SALVADOR ALEMANY

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 Uma garagem da cidade

Este verão, voltei ao Porto, cidade que conheço bem por razões profissionais e onde me sinto especialmente confortável, não só pelas afinidades com a minha Barcelona como pela forma de estar discreta e elegante dos seus cidadãos. Encontrei a cidade de sempre, aquela que preserva a sua identidade, mas percebi mudanças prenunciadoras de novos tempos. A cultura nas suas mais diversas manifestações atravessa o seu tecido social e será essencial na fase de recuperação em curso

𝓟𝓮𝓵𝓪 𝓶𝓪̃𝓸 𝓭𝓸 𝓶𝓮𝓾 𝓿𝓮𝓵𝓱𝓸 𝓪𝓶𝓲𝓰𝓸 𝓐𝓻𝓽𝓾𝓻 𝓢𝓪𝓷𝓽𝓸𝓼 𝓢𝓲𝓵𝓿𝓪, 𝓹𝓸𝓻𝓽𝓾𝓮𝓷𝓼𝓮 𝓭𝓮 𝓰𝓮𝓶𝓪 𝓮 𝓻𝓮𝓯𝓮𝓻𝓮̂𝓷𝓬𝓲𝓪 𝓲𝓷𝓬𝓸𝓷𝓽𝓸𝓻𝓷𝓪́𝓿𝓮𝓵, 𝓶𝓮𝓻𝓰𝓾𝓵𝓱𝓮𝓲 𝓷𝓪𝓵𝓰𝓾𝓷𝓼 𝓭𝓸𝓼 𝓰𝓻𝓪𝓷𝓭𝓮𝓼 𝓮𝓺𝓾𝓲𝓹𝓪𝓶𝓮𝓷𝓽𝓸𝓼 𝓬𝓾𝓵𝓽𝓾𝓻𝓪𝓲𝓼 𝓭𝓪 𝓒𝓲𝓭𝓪𝓭𝓮, 𝓮𝓷𝓽𝓮𝓷𝓭𝓲 𝓸 𝓹𝓻𝓮𝓼𝓽𝓲́𝓰𝓲𝓸 𝓺𝓾𝓮 𝓬𝓸𝓷𝓺𝓾𝓲𝓼𝓽𝓪𝓻𝓪𝓶 𝓸𝓼 𝓷𝓸𝓿𝓸𝓼 𝓹𝓻𝓸𝓽𝓪𝓰𝓸𝓷𝓲𝓼𝓽𝓪𝓼 𝓭𝓪𝓼 𝓶𝓮𝓵𝓱𝓸𝓻𝓮𝓼 𝓹𝓻𝓸𝓹𝓸𝓼𝓽𝓪𝓼 𝓰𝓪𝓼𝓽𝓻𝓸𝓷𝓸́𝓶𝓲𝓬𝓪𝓼 𝓭𝓸 𝓹𝓪𝓲́𝓼 𝓮 𝓬𝓸𝓷𝓱𝓮𝓬𝓲 𝓾𝓶𝓪 𝓹𝓪𝓻𝓽𝓮 𝓭𝓸 𝓟𝓸𝓻𝓽𝓸 𝓮𝓼𝓬𝓸𝓷𝓭𝓲𝓭𝓸, 𝓪𝓺𝓾𝓮𝓵𝓮 𝓺𝓾𝓮 𝓹𝓻𝓮𝓬𝓲𝓼𝓪 𝓭𝓮 𝓬𝓸́𝓭𝓲𝓰𝓸𝓼 𝓪𝓷𝓬𝓮𝓼𝓽𝓻𝓪𝓲𝓼 𝓹𝓪𝓻𝓪 𝓸 𝓼𝓮𝓾 𝓪𝓬𝓮𝓼𝓼𝓸. 𝓣𝓮𝓻 𝓾𝓶 𝓫𝓸𝓶 𝓪𝓷𝓯𝓲𝓽𝓻𝓲𝓪̃𝓸 𝓮́ 𝓼𝓮𝓶𝓹𝓻𝓮 𝓾𝓶 𝓹𝓻𝓲𝓿𝓲𝓵𝓮́𝓰𝓲𝓸.

𝓔𝓶𝓸𝓬𝓲𝓸𝓷𝓮𝓲-𝓶𝓮 𝓮𝓼𝓹𝓮𝓬𝓲𝓪𝓵𝓶𝓮𝓷𝓽𝓮 𝓷𝓪 𝓒𝓪𝓼𝓪 𝓭𝓪 𝓜𝓾́𝓼𝓲𝓬𝓪, 𝓽𝓪𝓵𝓿𝓮𝔃 𝓹𝓮𝓵𝓪 𝓶𝓲𝓷𝓱𝓪 𝓬𝓸𝓷𝓭𝓲𝓬̧𝓪̃𝓸 𝓭𝓮 𝓟𝓻𝓮𝓼𝓲𝓭𝓮𝓷𝓽𝓮 𝓭𝓸 𝓖𝓻𝓪𝓷 𝓣𝓮𝓪𝓽𝓻𝓮 𝓭𝓮𝓵 𝓛𝓲𝓬𝓮𝓾 𝓭𝓮 𝓑𝓪𝓻𝓬𝓮𝓵𝓸𝓷𝓪. 𝓔𝓼𝓶𝓪𝓰𝓪𝓭𝓸 𝓹𝓮𝓵𝓪 𝓸𝓫𝓻𝓪 𝓭𝓮 𝓡𝓮𝓶 𝓚𝓸𝓸𝓵𝓱𝓪𝓪𝓼, 𝓲𝓶𝓪𝓰𝓲𝓷𝓮𝓲 𝓺𝓾𝓮 𝓬𝓱𝓮𝓰𝓪𝓻𝓪́ 𝓸 𝓭𝓲𝓪 𝓮𝓶 𝓺𝓾𝓮 𝓪 𝓷𝓸𝓼𝓼𝓪 𝓞𝓻𝓺𝓾𝓮𝓼𝓽𝓻𝓪 𝓢𝓲𝓷𝓯𝓸́𝓷𝓲𝓬𝓪 𝓸𝓯𝓮𝓻𝓮𝓬𝓮𝓻𝓪́ 𝓾𝓶 𝓬𝓸𝓷𝓬𝓮𝓻𝓽𝓸 𝓮𝓼𝓹𝓮𝓬𝓲𝓪𝓵 𝓷𝓮𝓼𝓽𝓮 𝓼𝓲𝓷𝓰𝓾𝓵𝓪𝓻 𝓽𝓮𝓶𝓹𝓵𝓸 𝓭𝓪 𝓬𝓾𝓵𝓽𝓾𝓻𝓪 𝓹𝓪𝓻𝓪 𝓻𝓮𝓯𝓸𝓻𝓬̧𝓪𝓻 𝓪𝓼 𝓽𝓻𝓪𝓭𝓲𝓬𝓲𝓸𝓷𝓪𝓲𝓼 𝓻𝓮𝓵𝓪𝓬̧𝓸̃𝓮𝓼 𝓮𝓷𝓽𝓻𝓮 𝓟𝓸𝓻𝓽𝓸 𝓮 𝓑𝓪𝓻𝓬𝓮𝓵𝓸𝓷𝓪.

𝓝𝓪 𝓿𝓲𝓼𝓲𝓽𝓪 𝓪 𝓮𝓼𝓽𝓮 𝓸𝓪́𝓼𝓲𝓼 𝓭𝓮 𝓹𝓪𝔃 𝓮 𝓯𝓮𝓵𝓲𝓬𝓲𝓭𝓪𝓭𝓮 𝓺𝓾𝓮 𝓬𝓸𝓷𝓯𝓸𝓻𝓶𝓪 𝓪 𝓕𝓾𝓷𝓭𝓪𝓬̧𝓪̃𝓸 𝓢𝓮𝓻𝓻𝓪𝓵𝓿𝓮𝓼, 𝓹𝓮𝓻𝓬𝓮𝓫𝓲 𝓪 𝓿𝓪𝓷𝓽𝓪𝓰𝓮𝓶 𝓭𝓮 𝓬𝓸𝓷𝓬𝓮𝓷𝓽𝓻𝓪𝓻 𝓷𝓾𝓶 𝓶𝓮𝓼𝓶𝓸 𝓮𝓼𝓹𝓪𝓬̧𝓸 𝓾𝓻𝓫𝓪𝓷𝓸 𝓸 𝓰𝓻𝓪𝓷𝓭𝓮 𝓜𝓾𝓼𝓮𝓾 𝓭𝓮 𝓐́𝓵𝓿𝓪𝓻𝓸 𝓢𝓲𝔃𝓪, 𝓬𝓸𝓶 𝓸𝓼 𝟏𝟖 𝓱𝓮𝓬𝓽𝓪𝓻𝓮𝓼 𝓭𝓮 𝓳𝓪𝓻𝓭𝓲𝓷𝓼 𝓭𝓮𝓼𝓮𝓷𝓱𝓪𝓭𝓸𝓼 𝓮 𝓽𝓻𝓪𝓽𝓪𝓭𝓸𝓼 𝓬𝓸𝓶𝓸 𝓹𝓪𝓻𝓽𝓮 𝓮𝓼𝓼𝓮𝓷𝓬𝓲𝓪𝓵 𝓭𝓸 𝓬𝓲𝓻𝓬𝓾𝓲𝓽𝓸 𝓺𝓾𝓮 𝓬𝓾𝓵𝓶𝓲𝓷𝓪 𝓬𝓸𝓶 𝓸 𝓵𝓸𝓬𝓪𝓵 𝓭𝓮𝓭𝓲𝓬𝓪𝓭𝓸 𝓪𝓸 𝓬𝓲𝓷𝓮𝓪𝓼𝓽𝓪 𝓜𝓪𝓷𝓾𝓮𝓵 𝓭𝓮 𝓞𝓵𝓲𝓿𝓮𝓲𝓻𝓪, 𝓸𝓾𝓽𝓻𝓸 𝓹𝓸𝓻𝓽𝓾𝓮𝓷𝓼𝓮 𝓾𝓷𝓲𝓿𝓮𝓻𝓼𝓪𝓵 𝓬𝓸𝓶𝓸 𝓸 𝓪𝓻𝓺𝓾𝓲𝓽𝓮𝓽𝓸. 𝓗𝓪𝓿𝓮𝓻𝓪́ 𝓺𝓾𝓮 𝓻𝓮𝓰𝓻𝓮𝓼𝓼𝓪𝓻 𝓪𝓸 𝓟𝓸𝓻𝓽𝓸 𝓺𝓾𝓪𝓷𝓭𝓸 𝓪 𝓒𝓪𝓼𝓪 𝓭𝓮 𝓢𝓮𝓻𝓻𝓪𝓵𝓿𝓮𝓼 𝓺𝓾𝓮 𝓐́𝓵𝓿𝓪𝓻𝓸 𝓢𝓲𝔃𝓪 𝓪𝓬𝓪𝓫𝓪 𝓭𝓮 𝓻𝓮𝓯𝓸𝓻𝓶𝓪𝓻, 𝓶𝓸𝓼𝓽𝓻𝓮 𝓬𝓸𝓶 𝓬𝓪𝓻𝓪́𝓬𝓽𝓮𝓻 𝓹𝓮𝓻𝓶𝓪𝓷𝓮𝓷𝓽𝓮 𝓪 𝓬𝓸𝓵𝓮𝓬̧𝓪̃𝓸 𝓭𝓪𝓼 𝟖𝟓 𝓸𝓫𝓻𝓪𝓼 𝓭𝓮 𝓙𝓸𝓪𝓷 𝓜𝓲𝓻𝓸́ 𝓻𝓮𝓬𝓾𝓹𝓮𝓻𝓪𝓭𝓪𝓼 𝓹𝓮𝓵𝓸 𝓔𝓼𝓽𝓪𝓭𝓸 𝓹𝓸𝓻𝓽𝓾𝓰𝓾𝓮̂𝓼 𝓮 𝓬𝓸𝓷𝓯𝓲𝓪𝓭𝓪𝓼 𝓪 𝓮𝓼𝓽𝓪 𝓹𝓸𝓭𝓮𝓻𝓸𝓼𝓪 𝓲𝓷𝓼𝓽𝓲𝓽𝓾𝓲𝓬̧𝓪̃𝓸, 𝓮𝔁𝓮𝓶𝓹𝓵𝓸 𝓪𝓭𝓶𝓲𝓻𝓪́𝓿𝓮𝓵 𝓭𝓮 𝓬𝓸𝓸𝓹𝓮𝓻𝓪𝓬̧𝓪̃𝓸 𝓹𝓾́𝓫𝓵𝓲𝓬𝓸-𝓹𝓻𝓲𝓿𝓪𝓭𝓪.

𝓝𝓪𝓽𝓾𝓻𝓪𝓵𝓶𝓮𝓷𝓽𝓮, 𝓬𝓾𝓶𝓹𝓻𝓲 𝓬𝓸𝓶 𝓪 𝓵𝓲𝓽𝓾𝓻𝓰𝓲𝓪 𝓺𝓾𝓮 𝓸𝓫𝓼𝓮𝓻𝓿𝓪 𝓽𝓸𝓭𝓸 𝓸 𝓿𝓲𝓼𝓲𝓽𝓪𝓷𝓽𝓮 𝓭𝓸 𝓟𝓸𝓻𝓽𝓸 𝓮 𝓬𝓸𝓷𝓼𝓮𝓰𝓾𝓲 𝓪𝓬𝓮𝓭𝓮𝓻 𝓪̀ 𝓛𝓲𝓿𝓻𝓪𝓻𝓲𝓪 𝓛𝓮𝓵𝓵𝓸, 𝓾𝓶 𝓹𝓻𝓸𝓭𝓲́𝓰𝓲𝓸 𝓶𝓲𝓼𝓽𝓮𝓻𝓲𝓸𝓼𝓸 𝓺𝓾𝓮 𝓷𝓪̃𝓸 𝓽𝓮𝓶 𝓹𝓪𝓻𝓪𝓵𝓮𝓵𝓲𝓼𝓶𝓸 𝓷𝓮𝓶 𝓯𝓪́𝓬𝓲𝓵 𝓮𝔁𝓹𝓵𝓲𝓬𝓪𝓬̧𝓪̃𝓸. 𝓟𝓪𝓰𝓪𝓻 𝓹𝓪𝓻𝓪 𝓮𝓷𝓽𝓻𝓪𝓻 𝓷𝓾𝓶𝓪 𝓵𝓲𝓿𝓻𝓪𝓻𝓲𝓪 𝓮 𝓻𝓮𝓼𝓹𝓮𝓲𝓽𝓪𝓻 𝓵𝓸𝓷𝓰𝓪𝓼 𝓯𝓲𝓵𝓪𝓼 𝓺𝓾𝓮 𝓹𝓸𝓭𝓮𝓶 𝓮𝔁𝓲𝓰𝓲𝓻 𝓮𝓼𝓹𝓮𝓻𝓪𝓼 𝓭𝓮 𝓿𝓪́𝓻𝓲𝓪𝓼 𝓱𝓸𝓻𝓪𝓼 𝓮́ 𝓾𝓶 𝓯𝓮𝓷𝓸́𝓶𝓮𝓷𝓸 𝓺𝓾𝓮 𝓪𝓵𝓽𝓮𝓻𝓪 𝓬𝓸𝓷𝓬𝓮𝓲𝓽𝓸𝓼 𝓮 𝓪𝓵𝓲𝓶𝓮𝓷𝓽𝓪 𝓮𝓼𝓹𝓮𝓻𝓪𝓷𝓬̧𝓪𝓼. 𝓣𝓪𝓵𝓿𝓮𝔃 𝓹𝓸𝓻 𝓲𝓼𝓼𝓸, 𝓸 𝓰𝓻𝓪𝓷𝓭𝓮 𝓹𝓸𝓮𝓽𝓪 𝓬𝓪𝓽𝓪𝓵𝓪̃𝓸 𝓙𝓸𝓪𝓷 𝓜𝓪𝓻𝓰𝓪𝓻𝓲𝓽 𝓽𝓮𝓷𝓱𝓪 𝓼𝓮𝓷𝓽𝓮𝓷𝓬𝓲𝓪𝓭𝓸 𝓺𝓾𝓮 "𝓐 𝓛𝓘𝓑𝓔𝓡𝓓𝓐𝓓𝓔 𝓔́ 𝓤𝓜𝓐 𝓛𝓘𝓥𝓡𝓐𝓡𝓘𝓐". 𝓝𝓸 𝓲𝓷𝓽𝓮𝓻𝓲𝓸𝓻 𝓭𝓪 𝓛𝓮𝓵𝓵𝓸 𝓬𝓸𝓶𝓹𝓻𝓮𝓮𝓷𝓭𝓮-𝓼𝓮 𝓫𝓮𝓶 𝓪 𝓹𝓻𝓸𝓬𝓵𝓪𝓶𝓪𝓬̧𝓪̃𝓸 𝓭𝓸 𝓪𝓾𝓽𝓸𝓻 𝓭𝓮 𝓜𝓲𝓼𝓽𝓮𝓻𝓲𝓸𝓼𝓪𝓶𝓮𝓷𝓽𝓮 𝓕𝓮𝓵𝓲𝔃, 𝓾𝓶𝓪 𝓭𝓪𝓼 𝓼𝓾𝓪𝓼 𝓸𝓫𝓻𝓪𝓼 𝓽𝓻𝓪𝓭𝓾𝔃𝓲𝓭𝓪𝓼 𝓹𝓪𝓻𝓪 𝓹𝓸𝓻𝓽𝓾𝓰𝓾𝓮̂𝓼.

𝓔 𝓬𝓸𝓶 𝓪𝓼 𝓯𝓸𝓽𝓸𝓰𝓻𝓪𝓯𝓲𝓪𝓼 𝓭𝓪𝓼 𝓮𝓼𝓬𝓾𝓵𝓽𝓾𝓻𝓪𝓼 𝓭𝓮 𝓖𝓲𝓪𝓬𝓸𝓶𝓮𝓽𝓽𝓲, 𝓷𝓪 𝓢𝓪𝓷𝓽𝓪 𝓒𝓪𝓼𝓪 𝓭𝓮 𝓜𝓲𝓼𝓮𝓻𝓲𝓬𝓸́𝓻𝓭𝓲𝓪 𝓭𝓸 𝓟𝓸𝓻𝓽𝓸, 𝓮𝓷𝓽𝓮𝓷𝓭𝓲 𝓸 𝓺𝓾𝓮 𝓵𝓮𝓿𝓸𝓾 𝓪𝓵𝓰𝓾𝓷𝓼 𝓶𝓪𝓷𝓭𝓪𝓽𝓪́𝓻𝓲𝓸𝓼 𝓮𝓾𝓻𝓸𝓹𝓮𝓾𝓼 𝓪 𝓪𝓫𝓪𝓷𝓭𝓸𝓷𝓪𝓻 𝓪 𝓻𝓮𝓬𝓮𝓷𝓽𝓮 𝓬𝓲𝓶𝓮𝓲𝓻𝓪 𝓷𝓸 𝓟𝓪𝓵𝓪́𝓬𝓲𝓸 𝓭𝓮 𝓒𝓻𝓲𝓼𝓽𝓪𝓵 𝓹𝓪𝓻𝓪 𝓿𝓲𝓼𝓲𝓽𝓪𝓻 𝓸 𝓜𝓾𝓼𝓮𝓾 𝓭𝓪 𝓻𝓮𝓷𝓸𝓿𝓪𝓭𝓪 𝓡𝓾𝓪 𝓭𝓪𝓼 𝓕𝓵𝓸𝓻𝓮𝓼 𝓮 𝓽𝓸𝓶𝓪𝓻 𝓾𝓶 𝓬𝓪́𝓵𝓲𝓬𝓮 𝓭𝓮 𝓟𝓸𝓻𝓽𝓸 𝓷𝓸 𝓼𝓮𝓾 𝓭𝓮𝓼𝓵𝓾𝓶𝓫𝓻𝓪𝓷𝓽𝓮 𝓾́𝓵𝓽𝓲𝓶𝓸 𝓪𝓷𝓭𝓪𝓻.

𝓒𝓸𝓷𝓽𝓾𝓭𝓸, 𝓹𝓪𝓻𝓪 𝓪𝓭𝓶𝓲𝓻𝓪𝓻 𝓸 𝓟𝓸𝓻𝓽𝓸, 𝓸𝓹𝓽𝓮𝓲 𝓹𝓮𝓵𝓪 𝓿𝓲𝓼𝓽𝓪 𝓭𝓮𝓼𝓵𝓾𝓶𝓫𝓻𝓪𝓷𝓽𝓮 𝓺𝓾𝓮 𝓼𝓮 𝓷𝓸𝓼 𝓸𝓯𝓮𝓻𝓮𝓬𝓮 𝓭𝓸𝓼 𝓽𝓮𝓻𝓻𝓪𝓬̧𝓸𝓼 𝓭𝓸 𝓷𝓸𝓿𝓸 𝓦𝓸𝓻𝓵𝓭 𝓸𝓯 𝓽𝓱𝓮 𝓦𝓲𝓷𝓮, 𝓪 𝓾́𝓵𝓽𝓲𝓶𝓪 𝓮 𝓪𝓻𝓻𝓸𝓳𝓪𝓭𝓪 𝓹𝓻𝓸𝓹𝓸𝓼𝓽𝓪 𝓬𝓾𝓵𝓽𝓾𝓻𝓪𝓵 𝓭𝓮 𝓐𝓭𝓻𝓲𝓪𝓷 𝓑𝓻𝓲𝓭𝓰𝓮, 𝓮𝓼𝓼𝓮 𝓰𝓮𝓷𝓽𝓵𝓮𝓶𝓪𝓷 𝓲𝓷𝓰𝓵𝓮̂𝓼, 𝓺𝓾𝓮 𝓽𝓪̃𝓸 𝓲𝓷𝓽𝓮𝓰𝓻𝓪𝓭𝓸 𝓮𝓼𝓽𝓪́ 𝓷𝓸 𝓬𝓸𝓼𝓶𝓸𝓹𝓸𝓵𝓲𝓽𝓲𝓼𝓶𝓸 𝓭𝓸 𝓟𝓸𝓻𝓽𝓸 𝓮 𝓪 𝓺𝓾𝓮𝓶 𝓭𝓮𝓿𝓮𝓶𝓸𝓼 𝓽𝓪𝓶𝓫𝓮́𝓶 𝓪 𝓻𝓮𝓬𝓾𝓹𝓮𝓻𝓪𝓬̧𝓪̃𝓸 𝓭𝓪 𝓪𝓵𝓶𝓪 𝓭𝓸 𝓗𝓸𝓽𝓮𝓵 𝓘𝓷𝓯𝓪𝓷𝓽𝓮 𝓢𝓪𝓰𝓻𝓮𝓼.

𝓞 𝓟𝓸𝓻𝓽𝓸 𝓿𝓸𝓵𝓽𝓸𝓾 𝓪 𝓼𝓾𝓻𝓹𝓻𝓮𝓮𝓷𝓭𝓮𝓻-𝓶𝓮. 𝓕𝓲𝓮𝓵 𝓪𝓸 𝓼𝓮𝓾 𝓮𝓼𝓽𝓲𝓵𝓸 𝓮 𝓹𝓻𝓸𝓷𝓽𝓸 𝓹𝓪𝓻𝓪 𝓪𝓹𝓻𝓸𝓿𝓮𝓲𝓽𝓪𝓻 𝓸𝓼 𝓷𝓸𝓿𝓸𝓼 𝓽𝓮𝓶𝓹𝓸𝓼 𝓺𝓾𝓮 𝓼𝓮 𝓪𝓹𝓻𝓸𝔁𝓲𝓶𝓪𝓶. 𝓝𝓮𝓼𝓽𝓪 𝓿𝓲𝓪𝓰𝓮𝓶, 𝓭𝓮𝓼𝓬𝓸𝓫𝓻𝓲 𝓽𝓪𝓶𝓫𝓮́𝓶 𝓪 𝓯𝓪𝓬𝓲𝓵𝓲𝓭𝓪𝓭𝓮 𝓬𝓸𝓶 𝓺𝓾𝓮 𝓪 𝓼𝓸𝓬𝓲𝓮𝓭𝓪𝓭𝓮 𝓬𝓲𝓿𝓲𝓵 𝓬𝓸𝓸𝓹𝓮𝓻𝓪 𝓷𝓪𝓼 𝓲𝓷𝓲𝓬𝓲𝓪𝓽𝓲𝓿𝓪𝓼 𝓬𝓾𝓵𝓽𝓾𝓻𝓪𝓲𝓼 𝓺𝓾𝓮 𝓻𝓮𝓼𝓰𝓪𝓽𝓪𝓶 𝓭𝓪 𝓶𝓮𝓶𝓸́𝓻𝓲𝓪 𝓬𝓸𝓵𝓮𝓽𝓲𝓿𝓪 𝓯𝓲𝓰𝓾𝓻𝓪𝓼 𝓮 𝓯𝓪𝓬𝓽𝓸𝓼 𝓺𝓾𝓮 𝓯𝓸𝓻𝓶𝓪𝓶 𝓹𝓪𝓻𝓽𝓮 𝓭𝓪 𝓱𝓲𝓼𝓽𝓸́𝓻𝓲𝓪 𝓮 𝓭𝓸 𝓹𝓪𝓽𝓻𝓲𝓶𝓸́𝓷𝓲𝓸 𝓭𝓮 𝓾𝓶𝓪 𝓰𝓻𝓪𝓷𝓭𝓮 𝓒𝓲𝓭𝓪𝓭𝓮.

𝓑𝓮𝓶 𝓪 𝓹𝓻𝓸𝓹𝓸́𝓼𝓲𝓽𝓸 𝓭𝓪 𝓻𝓮𝓬𝓮𝓷𝓽𝓮 𝓱𝓸𝓶𝓮𝓷𝓪𝓰𝓮𝓶 𝓪𝓸 𝓭𝓲𝓼𝓽𝓲𝓷𝓽𝓸 𝓪𝓻𝓺𝓾𝓲𝓽𝓮𝓽𝓸 𝓡𝓸𝓰𝓮́𝓻𝓲𝓸 𝓭𝓮 𝓐𝔃𝓮𝓿𝓮𝓭𝓸, 𝓪𝓾𝓽𝓸𝓻 𝓭𝓪 𝓖𝓪𝓻𝓪𝓰𝓮𝓶 𝓒𝓸𝓶𝓮́𝓻𝓬𝓲𝓸 𝓭𝓸 𝓟𝓸𝓻𝓽𝓸, 𝓫𝓮𝓶 𝓬𝓸𝓶𝓸 𝓭𝓸 𝓮𝓭𝓲𝓯𝓲́𝓬𝓲𝓸 𝓪𝓭𝓳𝓪𝓬𝓮𝓷𝓽𝓮, 𝓺𝓾𝓮 𝓯𝓸𝓲 𝓪 𝓼𝓮𝓭𝓮 𝓭𝓸 𝓳𝓸𝓻𝓷𝓪𝓵 𝓬𝓸𝓷𝓼𝓲𝓭𝓮𝓻𝓪𝓭𝓸 𝓹𝓸𝓻 𝓪𝓵𝓰𝓾𝓷𝓼 𝓳𝓸𝓻𝓷𝓪𝓵𝓲𝓼𝓽𝓪𝓼 𝓬𝓸𝓶𝓸 𝓸 𝓭𝓮𝓯𝓮𝓷𝓼𝓸𝓻 𝓭𝓪𝓼 𝓬𝓪𝓾𝓼𝓪𝓼 𝓭𝓸 𝓝𝓸𝓻𝓽𝓮. 𝓐𝓺𝓾𝓮𝓵𝓮 𝓮𝓭𝓲𝓯𝓲́𝓬𝓲𝓸 𝓮 𝓽𝓪𝓷𝓽𝓪𝓼 𝓸𝓾𝓽𝓻𝓪𝓼 𝓸𝓫𝓻𝓪𝓼 𝓯𝓲𝔃𝓮𝓻𝓪𝓶 𝓭𝓮 𝓡𝓸𝓰𝓮́𝓻𝓲𝓸 𝓭𝓮 𝓐𝔃𝓮𝓿𝓮𝓭𝓸 𝓾𝓶 𝓿𝓾𝓵𝓽𝓸 𝓭𝓪 𝓪𝓻𝓺𝓾𝓲𝓽𝓮𝓽𝓾𝓻𝓪 𝓹𝓸𝓻𝓽𝓾𝓰𝓾𝓮𝓼𝓪 𝓮, 𝓭𝓮 𝓪𝓬𝓸𝓻𝓭𝓸 𝓬𝓸𝓶 𝓸𝓼 𝓮𝓼𝓹𝓮𝓬𝓲𝓪𝓵𝓲𝓼𝓽𝓪𝓼, 𝓾𝓶 𝓹𝓲𝓸𝓷𝓮𝓲𝓻𝓸 𝓭𝓸 𝓶𝓸𝓭𝓮𝓻𝓷𝓲𝓼𝓶𝓸 𝓷𝓸 𝓟𝓸𝓻𝓽𝓸.

𝓞 𝓻𝓮𝓬𝓸𝓷𝓱𝓮𝓬𝓲𝓶𝓮𝓷𝓽𝓸 𝓶𝓮𝓻𝓮𝓬𝓮𝓾 𝓾𝓶 𝓿𝓪𝓼𝓽𝓸 𝓵𝓮𝓺𝓾𝓮 𝓭𝓮 𝓬𝓸𝓷𝓽𝓻𝓲𝓫𝓾𝓽𝓸𝓼 𝓺𝓾𝓮, 𝓷𝓸 𝓼𝓮𝓷𝓽𝓲𝓶𝓮𝓷𝓽𝓸 𝓭𝓸 𝓟𝓻𝓮𝓼𝓲𝓭𝓮𝓷𝓽𝓮 𝓭𝓪 𝓒𝓪̂𝓶𝓪𝓻𝓪 𝓜𝓾𝓷𝓲𝓬𝓲𝓹𝓪𝓵 𝓭𝓸 𝓟𝓸𝓻𝓽𝓸 𝓶𝓸𝓼𝓽𝓻𝓪𝓶 𝓫𝓮𝓶 𝓸 𝓺𝓾𝓮 𝓮́ 𝓸 𝓟𝓸𝓻𝓽𝓸; 𝓲𝓼𝓽𝓸 𝓮́, 𝓪 𝓬𝓸𝓷𝓿𝓮𝓻𝓰𝓮̂𝓷𝓬𝓲𝓪 𝓮𝓷𝓽𝓻𝓮 𝓮𝓶𝓹𝓻𝓮𝓼𝓪𝓼, 𝓶𝓮𝓼𝓶𝓸 𝓺𝓾𝓮 𝓮𝓼𝓽𝓻𝓪𝓷𝓰𝓮𝓲𝓻𝓪𝓼, 𝓮 𝓪𝓼 𝓲𝓷𝓼𝓽𝓲𝓽𝓾𝓲𝓬̧𝓸̃𝓮𝓼. 𝓓𝓮𝓼𝓭𝓮 𝓪 𝓕𝓾𝓷𝓭𝓪𝓬̧𝓪̃𝓸 𝓜𝓪𝓻𝓺𝓾𝓮𝓼 𝓭𝓪 𝓢𝓲𝓵𝓿𝓪 𝓪̀ 𝓐𝓼𝓼𝓸𝓬𝓲𝓪𝓬̧𝓪̃𝓸 𝓒𝓸𝓶𝓮𝓻𝓬𝓲𝓪𝓵 𝓭𝓸 𝓟𝓸𝓻𝓽𝓸, 𝓹𝓪𝓼𝓼𝓪𝓷𝓭𝓸 𝓹𝓮𝓵𝓪 𝓕𝓪𝓬𝓾𝓵𝓭𝓪𝓭𝓮 𝓭𝓮 𝓐𝓻𝓺𝓾𝓲𝓽𝓮𝓽𝓾𝓻𝓪 𝓭𝓪 𝓤𝓷𝓲𝓿𝓮𝓻𝓼𝓲𝓭𝓪𝓭𝓮 𝓭𝓸 𝓟𝓸𝓻𝓽𝓸, 𝓸 𝓐𝓾𝓽𝓸𝓶𝓸́𝓿𝓮𝓵 𝓒𝓵𝓾𝓫𝓮 𝓭𝓮 𝓟𝓸𝓻𝓽𝓾𝓰𝓪𝓵 𝓮 𝓸 𝓜𝓾𝓼𝓮𝓾 𝓭𝓪 𝓒𝓲𝓭𝓪𝓭𝓮, 𝓽𝓾𝓭𝓸 𝓹𝓪𝓻𝓮𝓬𝓲𝓪 𝓼𝓲𝓷𝓽𝓸𝓷𝓲𝔃𝓪𝓭𝓸 𝓹𝓪𝓻𝓪 𝓻𝓮𝓼𝓹𝓮𝓲𝓽𝓪𝓻 𝓪 𝓶𝓮𝓶𝓸́𝓻𝓲𝓪 𝓬𝓸𝓶 𝓸 𝓸𝓵𝓱𝓪𝓻 𝓿𝓲𝓻𝓪𝓭𝓸 𝓹𝓪𝓻𝓪 𝓸 𝓯𝓾𝓽𝓾𝓻𝓸.

𝓐 𝓬𝓻𝓸́𝓷𝓲𝓬𝓪 𝓱𝓲𝓼𝓽𝓸́𝓻𝓲𝓬𝓪 𝓭𝓸 𝓹𝓻𝓸𝓯𝓮𝓼𝓼𝓸𝓻 𝓗𝓮́𝓵𝓭𝓮𝓻 𝓟𝓪𝓬𝓱𝓮𝓬𝓸, 𝓪 𝓵𝓲𝓬̧𝓪̃𝓸 𝓼𝓮𝓷𝓽𝓲𝓶𝓮𝓷𝓽𝓪𝓵 𝓭𝓸 𝓪𝓻𝓺𝓾𝓲𝓽𝓮𝓽𝓸 𝓐𝓵𝓮𝔁𝓪𝓷𝓭𝓻𝓮 𝓐𝓵𝓿𝓮𝓼 𝓒𝓸𝓼𝓽𝓪, 𝓹𝓪𝓲 𝓭𝓪 𝓐𝓷𝓪 𝓐𝓵𝓿𝓮𝓼 𝓒𝓸𝓼𝓽𝓪, 𝓪𝓾𝓽𝓸𝓻𝓪 𝓭𝓸 𝓵𝓲𝓿𝓻𝓸 𝓼𝓸𝓫𝓻𝓮 𝓪 𝓸𝓫𝓻𝓪 𝓭𝓮 𝓐𝔃𝓮𝓿𝓮𝓭𝓸, 𝓹𝓪𝓻𝓪𝓵𝓲𝓼𝓪𝓻𝓪𝓶 𝓪 𝓶𝓲́𝓽𝓲𝓬𝓪 𝓖𝓪𝓻𝓪𝓰𝓮𝓶 𝓺𝓾𝓮, 𝓹𝓸𝓻 𝓾𝓶 𝓭𝓲𝓪, 𝓼𝓮 𝓽𝓻𝓪𝓷𝓼𝓯𝓸𝓻𝓶𝓸𝓾 𝓷𝓪 𝟏𝟖ª 𝓮𝓼𝓽𝓪𝓬̧𝓪̃𝓸 𝓭𝓸 𝓜𝓾𝓼𝓮𝓾 𝓭𝓪 𝓒𝓲𝓭𝓪𝓭𝓮.

"𝓥𝓪𝓶𝓸𝓼 𝓪̀ 𝓖𝓪𝓻𝓪𝓰𝓮𝓶" 𝓸𝓾𝓿𝓲𝓾-𝓼𝓮 𝓭𝓮 𝓷𝓸𝓿𝓸, 𝓭𝓮𝓼𝓽𝓪 𝓿𝓮𝔃 𝓹𝓪𝓻𝓪 𝓻𝓮𝓷𝓭𝓮𝓻 𝓽𝓻𝓲𝓫𝓾𝓽𝓸 𝓪𝓸 𝓪𝓻𝓺𝓾𝓲𝓽𝓮𝓽𝓸 𝓭𝓪 𝓻𝓪𝓶𝓹𝓪 𝓱𝓮𝓵𝓲𝓬𝓸𝓲𝓭𝓪𝓵 𝓮 𝓷𝓪̃𝓸 𝓬𝓸𝓶𝓸 𝓵𝓾𝓰𝓪𝓻 𝓭𝓮 𝓽𝓮𝓻𝓽𝓾́𝓵𝓲𝓪𝓼 𝓸𝓾 𝓪𝓽𝓮́ 𝓻𝓮𝓯𝓾́𝓰𝓲𝓸 𝓭𝓮 𝓶𝓪𝓷𝓲𝓯𝓮𝓼𝓽𝓪𝓷𝓽𝓮𝓼, 𝓬𝓸𝓶𝓸 𝓮𝓶 𝓸𝓾𝓽𝓻𝓸𝓼 𝓽𝓮𝓶𝓹𝓸𝓼 𝓮𝓻𝓪 𝓯𝓻𝓮𝓺𝓾𝓮𝓷𝓽𝓮 𝓷𝓪 𝓶𝓮𝓶𝓸́𝓻𝓲𝓪 𝓮𝓶𝓸𝓬𝓲𝓸𝓷𝓪𝓭𝓪 𝓭𝓪 𝓯𝓪𝓶𝓲́𝓵𝓲𝓪 𝓢𝓮𝓪𝓻𝓪 𝓒𝓪𝓻𝓭𝓸𝓼𝓸, 𝓸𝓼 𝓭𝓮𝓼𝓬𝓮𝓷𝓭𝓮𝓷𝓽𝓮𝓼 𝓭𝓸 𝓹𝓻𝓸𝓯𝓮𝓼𝓼𝓸𝓻 𝓑𝓮𝓷𝓽𝓸 𝓒𝓪𝓻𝓺𝓾𝓮𝓳𝓪, 𝓸 𝓹𝓻𝓸𝓶𝓸𝓽𝓸𝓻 𝓭𝓪 𝓖𝓪𝓻𝓪𝓰𝓮𝓶, 𝓶𝓪𝓼 𝓼𝓸𝓫𝓻𝓮𝓽𝓾𝓭𝓸 𝓸 𝓲𝓶𝓹𝓾𝓵𝓼𝓲𝓸𝓷𝓪𝓭𝓸𝓻 𝓭𝓸 𝓳𝓸𝓻𝓷𝓪𝓵 𝓞 𝓒𝓸𝓶𝓮́𝓻𝓬𝓲𝓸 𝓭𝓸 𝓟𝓸𝓻𝓽𝓸, 𝓬𝓾𝓳𝓪 𝓭𝓮𝓼𝓪𝓹𝓪𝓻𝓲𝓬̧𝓪̃𝓸 𝓽𝓪𝓷𝓽𝓸𝓼 𝓵𝓪𝓶𝓮𝓷𝓽𝓪𝓶.

𝓕𝓸𝓲 𝓷𝓮𝓼𝓽𝓮 𝓬𝓸𝓷𝓽𝓮𝔁𝓽𝓸, 𝓮 𝓷𝓪 𝓺𝓾𝓪𝓵𝓲𝓭𝓪𝓭𝓮 𝓭𝓮 𝓹𝓻𝓮𝓼𝓲𝓭𝓮𝓷𝓽𝓮 𝓭𝓪 𝓢𝓐𝓑𝓐, 𝓾𝓶𝓪 𝓬𝓸𝓶𝓹𝓪𝓷𝓱𝓲𝓪 𝓺𝓾𝓮 𝓰𝓮𝓻𝓮 𝓿𝓪́𝓻𝓲𝓸𝓼 𝓮𝓼𝓽𝓪𝓬𝓲𝓸𝓷𝓪𝓶𝓮𝓷𝓽𝓸𝓼 𝓷𝓪 𝓬𝓲𝓭𝓪𝓭𝓮 𝓘𝓷𝓿𝓲𝓬𝓽𝓪, 𝓷𝓮𝓷𝓱𝓾𝓶 𝓽𝓪̃𝓸 𝓮𝓼𝓹𝓮𝓬𝓲𝓪𝓵 𝓬𝓸𝓶𝓸 𝓪 𝓖𝓪𝓻𝓪𝓰𝓮𝓶, 𝓺𝓾𝓮 𝓻𝓮𝓬𝓸𝓻𝓭𝓮𝓲 𝓸 𝓲𝓶𝓹𝓪𝓬𝓽𝓸 𝓺𝓾𝓮 𝓹𝓻𝓸𝓿𝓸𝓬𝓸𝓾 𝓸 𝓟𝓸𝓻𝓽𝓸 𝓭𝓸𝓼 𝓪𝓷𝓸𝓼 𝓭𝓮 𝟏𝟗𝟔𝟎 𝓷𝓸 𝓮𝓼𝓬𝓻𝓲𝓽𝓸𝓻 𝓬𝓪𝓽𝓪𝓵𝓪̃𝓸, 𝓙𝓸𝓼𝓮𝓹 𝓟𝓵𝓪. 𝓘𝓶𝓹𝓻𝓮𝓼𝓼𝓲𝓸𝓷𝓪𝓭𝓸 𝓬𝓸𝓶 𝓪 𝓬𝓸𝓷𝓬𝓮𝓷𝓽𝓻𝓪𝓬̧𝓪̃𝓸 𝓪𝓾𝓽𝓸𝓶𝓸𝓫𝓲𝓵𝓲́𝓼𝓽𝓲𝓬𝓪 𝓷𝓪 𝓒𝓲𝓭𝓪𝓭𝓮, 𝓸𝓷𝓭𝓮 𝓮𝓼𝓽𝓪𝓬𝓲𝓸𝓷𝓪𝓻 𝓾𝓶 𝓬𝓪𝓻𝓻𝓸 𝓼𝓮 𝓵𝓱𝓮 𝓪𝓯𝓲𝓰𝓾𝓻𝓪𝓿𝓪 𝓹𝓻𝓸𝓮𝔃𝓪 𝓽𝓪̃𝓸 𝓭𝓲𝓯𝓲́𝓬𝓲𝓵 𝓬𝓸𝓶𝓸 𝓮𝓶 𝓡𝓸𝓶𝓪 𝓸𝓾 𝓟𝓪𝓻𝓲𝓼, 𝓮𝓼𝓽𝓪𝓫𝓮𝓵𝓮𝓬𝓮𝓾 𝓪 𝓻𝓮𝓵𝓪𝓬̧𝓪̃𝓸 𝓮𝓷𝓽𝓻𝓮 𝓸𝓼 𝓬𝓪𝓻𝓻𝓸𝓼 𝓮 𝓸 𝓬𝓸𝓶𝓮́𝓻𝓬𝓲𝓸 𝓷𝓸 𝓟𝓸𝓻𝓽𝓸 𝓬𝓸𝓶 𝓮𝓼𝓽𝓪 𝓲𝓶𝓹𝓻𝓮𝓼𝓼𝓪̃𝓸: "𝓛𝓪 𝓼𝓮𝓷𝓼𝓪𝓬𝓲𝓸́ 𝓭𝓮 𝓶𝓸𝓿𝓲𝓶𝓮𝓷𝓽 𝓲 𝓭𝓮 𝓵𝓵𝓲𝓫𝓮𝓻𝓽𝓪𝓽 𝓺𝓾𝓮 𝓹𝓻𝓸𝓭𝓾𝓮𝓲𝔁 𝓮𝓵 𝓬𝓸𝓽𝔁𝓮 𝓼𝓮𝓶𝓫𝓵𝓪 𝓮𝓵 𝓬𝓸𝓶𝓹𝓵𝓮𝓶𝓮𝓷𝓽 𝓷𝓸𝓻𝓶𝓪𝓵 𝓭𝓮𝓵 𝓼𝓮𝓭𝓮𝓷𝓽𝓪𝓻𝓲𝓼𝓶𝓮 𝓭𝓮𝓵 𝓬𝓸𝓶𝓮𝓻𝓬̧". 𝓒𝓪𝓻𝓵𝓸𝓼 𝓜𝓪𝓰𝓷𝓸 𝓼𝓾𝓰𝓮𝓻𝓲𝓾 𝓺𝓾𝓮 𝓪 𝓯𝓻𝓪𝓼𝓮 𝓭𝓮 𝓟𝓵𝓪 𝓯𝓲𝓰𝓾𝓻𝓪𝓼𝓼𝓮 𝓷𝓸 𝓯𝓻𝓸𝓷𝓽𝓲𝓼𝓹𝓲́𝓬𝓲𝓸 𝓭𝓪 𝓖𝓪𝓻𝓪𝓰𝓮𝓶.

𝓟𝓪𝓻𝓪 𝓷𝓸́𝓼, 𝓪 𝓖𝓪𝓻𝓪𝓰𝓮𝓶 𝓹𝓮𝓻𝓽𝓮𝓷𝓬𝓮 𝓪̀ 𝓒𝓲𝓭𝓪𝓭𝓮, 𝓮́ 𝓾𝓶𝓪 𝓭𝓪𝓼 𝓼𝓾𝓪𝓼 𝓼𝓮𝓷𝓱𝓪𝓼 𝓭𝓮 𝓲𝓭𝓮𝓷𝓽𝓲𝓭𝓪𝓭𝓮 𝓺𝓾𝓮 𝓶𝓮𝓻𝓮𝓬𝓮 𝓻𝓮𝓼𝓹𝓮𝓲𝓽𝓸 𝓮 𝓬𝓾𝓲𝓭𝓪𝓭𝓸. 𝓔𝓼𝓽𝓮 𝓜𝓸𝓷𝓾𝓶𝓮𝓷𝓽𝓸 𝓭𝓮 𝓘𝓷𝓽𝓮𝓻𝓮𝓼𝓼𝓮 𝓟𝓾́𝓫𝓵𝓲𝓬𝓸, 𝓪𝓼𝓼𝓲𝓶 𝓭𝓮𝓬𝓵𝓪𝓻𝓪𝓭𝓸 𝓱𝓪́ 𝟏𝟎 𝓪𝓷𝓸𝓼, 𝓮́ 𝓾𝓶 𝓫𝓸𝓶 𝓮𝔁𝓮𝓶𝓹𝓵𝓸 𝓭𝓮 𝓬𝓸𝓶𝓸 𝓡𝓮𝓼𝓲𝓼𝓽𝓲𝓻 𝓪𝓸 𝓣𝓮𝓶𝓹𝓸, 𝓹𝓪𝓻𝓪 𝓲𝓷𝓿𝓸𝓬𝓪𝓻 𝓸 𝓽𝓲́𝓽𝓾𝓵𝓸 𝓭𝓪 𝓷𝓸𝓿𝓲́𝓼𝓼𝓲𝓶𝓪 𝓪𝓷𝓽𝓸𝓵𝓸𝓰𝓲𝓪 𝓭𝓮 𝓹𝓸𝓮𝓼𝓲𝓪 𝓬𝓪𝓽𝓪𝓵𝓪̃ 𝓽𝓻𝓪𝓭𝓾𝔃𝓲𝓭𝓪 𝓹𝓪𝓻𝓪 𝓹𝓸𝓻𝓽𝓾𝓰𝓾𝓮̂𝓼 𝓺𝓾𝓮 𝓭𝓮𝓼𝓬𝓸𝓫𝓻𝓲 𝓷𝓪𝓼 𝓵𝓲𝓿𝓻𝓪𝓻𝓲𝓪𝓼 𝓭𝓸 𝓟𝓸𝓻𝓽𝓸.

* Presidente da SABA e do Gran Teatre del Liceu de Barcelona

IN "JORNAL DE NOTÍCIAS" - 03/07/21

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