒𝚏𝚒́𝚌𝚒𝚕 𝚊𝚋𝚊𝚗𝚍𝚘𝚗𝚊𝚛 𝚚𝚞𝚊𝚕𝚚𝚞𝚎𝚛 𝚕𝚒𝚍𝚎𝚛𝚊𝚗𝚌̧𝚊, 𝚁𝚞𝚒 𝙷𝚘𝚛𝚝𝚊 𝚟𝚘𝚕𝚝𝚘𝚞 𝚊 𝚜𝚎𝚛 𝚒𝚐𝚞𝚊𝚕 𝚊 𝚜𝚒 𝚙𝚛𝚘́𝚙𝚛𝚒𝚘.

𝙷𝚊́ 𝚟𝚒𝚗𝚝𝚎 𝚊𝚗𝚘𝚜 𝚍𝚎𝚒𝚡𝚘𝚞 𝚊 𝚏𝚊𝚖𝚊 𝚙𝚎𝚕𝚘 𝚜𝚎𝚞 𝚙𝚎́. 𝙰𝚐𝚘𝚛𝚊, 𝚝𝚊𝚖𝚋𝚎́𝚖 𝚙𝚎𝚕𝚘 𝚜𝚎𝚞 𝚙𝚎́, 𝚍𝚎𝚒𝚡𝚘𝚞 𝚊𝚘𝚜 𝚖𝚊𝚒𝚜 𝚓𝚘𝚟𝚎𝚗𝚜 𝚊 𝚜𝚞𝚊 𝚘𝚋𝚛𝚊 𝚖𝚊𝚒𝚜 𝚎𝚖𝚋𝚕𝚎𝚖𝚊́𝚝𝚒𝚌𝚊 𝚎 𝚒𝚍𝚎𝚘𝚕𝚘́𝚐𝚒𝚌𝚊.

𝙽𝚊̃𝚘 𝚎́ 𝚙𝚊𝚛𝚊 𝚝𝚘𝚍𝚘𝚜, 𝚁𝚞𝚒.

𝙽𝚊̃𝚘 𝚎́ 𝚖𝚎𝚜𝚖𝚘 𝚙𝚊𝚛𝚊 𝚝𝚘𝚍𝚘𝚜.

* Jornalista

IN "TSF" - 05/10/22 .