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𝘼 𝙢𝙤𝙧𝙩𝙚 𝙙𝙤 𝙖𝙧𝙜𝙪𝙢𝙚𝙣𝙩𝙞𝙨𝙩𝙖 𝙛𝙧𝙖𝙣𝙘𝙚̂𝙨 𝙅𝙚𝙖𝙣-𝘾𝙡𝙖𝙪𝙙𝙚 𝘾𝙖𝙧𝙧𝙞𝙚̀𝙧𝙚, 𝙣𝙤 𝙞𝙣𝙞́𝙘𝙞𝙤 𝙙𝙚𝙨𝙩𝙖 𝙨𝙚𝙢𝙖𝙣𝙖, 𝙛𝙚𝙯-𝙢𝙚 𝙧𝙚𝙜𝙧𝙚𝙨𝙨𝙖𝙧 𝙖 𝙖𝙡𝙜𝙪𝙣𝙨 𝙙𝙤𝙨 𝙨𝙚𝙪𝙨 𝙡𝙞𝙫𝙧𝙤𝙨 𝙙𝙞𝙙𝙖́𝙩𝙞𝙘𝙤𝙨 𝙨𝙤𝙗𝙧𝙚 𝙖 𝙡𝙞𝙣𝙜𝙪𝙖𝙜𝙚𝙢 𝙙𝙤 𝙘𝙞𝙣𝙚𝙢𝙖 𝙚 𝙖 𝙘𝙤𝙣𝙨𝙩𝙧𝙪𝙘̧𝙖̃𝙤 𝙣𝙖𝙧𝙧𝙖𝙩𝙞𝙫𝙖, 𝙛𝙧𝙪𝙩𝙤 𝙙𝙤 𝙨𝙚𝙪 𝙩𝙧𝙖𝙗𝙖𝙡𝙝𝙤 𝙘𝙤𝙢 𝙞𝙣𝙪́𝙢𝙚𝙧𝙤𝙨 𝙜𝙞𝙜𝙖𝙣𝙩𝙚𝙨 𝙙𝙖 𝙨𝙚́𝙩𝙞𝙢𝙖 𝙖𝙧𝙩𝙚.

𝙉𝙖 𝙨𝙪𝙖 𝙤𝙗𝙧𝙖 “𝙇𝙚 𝙁𝙞𝙡𝙢 𝙌𝙪’𝙤𝙣 𝙣𝙚 𝙑𝙤𝙞𝙩 𝙋𝙖𝙨”, 𝙘𝙤𝙢𝙚𝙘̧𝙖 𝙥𝙤𝙧 𝙙𝙚𝙨𝙘𝙧𝙚𝙫𝙚𝙧 𝙤𝙨 𝙥𝙧𝙞𝙢𝙤́𝙧𝙙𝙞𝙤𝙨 𝙙𝙤 𝙘𝙞𝙣𝙚𝙢𝙖 𝙚 𝙙𝙤 𝙞𝙢𝙥𝙖𝙘𝙩𝙤 𝙦𝙪𝙚 𝙖 𝙣𝙤𝙫𝙖 𝙩𝙚𝙘𝙣𝙤𝙡𝙤𝙜𝙞𝙖 𝙩𝙚𝙫𝙚 𝙚𝙢 𝙢𝙪𝙞𝙩𝙖𝙨 𝙨𝙤𝙘𝙞𝙚𝙙𝙖𝙙𝙚𝙨 𝙝𝙖𝙗𝙞𝙩𝙪𝙖𝙙𝙖𝙨 𝙖̀ 𝙩𝙧𝙖𝙙𝙞𝙘̧𝙖̃𝙤 𝙤𝙧𝙖𝙡 𝙙𝙚 𝙘𝙤𝙣𝙩𝙖𝙧 𝙝𝙞𝙨𝙩𝙤́𝙧𝙞𝙖𝙨. 𝙉𝙚𝙨𝙨𝙖 𝙩𝙧𝙖𝙣𝙨𝙞𝙘̧𝙖̃𝙤 𝙚𝙣𝙩𝙧𝙚 𝙤𝙨 𝙨𝙚́𝙘𝙪𝙡𝙤𝙨 𝙓𝙄𝙓 𝙚 𝙓𝙓, 𝙖 𝙣𝙤𝙫𝙖 𝙡𝙞𝙣𝙜𝙪𝙖𝙜𝙚𝙢 𝙘𝙧𝙞𝙖𝙙𝙖 𝙥𝙚𝙡𝙤 𝙘𝙞𝙣𝙚𝙢𝙖 𝙩𝙤𝙧𝙣𝙖𝙫𝙖 𝙣𝙚𝙘𝙚𝙨𝙨𝙖́𝙧𝙞𝙤 𝙦𝙪𝙚 𝙚𝙢 𝙘𝙚𝙧𝙩𝙤𝙨 𝙥𝙖𝙞́𝙨𝙚𝙨 𝙙𝙤 𝙉𝙤𝙧𝙩𝙚 𝙙𝙚 𝘼́𝙛𝙧𝙞𝙘𝙖 𝙚 𝙚𝙢 𝙀𝙨𝙥𝙖𝙣𝙝𝙖 𝙧𝙚𝙘𝙤𝙧𝙧𝙚𝙨𝙨𝙚𝙢 𝙖̀ 𝙛𝙞𝙜𝙪𝙧𝙖 𝙙𝙚 𝙪𝙢 “𝙚𝙭𝙥𝙡𝙞𝙘𝙖𝙙𝙤𝙧”, 𝙦𝙪𝙚 𝙥𝙚𝙧𝙢𝙖𝙣𝙚𝙘𝙞𝙖 𝙙𝙚 𝙥𝙚́ 𝙖𝙤 𝙡𝙤𝙣𝙜𝙤 𝙙𝙤 𝙛𝙞𝙡𝙢𝙚, 𝙖 𝙚𝙭𝙥𝙡𝙞𝙘𝙖𝙧 𝙖 𝙖𝙘̧𝙖̃𝙤 𝙥𝙖𝙧𝙖 𝙪𝙢𝙖 𝙖𝙪𝙙𝙞𝙚̂𝙣𝙘𝙞𝙖 𝙘𝙝𝙤𝙘𝙖𝙙𝙖 𝙘𝙤𝙢 𝙚𝙨𝙩𝙖 𝙣𝙤𝙫𝙖 𝙘𝙤𝙣𝙟𝙪𝙣𝙘̧𝙖̃𝙤 𝙙𝙚 𝙞𝙢𝙖𝙜𝙚𝙢, 𝙨𝙤𝙢 𝙚 𝙡𝙪𝙯 𝙦𝙪𝙚 𝙣𝙖̃𝙤 𝙘𝙤𝙣𝙨𝙚𝙜𝙪𝙞𝙖𝙢 𝙖𝙗𝙨𝙤𝙧𝙫𝙚𝙧 𝙨𝙚𝙢 𝙖𝙡𝙜𝙪𝙢 𝙚𝙨𝙛𝙤𝙧𝙘̧𝙤 𝙚 𝙙𝙞𝙛𝙞𝙘𝙪𝙡𝙙𝙖𝙙𝙚.

𝘼 𝙛𝙞𝙜𝙪𝙧𝙖 𝙙𝙤 𝙚𝙭𝙥𝙡𝙞𝙘𝙖𝙙𝙤𝙧 𝙙𝙚𝙨𝙖𝙥𝙖𝙧𝙚𝙘𝙚𝙪 𝙥𝙤𝙪𝙘𝙖𝙨 𝙙𝙚́𝙘𝙖𝙙𝙖𝙨 𝙙𝙚𝙥𝙤𝙞𝙨 𝙘𝙤𝙢 𝙖 𝙣𝙤𝙧𝙢𝙖𝙡𝙞𝙯𝙖𝙘̧𝙖̃𝙤 𝙙𝙤 𝙘𝙞𝙣𝙚𝙢𝙖. 𝙊𝙨 𝙛𝙞𝙡𝙢𝙚𝙨 𝙩𝙧𝙖𝙣𝙨𝙛𝙤𝙧𝙢𝙖𝙧𝙖𝙢-𝙨𝙚 𝙣𝙖̃𝙤 𝙨𝙤́ 𝙣𝙪𝙢𝙖 𝙙𝙖𝙨 𝙥𝙧𝙞𝙣𝙘𝙞𝙥𝙖𝙞𝙨 𝙛𝙤𝙧𝙢𝙖𝙨 𝙙𝙚 𝙚𝙣𝙩𝙧𝙚𝙩𝙚𝙣𝙞𝙢𝙚𝙣𝙩𝙤 𝙚 𝙚𝙨𝙘𝙖𝙥𝙞𝙨𝙢𝙤 𝙙𝙖𝙨 𝙢𝙖𝙨𝙨𝙖𝙨, 𝙘𝙤𝙢𝙤 𝙣𝙪𝙢 𝙥𝙤𝙙𝙚𝙧𝙤𝙨𝙤 𝙞𝙣𝙨𝙩𝙧𝙪𝙢𝙚𝙣𝙩𝙤 𝙙𝙚 𝙚𝙭𝙥𝙧𝙚𝙨𝙨𝙖̃𝙤 𝙖𝙧𝙩𝙞́𝙨𝙩𝙞𝙘𝙖.

𝙎𝙚 𝙖𝙫𝙖𝙣𝙘̧𝙖𝙧𝙢𝙤𝙨 𝙘𝙚𝙢 𝙖𝙣𝙤𝙨 𝙣𝙤 𝙩𝙚𝙢𝙥𝙤, 𝙤 𝙦𝙪𝙚 𝙚𝙣𝙘𝙤𝙣𝙩𝙧𝙖𝙢𝙤𝙨? 𝙊 𝙣𝙖𝙨𝙘𝙞𝙢𝙚𝙣𝙩𝙤 𝙚 𝙚𝙫𝙤𝙡𝙪𝙘̧𝙖̃𝙤 𝙙𝙚 𝙪𝙢𝙖 𝙣𝙤𝙫𝙖 𝙡𝙞𝙣𝙜𝙪𝙖𝙜𝙚𝙢 𝙙𝙞𝙜𝙞𝙩𝙖𝙡, 𝙥𝙤𝙨𝙨𝙞𝙗𝙞𝙡𝙞𝙩𝙖𝙙𝙖 𝙥𝙚𝙡𝙖 𝙄𝙣𝙩𝙚𝙧𝙣𝙚𝙩, 𝙦𝙪𝙚 𝙙𝙚𝙨𝙚𝙣𝙘𝙖𝙙𝙚𝙤𝙪 𝙪𝙢𝙖 𝙧𝙚𝙫𝙤𝙡𝙪𝙘̧𝙖̃𝙤 𝙣𝙖 𝙛𝙤𝙧𝙢𝙖 𝙘𝙤𝙢𝙤 𝙩𝙧𝙖𝙗𝙖𝙡𝙝𝙖𝙢𝙤𝙨 𝙚 𝙞𝙣𝙩𝙚𝙧𝙖𝙜𝙞𝙢𝙤𝙨. 𝙀́ 𝙪𝙢𝙖 𝙡𝙞𝙣𝙜𝙪𝙖𝙜𝙚𝙢 𝙚𝙢 𝙘𝙤𝙣𝙨𝙩𝙖𝙣𝙩𝙚 𝙢𝙪𝙩𝙖𝙘̧𝙖̃𝙤 (𝙩𝙖𝙡 𝙘𝙤𝙢𝙤 𝙪𝙢 𝙫𝙞́𝙧𝙪𝙨), 𝙦𝙪𝙚 𝙥𝙧𝙤𝙜𝙧𝙞𝙙𝙚 𝙖 𝙪𝙢𝙖 𝙫𝙚𝙡𝙤𝙘𝙞𝙙𝙖𝙙𝙚 𝙢𝙪𝙞𝙩𝙤 𝙢𝙖𝙞𝙨 𝙞𝙢𝙥𝙧𝙚𝙨𝙨𝙞𝙤𝙣𝙖𝙣𝙩𝙚 𝙙𝙤 𝙦𝙪𝙚 𝙖 𝙧𝙚𝙜𝙞𝙨𝙩𝙖𝙙𝙖 𝙣𝙤𝙨 𝙥𝙧𝙞𝙢𝙤́𝙧𝙙𝙞𝙤𝙨 𝙙𝙤 𝙘𝙞𝙣𝙚𝙢𝙖. 𝙀𝙨𝙨𝙚 𝙥𝙪́𝙗𝙡𝙞𝙘𝙤 𝙙𝙚 𝙤𝙪𝙩𝙧𝙤𝙧𝙖 𝙩𝙚𝙫𝙚 𝙩𝙚𝙢𝙥𝙤, 𝙚 𝙚𝙭𝙥𝙡𝙞𝙘𝙖𝙙𝙤𝙧𝙚𝙨, 𝙥𝙖𝙧𝙖 𝙨𝙚 𝙖𝙙𝙖𝙥𝙩𝙖𝙧 𝙖 𝙣𝙤𝙫𝙖𝙨 𝙖𝙗𝙤𝙧𝙙𝙖𝙜𝙚𝙣𝙨, 𝙖𝙤 𝙘𝙤𝙣𝙩𝙧𝙖́𝙧𝙞𝙤 𝙙𝙤𝙨 𝙙𝙞𝙖𝙨 𝙙𝙚 𝙝𝙤𝙟𝙚 𝙚𝙢 𝙦𝙪𝙚 𝙢𝙪𝙞𝙩𝙤𝙨 𝙖𝙘𝙖𝙗𝙖𝙧𝙖𝙢 𝙥𝙤𝙧 𝙛𝙞𝙘𝙖𝙧 𝙖̀ 𝙢𝙖𝙧𝙜𝙚𝙢 𝙙𝙚𝙨𝙨𝙖 𝙡𝙞𝙣𝙜𝙪𝙖𝙜𝙚𝙢.

𝘼𝙩𝙪𝙖𝙡𝙢𝙚𝙣𝙩𝙚, 𝙢𝙚𝙨𝙢𝙤 𝙤𝙨 𝙢𝙖𝙞𝙨 𝙡𝙞𝙩𝙚𝙧𝙖𝙩𝙤𝙨 𝙙𝙚 𝙣𝙤́𝙨 𝙨𝙚𝙣𝙩𝙚𝙢 𝙖 𝙚𝙣𝙤𝙧𝙢𝙚 𝙥𝙧𝙚𝙨𝙨𝙖̃𝙤 𝙙𝙚 𝙡𝙞𝙙𝙖𝙧 𝙘𝙤𝙢 𝙤 𝙚𝙣𝙤𝙧𝙢𝙚 𝙫𝙤𝙡𝙪𝙢𝙚 𝙙𝙚 𝙛𝙚𝙣𝙤́𝙢𝙚𝙣𝙤𝙨, 𝙞𝙣𝙛𝙤𝙧𝙢𝙖𝙘̧𝙖̃𝙤 𝙚 𝙥𝙤𝙨𝙨𝙞𝙗𝙞𝙡𝙞𝙙𝙖𝙙𝙚𝙨 𝙦𝙪𝙚 𝙞𝙧𝙧𝙤𝙢𝙥𝙚𝙢 𝙩𝙤𝙙𝙤𝙨 𝙤𝙨 𝙙𝙞𝙖𝙨. 𝘼 𝙫𝙚𝙡𝙤𝙘𝙞𝙙𝙖𝙙𝙚 𝙚́ 𝙩𝙖𝙡 𝙦𝙪𝙚 𝙨𝙚 𝙩𝙤𝙧𝙣𝙖 𝙣𝙖̃𝙤 𝙨𝙤́ 𝙙𝙞𝙛𝙞́𝙘𝙞𝙡 𝙢𝙖𝙣𝙩𝙚𝙧𝙢𝙤-𝙣𝙤𝙨 𝙞𝙣𝙛𝙤𝙧𝙢𝙖𝙙𝙤𝙨 𝙘𝙤𝙢 𝙧𝙞𝙜𝙤𝙧, 𝙘𝙤𝙢𝙤 𝙚𝙭𝙞𝙜𝙞𝙧 𝙙𝙤𝙨 𝙙𝙚𝙘𝙞𝙨𝙤𝙧𝙚𝙨 𝙥𝙤𝙡𝙞́𝙩𝙞𝙘𝙤𝙨 𝙖 𝙧𝙚𝙜𝙪𝙡𝙖𝙘̧𝙖̃𝙤 𝙣𝙚𝙘𝙚𝙨𝙨𝙖́𝙧𝙞𝙖 𝙦𝙪𝙚 𝙯𝙚𝙡𝙚 𝙥𝙚𝙡𝙤 𝙞𝙣𝙩𝙚𝙧𝙚𝙨𝙨𝙚 𝙥𝙪́𝙗𝙡𝙞𝙘𝙤. 𝙀 𝙤 𝙦𝙪𝙚 𝙙𝙞𝙯𝙚𝙧 𝙙𝙖 𝙛𝙤𝙧𝙢𝙖 𝙘𝙤𝙢𝙤 𝙚𝙨𝙨𝙚𝙨 𝙛𝙚𝙣𝙤́𝙢𝙚𝙣𝙤𝙨 𝙩𝙚̂𝙢 𝙖𝙗𝙚𝙧𝙩𝙤 𝙛𝙞𝙨𝙨𝙪𝙧𝙖𝙨 𝙣𝙤𝙨 𝙖𝙡𝙞𝙘𝙚𝙧𝙘𝙚𝙨 𝙙𝙖 𝙙𝙚𝙢𝙤𝙘𝙧𝙖𝙘𝙞𝙖, 𝙢𝙞𝙣𝙖𝙣𝙙𝙤 𝙖𝙨 𝙞𝙣𝙨𝙩𝙞𝙩𝙪𝙞𝙘̧𝙤̃𝙚𝙨 𝙚 𝙖 𝙧𝙚𝙡𝙖𝙘̧𝙖̃𝙤 𝙚𝙣𝙩𝙧𝙚 𝙀𝙨𝙩𝙖𝙙𝙤 𝙚 𝙘𝙞𝙙𝙖𝙙𝙖̃𝙤?

𝙎𝙚 𝙧𝙚𝙛𝙡𝙚𝙩𝙞𝙧𝙢𝙤𝙨 𝙗𝙚𝙢, 𝙘𝙤𝙣𝙨𝙩𝙖𝙩𝙖𝙢𝙤𝙨 𝙦𝙪𝙚 𝙝𝙖́ 𝙣𝙤𝙫𝙖𝙨 𝙙𝙚𝙨𝙞𝙜𝙪𝙖𝙡𝙙𝙖𝙙𝙚𝙨 𝙖 𝙖𝙜𝙧𝙖𝙫𝙖𝙧𝙚𝙢-𝙨𝙚 𝙙𝙚𝙣𝙩𝙧𝙤 𝙙𝙚 𝙫𝙚𝙡𝙝𝙖𝙨 𝙙𝙚𝙨𝙞𝙜𝙪𝙖𝙡𝙙𝙖𝙙𝙚𝙨, 𝙩𝙧𝙖𝙣𝙨𝙫𝙚𝙧𝙨𝙖𝙞𝙨 𝙖 𝙩𝙤𝙙𝙤𝙨 𝙤𝙨 𝙨𝙚𝙩𝙤𝙧𝙚𝙨. 𝙋𝙤𝙙𝙚𝙢𝙤𝙨 𝙖𝙩𝙚́ 𝙞𝙧 𝙗𝙪𝙨𝙘𝙖𝙧 𝙤 𝙚𝙭𝙚𝙢𝙥𝙡𝙤 𝙙𝙖𝙨 𝙡𝙞𝙢𝙞𝙩𝙖𝙘̧𝙤̃𝙚𝙨 𝙙𝙤 𝙖𝙩𝙪𝙖𝙡 𝙚𝙣𝙨𝙞𝙣𝙤 𝙖̀ 𝙙𝙞𝙨𝙩𝙖̂𝙣𝙘𝙞𝙖, 𝙛𝙤𝙧𝙘̧𝙖𝙙𝙤 𝙥𝙚𝙡𝙤 𝙘𝙤𝙣𝙛𝙞𝙣𝙖𝙢𝙚𝙣𝙩𝙤, 𝙤𝙣𝙙𝙚 𝙨𝙚 𝙩𝙤𝙧𝙣𝙖𝙢 𝙚𝙫𝙞𝙙𝙚𝙣𝙩𝙚𝙨 𝙖𝙨 𝙙𝙞𝙛𝙞𝙘𝙪𝙡𝙙𝙖𝙙𝙚𝙨 𝙚𝙣𝙛𝙧𝙚𝙣𝙩𝙖𝙙𝙖𝙨 𝙥𝙤𝙧 𝙛𝙖𝙢𝙞́𝙡𝙞𝙖𝙨 𝙚 𝙘𝙧𝙞𝙖𝙣𝙘̧𝙖𝙨.

𝘼 𝙡𝙞𝙣𝙜𝙪𝙖𝙜𝙚𝙢 𝙙𝙞𝙜𝙞𝙩𝙖𝙡 𝙫𝙞𝙧𝙤𝙪 𝙤 𝙣𝙤𝙨𝙨𝙤 𝙢𝙪𝙣𝙙𝙤 𝙙𝙤 𝙖𝙫𝙚𝙨𝙨𝙤, 𝙙𝙖 𝙢𝙚𝙨𝙢𝙖 𝙛𝙤𝙧𝙢𝙖 𝙦𝙪𝙚 𝙤 𝙎𝘼𝙍𝙎-𝘾𝙤𝙑-𝟮, 𝙚 𝙖𝙢𝙗𝙤𝙨 𝙚𝙨𝙩𝙖̃𝙤 𝙘𝙤𝙣𝙨𝙩𝙖𝙣𝙩𝙚𝙢𝙚𝙣𝙩𝙚 𝙖 𝙚𝙫𝙤𝙡𝙪𝙞𝙧, 𝙖 𝙪𝙡𝙩𝙧𝙖𝙥𝙖𝙨𝙨𝙖𝙧-𝙣𝙤𝙨 𝙚 𝙖 𝙚𝙨𝙘𝙖𝙥𝙖𝙧 𝙖𝙤 𝙣𝙤𝙨𝙨𝙤 𝙘𝙤𝙣𝙩𝙧𝙤𝙡𝙤 𝙤𝙪 𝙧𝙚𝙜𝙪𝙡𝙖𝙘̧𝙖̃𝙤. 𝙁𝙖𝙡𝙩𝙖𝙢-𝙣𝙤𝙨 𝙤𝙨 𝙧𝙚𝙘𝙪𝙧𝙨𝙤𝙨 𝙖𝙙𝙚𝙦𝙪𝙖𝙙𝙤𝙨 𝙥𝙖𝙧𝙖 𝙣𝙤𝙨 𝙖𝙣𝙩𝙚𝙘𝙞𝙥𝙖𝙧𝙢𝙤𝙨 𝙖𝙤𝙨 𝙩𝙧𝙖𝙣𝙨𝙩𝙤𝙧𝙣𝙤𝙨 𝙦𝙪𝙚 𝙖𝙢𝙗𝙤𝙨 𝙩𝙚̂𝙢 𝙤 𝙥𝙤𝙩𝙚𝙣𝙘𝙞𝙖𝙡 𝙙𝙚 𝙥𝙧𝙤𝙫𝙤𝙘𝙖𝙧. 𝙎𝙖𝙗𝙚𝙢𝙤𝙨 𝙖𝙨𝙨𝙞𝙢 𝙦𝙪𝙚, 𝙨𝙚 𝙣𝙖̃𝙤 𝙣𝙤𝙨 𝙖𝙣𝙩𝙚𝙘𝙞𝙥𝙖𝙧𝙢𝙤𝙨, 𝙘𝙤𝙧𝙧𝙚𝙢𝙤𝙨 𝙤 𝙧𝙞𝙨𝙘𝙤 𝙙𝙚 𝙥𝙚𝙧𝙢𝙞𝙩𝙞𝙧 𝙦𝙪𝙚 𝙤 𝙫𝙞́𝙧𝙪𝙨 𝙘𝙤𝙣𝙩𝙧𝙤𝙡𝙚 𝙖𝙨 𝙣𝙤𝙨𝙨𝙖𝙨 𝙫𝙞𝙙𝙖𝙨.

𝙉𝙖̃𝙤 𝙥𝙤𝙙𝙚𝙢𝙤𝙨 𝙥𝙚𝙧𝙢𝙞𝙩𝙞𝙧 𝙦𝙪𝙚 𝙖 𝙞𝙡𝙞𝙩𝙚𝙧𝙖𝙘𝙞𝙖 𝙙𝙞𝙜𝙞𝙩𝙖𝙡 𝙣𝙤𝙨 𝙖𝙛𝙪𝙣𝙙𝙚 𝙣𝙪𝙢 𝙢𝙪𝙣𝙙𝙤 𝙙𝙚𝙨𝙘𝙤𝙣𝙩𝙧𝙤𝙡𝙖𝙙𝙤 𝙚𝙢 𝙦𝙪𝙚 𝙨𝙤𝙢𝙤𝙨 𝙛𝙖𝙘𝙞𝙡𝙢𝙚𝙣𝙩𝙚 𝙢𝙖𝙣𝙞𝙥𝙪𝙡𝙖𝙙𝙤𝙨, 𝙙𝙖 𝙢𝙚𝙨𝙢𝙖 𝙛𝙤𝙧𝙢𝙖 𝙦𝙪𝙚 𝙢𝙪𝙞𝙩𝙤𝙨 𝙘𝙞𝙣𝙚𝙖𝙨𝙩𝙖𝙨 𝙢𝙖𝙣𝙞𝙥𝙪𝙡𝙖𝙫𝙖𝙢 𝙖𝙨 𝙣𝙤𝙨𝙨𝙖𝙨 𝙚𝙢𝙤𝙘̧𝙤̃𝙚𝙨. 𝙋𝙤𝙙𝙚𝙢𝙤𝙨 𝙩𝙚𝙣𝙩𝙖𝙧 𝙪𝙨𝙪𝙛𝙧𝙪𝙞𝙧 𝙙𝙤 𝙢𝙚𝙡𝙝𝙤𝙧 𝙦𝙪𝙚 𝙚𝙨𝙨𝙖 𝙡𝙞𝙣𝙜𝙪𝙖𝙜𝙚𝙢 𝙩𝙚𝙢 𝙥𝙖𝙧𝙖 𝙤𝙛𝙚𝙧𝙚𝙘𝙚𝙧, 𝙢𝙖𝙨 𝙨𝙚𝙢 𝙣𝙤𝙨 𝙙𝙚𝙞𝙭𝙖𝙧𝙢𝙤𝙨 𝙙𝙤𝙢𝙞𝙣𝙖𝙧 𝙥𝙚𝙡𝙤 𝙨𝙚𝙪 𝙡𝙖𝙙𝙤 𝙣𝙚𝙜𝙧𝙤. 𝙎𝙚 𝙖𝙞𝙣𝙙𝙖 𝙛𝙤𝙧𝙢𝙤𝙨 𝙖 𝙩𝙚𝙢𝙥𝙤.

* EMPRESÁRIA

IN "JORNAL ECONÓMICO" - 12/02/21

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