ANA DURÃES

 .

A democratização da cultura:

quantos passos atrás até

não haver retorno?

Os museus sob a alçada da DGPC passam agora a ser gratuitos até às 14 horas aos domingos. A nova medida que entrou em funcionamento já no dia 3 de julho veio reduzir o acesso democrático à cultura.

𝖮𝗌 𝗆𝗎𝗌𝖾𝗎𝗌 𝗌𝗈𝖻 𝖺 𝖺𝗅𝖼̧𝖺𝖽𝖺 𝖽𝖺 𝖣𝖦𝖯𝖢 𝗉𝖺𝗌𝗌𝖺𝗆 𝖺𝗀𝗈𝗋𝖺 𝖺 𝗌𝖾𝗋 𝗀𝗋𝖺𝗍𝗎𝗂𝗍𝗈𝗌 𝖺𝗍𝖾́ 𝖺̀𝗌 𝟣𝟦 𝗁𝗈𝗋𝖺𝗌 𝖺𝗈𝗌 𝖽𝗈𝗆𝗂𝗇𝗀𝗈𝗌. 𝖠 𝖼𝗎𝗅𝗍𝗎𝗋𝖺 𝖾 𝖺 𝖽𝖾𝗆𝗈𝖼𝗋𝖺𝖼𝗂𝖺 𝗇𝖾𝖼𝖾𝗌𝗌𝗂𝗍𝖺𝗆 𝗎𝗆𝖺 𝖽𝖺 𝗈𝗎𝗍𝗋𝖺 𝗉𝖺𝗋𝖺 𝖿𝗎𝗇𝖼𝗂𝗈𝗇𝖺𝗋, 𝗆𝖺𝗌 𝗉𝖺𝗋𝖺 𝗈 𝗇𝗈𝗏𝗈 𝗆𝗂𝗇𝗂𝗌𝗍𝗋𝗈 𝖺𝗆𝖻𝖺𝗌 𝗌𝖺̃𝗈 𝖽𝗂𝗌𝗉𝖾𝗇𝗌𝖺́𝗏𝖾𝗂𝗌.

𝖠 𝗇𝗈𝗏𝖺 𝗆𝖾𝖽𝗂𝖽𝖺 𝗊𝗎𝖾 𝖾𝗇𝗍𝗋𝗈𝗎 𝖾𝗆 𝖿𝗎𝗇𝖼𝗂𝗈𝗇𝖺𝗆𝖾𝗇𝗍𝗈 𝗃𝖺́ 𝗇𝗈 𝖽𝗂𝖺 𝟥 𝖽𝖾 𝗃𝗎𝗅𝗁𝗈 𝗏𝖾𝗂𝗈 𝗋𝖾𝖽𝗎𝗓𝗂𝗋 𝗈 𝖺𝖼𝖾𝗌𝗌𝗈 𝖽𝖾𝗆𝗈𝖼𝗋𝖺́𝗍𝗂𝖼𝗈 𝖺̀ 𝖼𝗎𝗅𝗍𝗎𝗋𝖺. 𝖠𝗈 𝗋𝖾𝖽𝗎𝗓𝗂𝗋 𝗈 𝗁𝗈𝗋𝖺́𝗋𝗂𝗈 𝖾𝗆 𝗊𝗎𝖾 𝖾𝗌𝗍𝖾𝗌 𝗉𝗈𝗌𝗌𝗎𝖾𝗆 𝖾𝗇𝗍𝗋𝖺𝖽𝖺 𝗀𝗋𝖺𝗍𝗎𝗂𝗍𝖺 𝖾 𝖺𝗈 𝗋𝖾𝗍𝗂𝗋𝖺𝗋 𝗈𝗌 𝖿𝖾𝗋𝗂𝖺𝖽𝗈𝗌, 𝗋𝖾𝖽𝗎𝗓 𝗊𝗎𝖾𝗆 𝗉𝗈𝖽𝖾 𝗍𝖾𝗋 𝖺𝖼𝖾𝗌𝗌𝗈 𝖺𝗈 𝗇𝗈𝗌𝗌𝗈 𝗉𝖺𝗍𝗋𝗂𝗆𝗈́𝗇𝗂𝗈.

𝖲𝖾𝗀𝗎𝗇𝖽𝗈 𝖯𝖾𝖽𝗋𝗈 𝖠𝖽𝖺̃𝗈 𝖾 𝖲𝗂𝗅𝗏𝖺, 𝗈𝗌 𝗆𝗈𝗇𝗎𝗆𝖾𝗇𝗍𝗈𝗌 𝖾 𝗆𝗎𝗌𝖾𝗎𝗌, 𝗉𝗈𝗋 𝗇𝖺̃𝗈 𝗍𝖾𝗋𝖾𝗆 𝗎𝗆𝖺 𝗆𝖺𝗂𝗈𝗋 𝖺𝗎𝗍𝗈𝗇𝗈𝗆𝗂𝖺 𝖽𝖾 𝗀𝖾𝗌𝗍𝖺̃𝗈, 𝗇𝖺̃𝗈 𝖼𝗈𝗇𝗌𝖾𝗀𝗎𝖾𝗆 𝗀𝖾𝗋𝖺𝗋 𝗋𝖾𝖼𝖾𝗂𝗍𝖺𝗌 𝗉𝗋𝗈́𝗉𝗋𝗂𝖺𝗌; 𝖺𝖼𝗋𝖾𝗌𝖼𝖾𝗇𝗍𝗈𝗎 𝗍𝖺𝗆𝖻𝖾́𝗆 𝗇𝖺 𝖢𝗈𝗆𝗂𝗌𝗌𝖺̃𝗈 𝖽𝖾 𝖢𝗎𝗅𝗍𝗎𝗋𝖺, 𝖢𝗈𝗆𝗎𝗇𝗂𝖼𝖺𝖼̧𝖺̃𝗈, 𝖩𝗎𝗏𝖾𝗇𝗍𝗎𝖽𝖾 𝖾 𝖣𝖾𝗌𝗉𝗈𝗋𝗍𝗈 𝗊𝗎𝖾 𝗇𝖺̃𝗈 𝖾𝗋𝖺 𝗇𝗈 𝖮𝗋𝖼̧𝖺𝗆𝖾𝗇𝗍𝗈 𝖽𝖾 𝖤𝗌𝗍𝖺𝖽𝗈 𝗊𝗎𝖾 𝗌𝖾 𝖽𝖾𝗏𝖾𝗋𝗂𝖺 𝖿𝖺𝗓𝖾𝗋 𝗉𝗈𝗅𝗂́𝗍𝗂𝖼𝖺 𝖾𝗆 𝖽𝖾𝗍𝖾𝗋𝗆𝗂𝗇𝖺𝖽𝗈𝗌 𝗌𝖾𝗍𝗈𝗋𝖾𝗌 𝖾 𝗊𝗎𝖾 𝗈 𝗍𝖾𝗆𝖺 𝖽𝖺 𝖻𝗂𝗅𝗁𝖾́𝗍𝗂𝖼𝖺 𝖾 𝗀𝗋𝖺𝗍𝗎𝗂𝗍𝗂𝖽𝖺𝖽𝖾 𝗉𝗈𝖽𝖾𝗋𝖺̃𝗈 𝗍𝖾𝗋 𝗈 𝗌𝖾𝗎 𝖾𝗌𝗉𝖺𝖼̧𝗈 𝖽𝖾 𝖽𝗂𝗌𝖼𝗎𝗌𝗌𝖺̃𝗈 𝖿𝗈𝗋𝖺 𝖽𝗈 𝖼𝗈𝗇𝗍𝖾𝗑𝗍𝗈 𝖽𝗈 𝗆𝖾𝗌𝗆𝗈.

𝖭𝗎𝗆 𝖺𝗌𝗉𝖾𝗍𝗈 𝗉𝗈𝖽𝖾𝗋𝖾𝗂 𝖼𝗈𝗇𝖼𝗈𝗋𝖽𝖺𝗋 𝖼𝗈𝗆 𝖠𝖽𝖺̃𝗈 𝖾 𝖲𝗂𝗅𝗏𝖺, 𝗈 𝗇𝗈𝗌𝗌𝗈 𝗉𝖺𝗍𝗋𝗂𝗆𝗈́𝗇𝗂𝗈 𝖼𝖺𝗋𝖾𝖼𝖾 𝖽𝖾 𝗋𝖾𝖼𝖾𝗂𝗍𝖺𝗌 𝗌𝗎𝖿𝗂𝖼𝗂𝖾𝗇𝗍𝖾𝗌 𝗉𝖺𝗋𝖺 𝖺 𝗌𝗎𝖺 𝗆𝖺𝗇𝗎𝗍𝖾𝗇𝖼̧𝖺̃𝗈 𝖾 𝗆𝖾𝗅𝗁𝗈𝗋𝖺𝗆𝖾𝗇𝗍𝗈, 𝗌𝖾𝗃𝖺 𝖽𝗂𝗌𝗌𝗈 𝖾𝗑𝖾𝗆𝗉𝗅𝗈 𝗈 𝖬𝗎𝗌𝖾𝗎 𝖭𝖺𝖼𝗂𝗈𝗇𝖺𝗅 𝖽𝖾 𝖠𝗋𝗍𝖾 𝖠𝗇𝗍𝗂𝗀𝖺, 𝖾𝗆 𝖫𝗂𝗌𝖻𝗈𝖺, 𝗆𝖺𝗌 𝗏𝖾𝗃𝗈-𝗆𝖾 𝗈𝖻𝗋𝗂𝗀𝖺𝖽𝖺 𝖺 𝖽𝗂𝗌𝖼𝗈𝗋𝖽𝖺𝗋 𝖽𝖾 𝗍𝗎𝖽𝗈 𝗈 𝗋𝖾𝗌𝗍𝗈. 𝖮 𝗊𝗎𝖾 𝗌𝖾 𝗉𝖺𝗌𝗌𝖺 𝗇𝗈 𝗌𝖾𝗍𝗈𝗋 𝖼𝗎𝗅𝗍𝗎𝗋𝖺𝗅 𝖽𝗈 𝗇𝗈𝗌𝗌𝗈 𝗉𝖺𝗂́𝗌 𝖾́ 𝖿𝗋𝗎𝗍𝗈 𝖽𝖾 𝗎𝗆𝖺 𝖼𝗈𝗇𝗍𝗂́𝗇𝗎𝖺 𝖽𝖾𝗌𝗏𝖺𝗅𝗈𝗋𝗂𝗓𝖺𝖼̧𝖺̃𝗈 𝖽𝗈 𝗆𝖾𝗌𝗆𝗈, 𝖼𝗈𝗅𝗈𝖼𝖺𝗇𝖽𝗈-𝗈 𝗌𝖾𝗆𝗉𝗋𝖾 𝖾𝗆 𝗌𝖾𝗀𝗎𝗇𝖽𝗈 𝗉𝗅𝖺𝗇𝗈, 𝗉𝗋𝗂𝗇𝖼𝗂𝗉𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝗇𝖺 𝗊𝗎𝖾𝗌𝗍𝖺̃𝗈 𝖽𝗈 𝗂𝗇𝗏𝖾𝗌𝗍𝗂𝗆𝖾𝗇𝗍𝗈. 𝖲𝖾 𝗇𝖺̃𝗈 𝗍𝖾𝗆𝗈𝗌 𝗇𝖾𝗆 𝟣% 𝖽𝗈 𝖮𝗋𝖼̧𝖺𝗆𝖾𝗇𝗍𝗈 𝖽𝖾 𝖤𝗌𝗍𝖺𝖽𝗈, 𝖼𝗈𝗆𝗈 𝖺𝖼𝗁𝖺 𝗈 𝖯𝖺𝗋𝗍𝗂𝖽𝗈 𝖲𝗈𝖼𝗂𝖺𝗅𝗂𝗌𝗍𝖺 𝗊𝗎𝖾 𝖺 𝖼𝗎𝗅𝗍𝗎𝗋𝖺 𝗁𝖺𝗏𝗂𝖺 𝖽𝖾 𝖾𝗌𝗍𝖺𝗋? 𝖭𝖾𝗌𝗍𝖾 𝗆𝗈𝗆𝖾𝗇𝗍𝗈, 𝗉𝗈𝗌𝗌𝗈 𝖺𝖿𝗂𝗋𝗆𝖺𝗋 𝗊𝗎𝖾 𝗌𝖾 𝖾𝗇𝖼𝗈𝗇𝗍𝗋𝖺 𝗌𝗎𝗃𝖾𝗂𝗍𝖺 𝖺 “𝗋𝖾𝗆𝖾𝗇𝖽𝗈𝗌”, 𝖽𝖾𝗉𝖾𝗇𝖽𝖾𝗇𝗍𝖾 𝖽𝖾 𝗎𝗆𝖺 𝗉𝗈𝗅𝗂́𝗍𝗂𝖼𝖺 𝖾𝖼𝗈𝗇𝗈́𝗆𝗂𝖼𝖺 𝗇𝖾𝗈𝗅𝗂𝖻𝖾𝗋𝖺𝗅 𝖾 𝗈𝗇𝖽𝖾 𝗌𝖾 𝖾𝗌𝗊𝗎𝖾𝖼𝖾 𝖺 𝗂𝗆𝗉𝗈𝗋𝗍𝖺̂𝗇𝖼𝗂𝖺 𝖽𝖾𝗌𝗍𝖺 𝖺 𝗇𝗂́𝗏𝖾𝗅 𝗌𝗈𝖼𝗂𝖺𝗅.

𝖰𝗎𝖺𝗇𝖽𝗈 𝗌𝖾 𝗋𝖾𝖽𝗎𝗓 𝗈 𝖺𝖼𝖾𝗌𝗌𝗈 𝗀𝗋𝖺𝗍𝗎𝗂𝗍𝗈 𝖺̀ 𝖼𝗎𝗅𝗍𝗎𝗋𝖺, 𝗋𝖾𝖽𝗎𝗓-𝗌𝖾 𝖺 𝖽𝖾𝗆𝗈𝖼𝗋𝖺𝖼𝗂𝖺 𝖽𝖺 𝗆𝖾𝗌𝗆𝖺. 𝖮𝗌 𝖾𝗌𝗉𝖺𝖼̧𝗈𝗌 𝖼𝗎𝗅𝗍𝗎𝗋𝖺𝗂𝗌 𝗌𝖺̃𝗈 𝗅𝗈𝖼𝖺𝗂𝗌 𝖽𝖾 𝖺𝗉𝗋𝖾𝗇𝖽𝗂𝗓𝖺𝗀𝖾𝗆 𝖾, 𝗆𝗎𝗂𝗍𝖺𝗌 𝗏𝖾𝗓𝖾𝗌, 𝗂𝗇𝗍𝖾𝗀𝗋𝖺𝖼̧𝖺̃𝗈 𝗌𝗈𝖼𝗂𝖺𝗅. 𝖲𝖺̃𝗈 𝗅𝗈𝖼𝖺𝗂𝗌 𝗈𝗇𝖽𝖾 𝗍𝗈𝖽𝗈𝗌 𝗌𝖺̃𝗈 𝗂𝗀𝗎𝖺𝗂𝗌 𝖾 𝗉𝗈𝗋𝗍𝖺𝗌 𝗌𝖺̃𝗈 𝖺𝖻𝖾𝗋𝗍𝖺𝗌 𝖺̀ 𝖽𝖾𝗌𝖼𝗈𝖻𝖾𝗋𝗍𝖺 𝖽𝗈 𝖼𝗈𝗇𝗁𝖾𝖼𝗂𝗆𝖾𝗇𝗍𝗈, 𝗊𝗎𝖾𝗋 𝖺 𝗇𝗂́𝗏𝖾𝗅 𝖺𝗋𝗍𝗂́𝗌𝗍𝗂𝖼𝗈, 𝗊𝗎𝖾𝗋 𝖺 𝗇𝗂́𝗏𝖾𝗅 𝗁𝗂𝗌𝗍𝗈́𝗋𝗂𝖼𝗈.

𝖰𝗎𝖺𝗇𝖽𝗈 𝗈 𝖺𝖼𝖾𝗌𝗌𝗈 𝖺̀ 𝖼𝗎𝗅𝗍𝗎𝗋𝖺 𝖿𝗂𝖼𝖺 𝖺𝗂𝗇𝖽𝖺 𝗆𝖺𝗂𝗌 𝖼𝗈𝗇𝗌𝗍𝗋𝖺𝗇𝗀𝗂𝖽𝗈, 𝗍𝖾𝗆𝗈𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝗊𝗎𝖾 𝗌𝖺̃𝗈 𝖺𝗎𝗍𝗈𝗆𝖺𝗍𝗂𝖼𝖺𝗆𝖾𝗇𝗍𝖾 𝖾𝗑𝖼𝗅𝗎𝗂́𝖽𝖺𝗌 𝖽𝖾 𝗎𝗌𝗎𝖿𝗋𝗎𝗂𝗋 𝖽𝖾𝗌𝗍𝖾𝗌 𝗅𝗎𝗀𝖺𝗋𝖾𝗌. 𝖮𝗌 𝗆𝗎𝗌𝖾𝗎𝗌 𝖾𝗏𝗈𝗅𝗎𝗂́𝗋𝖺𝗆 𝖽𝖾 𝖼𝗈𝗅𝖾𝖼̧𝗈̃𝖾𝗌 𝗉𝗋𝗂𝗏𝖺𝖽𝖺𝗌 𝗆𝖾𝗌𝗆𝗈 𝗉𝗈𝗋 𝗂𝗌𝗍𝗈, 𝗉𝖺𝗋𝖺 𝗊𝗎𝖾 𝗆𝖺𝗂𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝗍𝗂𝗏𝖾𝗌𝗌𝖾𝗆 𝖺𝖼𝖾𝗌𝗌𝗈 𝖺̀𝗌 𝗉𝗋𝗈𝖽𝗎𝖼̧𝗈̃𝖾𝗌 𝖺𝗋𝗍𝗂́𝗌𝗍𝗂𝖼𝖺𝗌. 𝖥𝖺𝗆𝗂́𝗅𝗂𝖺𝗌, 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝖼𝗈𝗆 𝗆𝖾𝗇𝗈𝗌 𝗉𝗈𝗌𝗌𝖾𝗌, 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝖽𝖺 𝗍𝖾𝗋𝖼𝖾𝗂𝗋𝖺 𝗂𝖽𝖺𝖽𝖾 𝖾 𝗃𝗈𝗏𝖾𝗇𝗌 𝗊𝗎𝖾 𝗌𝖾 𝖾𝗇𝖼𝗈𝗇𝗍𝗋𝖺𝗆 𝖾𝗆 𝗌𝗂𝗍𝗎𝖺𝖼̧𝖺̃𝗈 𝗉𝗋𝖾𝖼𝖺́𝗋𝗂𝖺 𝖿𝗂𝖼𝖺𝗆 𝖼𝗈𝗆 𝗈 𝗌𝖾𝗎 𝖺𝖼𝖾𝗌𝗌𝗈 𝖺 𝖾𝗌𝗍𝖾𝗌 𝖾𝗌𝗉𝖺𝖼̧𝗈𝗌 𝗀𝗋𝖺𝗏𝖾𝗆𝖾𝗇𝗍𝖾 𝗋𝖾𝖽𝗎𝗓𝗂𝖽𝗈.

𝖮 𝗇𝗈𝗌𝗌𝗈 𝗉𝖺𝗍𝗋𝗂𝗆𝗈́𝗇𝗂𝗈 𝗇𝖺̃𝗈 𝖾́ 𝖺𝗉𝖾𝗇𝖺𝗌 𝗉𝖺𝗋𝖺 𝗌𝖾𝗋 𝗏𝗂𝗌𝗂𝗍𝖺𝖽𝗈 𝗇𝖺𝗌 𝖾́𝗉𝗈𝖼𝖺𝗌 𝗍𝗎𝗋𝗂́𝗌𝗍𝗂𝖼𝖺𝗌 𝗉𝗈𝗋 𝗊𝗎𝖾𝗆 𝗍𝖾𝗆 𝗉𝗈𝗌𝗌𝖾𝗌 𝗉𝖺𝗋𝖺 𝗍𝖺𝗅, 𝗆𝖺𝗌 𝗌𝗂𝗆 𝗉𝗈𝗋 𝖾𝗌𝗍𝗎𝖽𝖺𝗇𝗍𝖾𝗌 𝖽𝗈 𝗋𝖺𝗆𝗈 𝖽𝖺 𝖧𝗂𝗌𝗍𝗈́𝗋𝗂𝖺, 𝖧𝗂𝗌𝗍𝗈́𝗋𝗂𝖺 𝖽𝖺 𝖠𝗋𝗍𝖾, 𝖡𝖾𝗅𝖺𝗌 𝖠𝗋𝗍𝖾𝗌 𝖾 𝗈𝗎𝗍𝗋𝗈𝗌; 𝖾́ 𝗉𝖺𝗋𝖺 𝗌𝖾𝗋 𝗏𝗂𝗌𝗂𝗍𝖺𝖽𝗈 𝗉𝖾𝗅𝖺𝗌 𝖼𝗋𝗂𝖺𝗇𝖼̧𝖺𝗌 𝗊𝗎𝖾 𝗌𝖾 𝖾𝗇𝖼𝗈𝗇𝗍𝗋𝖺𝗆 𝖾𝗆 𝖼𝗋𝖾𝗌𝖼𝗂𝗆𝖾𝗇𝗍𝗈, 𝖼𝗋𝖾𝗌𝖼𝗂𝗆𝖾𝗇𝗍𝗈 𝖾𝗌𝗌𝖾 𝗍𝖺𝗆𝖻𝖾́𝗆 𝗂𝗇𝗍𝖾𝗅𝖾𝖼𝗍𝗎𝖺𝗅 𝖾 𝗈𝗇𝖽𝖾 𝗏𝖺̃𝗈 𝗌𝖾𝗋 𝖾𝗌𝗍𝗂𝗆𝗎𝗅𝖺𝖽𝖺𝗌 𝖾 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝖽𝖺𝗌 𝖺 𝗉𝖺𝗋𝗍𝖾𝗌 𝖽𝖺 𝗁𝗂𝗌𝗍𝗈́𝗋𝗂𝖺 𝗊𝗎𝖾 𝗇𝗎𝗇𝖼𝖺 𝖺𝗇𝗍𝖾𝗌 𝗈𝗎𝗏𝗂𝗋𝖺𝗆; 𝖾́ 𝗉𝖺𝗋𝖺 𝖺 𝖼𝗅𝖺𝗌𝗌𝖾 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝖺𝖽𝗈𝗋𝖺 𝗊𝗎𝖾 𝗏𝗂𝗏𝖾 𝖺𝗉𝖾𝗇𝖺𝗌 𝖽𝗈 𝗌𝖾𝗎 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝗈 𝖾 𝗍𝖾𝗆 𝖽𝗂𝗋𝖾𝗂𝗍𝗈 𝖺 𝖺𝗍𝗂𝗏𝗂𝖽𝖺𝖽𝖾𝗌 𝖽𝖾 𝗅𝖺𝗓𝖾𝗋 𝖾 𝖺𝗉𝗋𝖾𝗇𝖽𝗂𝗓𝖺𝗀𝖾𝗆 𝗊𝗎𝖾 𝗇𝖺̃𝗈 𝗌𝗂𝗀𝗇𝗂𝖿𝗂𝗊𝗎𝖾𝗆 𝗆𝖺𝗂𝗌 𝗎𝗆 𝖼𝗈𝗋𝗍𝖾 𝗇𝗈𝗌 𝗈𝗋𝖼̧𝖺𝗆𝖾𝗇𝗍𝗈𝗌; 𝖾́ 𝗉𝖺𝗋𝖺 𝗌𝖾𝗋 𝗏𝗂𝗌𝗂𝗍𝖺𝖽𝗈 𝗉𝖾𝗅𝖺𝗌 𝖼𝗈𝗆𝗎𝗇𝗂𝖽𝖺𝖽𝖾𝗌 𝗊𝗎𝖾 𝖯𝗈𝗋𝗍𝗎𝗀𝖺𝗅 𝖾 𝗈 𝗆𝗎𝗇𝖽𝗈 𝗆𝖺𝗋𝗀𝗂𝗇𝖺𝗅𝗂𝗓𝗈𝗎, 𝖼𝗈𝗅𝗈𝖼𝖺𝗇𝖽𝗈-𝖺𝗌 𝖾𝗆 𝗌𝗂𝗍𝗎𝖺𝖼̧𝗈̃𝖾𝗌 𝖽𝖾 𝗉𝗈𝖻𝗋𝖾𝗓𝖺 𝗀𝖾𝗋𝖺𝖼𝗂𝗈𝗇𝖺𝗅, 𝖽𝖺𝗇𝖽𝗈 𝖺𝗌𝗌𝗂𝗆 𝗏𝖾𝗋𝖽𝖺𝖽𝖾𝗂𝗋𝗈𝗌 𝗉𝖺𝗌𝗌𝗈𝗌 𝗇𝖺 𝗂𝗇𝖼𝗅𝗎𝗌𝖺̃𝗈 𝗌𝗈𝖼𝗂𝖺𝗅.

𝖠 𝖼𝗎𝗅𝗍𝗎𝗋𝖺 𝖿𝗈𝗂 𝖿𝖾𝗂𝗍𝖺 𝗉𝖾𝗅𝖺𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗌. 𝖯𝗋𝗂𝗏𝖺𝗋-𝗇𝗈𝗌 𝖾 𝗋𝖾𝖽𝗎𝗓𝗂𝗋 𝖺 𝗌𝗎𝖺 𝖺𝖼𝖾𝗌𝗌𝗂𝖻𝗂𝗅𝗂𝖽𝖺𝖽𝖾 𝖾́ 𝖽𝖾 𝗎𝗆 𝖾𝗅𝗂𝗍𝗂𝗌𝗆𝗈 𝖽𝗂𝗀𝗇𝗈 𝖽𝗈 𝗅𝗂𝖻𝖾𝗋𝖺𝗅𝗂𝗌𝗆𝗈 𝖾𝖼𝗈𝗇𝗈́𝗆𝗂𝖼𝗈, 𝖽𝖾𝗌𝖼𝖺𝗋𝗍𝖺𝗇𝖽𝗈 𝖺𝗌𝗌𝗂𝗆 𝖺 𝗋𝖾𝗌𝗉𝗈𝗇𝗌𝖺𝖻𝗂𝗅𝗂𝖽𝖺𝖽𝖾 𝖽𝗈 𝖤𝗌𝗍𝖺𝖽𝗈 𝖽𝖾 𝖺 𝗆𝖺𝗇𝗍𝖾𝗋 𝗉𝖺𝗋𝖺 𝖺𝗌 𝗌𝗎𝖺𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗌.

* Estudante da Licenciatura em História da Arte. Ativista pela cultura, educação, causas lgbtqia+, feminista e antirracista.

IN "ESQUERDA"- 19/07/22 .